|
Tay Garnett (Director)
|
The Delta Factor
|
1970
|
|
Tay Garnett (Producer)
|
The Delta Factor
|
1970
|
|
Jack Martin Smith (Art Director)
|
Marines, Let's Go
|
1961
|
|
Lucien Ballard (Cinematographer)
|
Marines, Let's Go
|
1961
|
|
Mario Bava (Cinematographer)
|
Esther and the King
|
1960
|
|
Charles G. Clarke (Cinematographer)
|
A Private's Affair
|
1959
|
|
Dorothy Spencer (Editor)
|
A Private's Affair
|
1959
|
|
Otto Heller (Cinematographer)
|
The Sheriff of Fractured Jaw
|
1958
|
|
Julie Harris (Costume Designer)
|
The Sheriff of Fractured Jaw
|
1958
|
|
Lucien Ballard (Cinematographer)
|
Band of Angels
|
1957
|
|
Lucien Ballard (Cinematographer)
|
The King and Four Queens
|
1956
|
|
Renie (Costume Designer)
|
The King and Four Queens
|
1956
|
|
Buddy Adler (Producer)
|
The Revolt of Mamie Stover
|
1956
|
|
Aaron Rosenberg (Producer)
|
Saskatchewan
|
1954
|
|
Bernard Herzbrun (Art Director)
|
Saskatchewan
|
1954
|
|
John F. Seitz (Cinematographer)
|
Saskatchewan
|
1954
|
|
Harry Stradling (Cinematographer)
|
A Lion Is in the Streets
|
1953
|
|
William Cagney (Producer)
|
A Lion Is in the Streets
|
1953
|
|
Wilkie Cooper (Cinematographer)
|
Sea Devils
|
1953
|
|
Ralph Dawson (Editor)
|
Blackbeard the Pirate
|
1952
|
|
William H. Daniels (Cinematographer)
|
Glory Alley
|
1952
|
|
Cedric Gibbons (Art Director)
|
Glory Alley
|
1952
|
|
Bernard Herzbrun (Art Director)
|
The Lawless Breed
|
1952
|
|
Russell Metty (Cinematographer)
|
The World in His Arms
|
1952
|
|
Bernard Herzbrun (Art Director)
|
The World in His Arms
|
1952
|
|
Aaron Rosenberg (Producer)
|
The World in His Arms
|
1952
|
|
Anthony Veiller (Producer)
|
Along the Great Divide
|
1951
|
|
Guy Green (Cinematographer)
|
Captain Horatio Hornblower
|
1951
|
|
Anthony Veiller (Producer)
|
Colorado Territory
|
1949
|
|
Jerry Wald (Producer)
|
One Sunday Afternoon
|
1948
|
|
Anton Grot (Art Director)
|
One Sunday Afternoon
|
1948
|
|
Alan Crosland, Jr. (Editor)
|
Silver River
|
1948
|
|
Jack L. Warner (Executive Producer)
|
Silver River
|
1948
|
|
Robert Buckner (Producer)
|
Cheyenne
|
1947
|
|
Milo Anderson (Costume Designer)
|
Cheyenne
|
1947
|
|
James Wong Howe (Cinematographer)
|
Pursued
|
1947
|
|
Alex Gottlieb (Producer)
|
Stallion Road
|
1947
|
|
Arthur Edeson (Cinematographer)
|
Stallion Road
|
1947
|
|
Milo Anderson (Costume Designer)
|
The Man I Love
|
1946
|
|
Jack L. Warner (Executive Producer)
|
The Man I Love
|
1946
|
|
Milo Anderson (Costume Designer)
|
The Horn Blows at Midnight
|
1945
|
|
Mark Hellinger (Producer)
|
The Horn Blows at Midnight
|
1945
|
|
Jack L. Warner (Executive Producer)
|
Objective, Burma!
|
1945
|
|
Jerry Wald (Producer)
|
Objective, Burma!
|
1945
|
|
James Wong Howe (Cinematographer)
|
Objective, Burma!
|
1945
|
|
Hans Dreier (Art Director)
|
Salty O'Rourke
|
1945
|
|
Robert M. Haas (Art Director)
|
Uncertain Glory
|
1944
|
|
Robert Buckner (Producer)
|
Uncertain Glory
|
1944
|
|
Jerry Wald (Producer)
|
Background to Danger
|
1943
|
|
Milo Anderson (Costume Designer)
|
Background to Danger
|
1943
|
|
Jack L. Warner (Executive Producer)
|
Northern Pursuit
|
1943
|
|
Hal B. Wallis (Producer)
|
Desperate Journey
|
1942
|
|
Milo Anderson (Costume Designer)
|
Desperate Journey
|
1942
|
|
Milo Anderson (Costume Designer)
|
Gentleman Jim
|
1942
|
|
Robert Buckner (Producer)
|
Gentleman Jim
|
1942
|
|
Hal B. Wallis (Producer)
|
High Sierra
|
1941
|
|
Jack L. Warner (Executive Producer)
|
High Sierra
|
1941
|
|
Milo Anderson (Costume Designer)
|
High Sierra
|
1941
|
|
Ernest Haller (Cinematographer)
|
Manpower
|
1941
|
|
Milo Anderson (Costume Designer)
|
Manpower
|
1941
|
|
Hal B. Wallis (Executive Producer)
|
Manpower
|
1941
|
|
Ralph Dawson (Editor)
|
Manpower
|
1941
|
|
Mark Hellinger (Producer)
|
Manpower
|
1941
|
|
Hal B. Wallis (Producer)
|
The Strawberry Blonde
|
1941
|
|
Jack L. Warner (Producer)
|
The Strawberry Blonde
|
1941
|
|
Orry-Kelly (Costume Designer)
|
The Strawberry Blonde
|
1941
|
|
William Holmes (Editor)
|
The Strawberry Blonde
|
1941
|
|
Robert M. Haas (Art Director)
|
The Strawberry Blonde
|
1941
|
|
James Wong Howe (Cinematographer)
|
The Strawberry Blonde
|
1941
|
|
William Holmes (Editor)
|
They Died With Their Boots On
|
1941
|
|
Milo Anderson (Costume Designer)
|
They Died With Their Boots On
|
1941
|
|
Hal B. Wallis (Producer)
|
They Died With Their Boots On
|
1941
|
|
Sol C. Siegel (Producer)
|
The Dark Command
|
1940
|
|
Arthur Edeson (Cinematographer)
|
They Drive by Night
|
1940
|
|
Milo Anderson (Costume Designer)
|
They Drive by Night
|
1940
|
|
Hal B. Wallis (Producer)
|
They Drive by Night
|
1940
|
|
Jack L. Warner (Executive Producer)
|
The Roaring Twenties
|
1939
|
|
Milo Anderson (Costume Designer)
|
The Roaring Twenties
|
1939
|
|
Ernest Haller (Cinematographer)
|
The Roaring Twenties
|
1939
|
|
Hal B. Wallis (Executive Producer)
|
The Roaring Twenties
|
1939
|
|
LeRoy J. Prinz (Choreography)
|
St. Louis Blues
|
1939
|
|
Hans Dreier (Art Director)
|
St. Louis Blues
|
1939
|
|
Edith Head (Costume Designer)
|
College Swing
|
1938
|
|
Hans Dreier (Art Director)
|
College Swing
|
1938
|
|
LeRoy J. Prinz (Choreography)
|
College Swing
|
1938
|
|
Vincente Minnelli (Choreography)
|
Artists and Models
|
1937
|
|
LeRoy J. Prinz (Choreography)
|
Artists and Models
|
1937
|
|
Jesse Lasky (Producer)
|
Hitting a New High
|
1937
|
|
Edward Stevenson (Costume Designer)
|
Hitting a New High
|
1937
|
|
Roy Hunt (Cinematographer)
|
Hitting a New High
|
1937
|
|
Van Nest Polglase (Art Director)
|
Hitting a New High
|
1937
|
|
Roy Kellino (Cinematographer)
|
O.H.M.S.
|
1937
|
|
Douglas Fairbanks, Jr. (Producer)
|
When Thief Meets Thief
|
1937
|
|
Walter Wanger (Producer)
|
Big Brown Eyes
|
1936
|
|
William Le Baron (Producer)
|
Klondike Annie
|
1936
|
|
Stuart Heisler (Editor)
|
Klondike Annie
|
1936
|
|
Hans Dreier (Art Director)
|
Klondike Annie
|
1936
|
|
Bernard Herzbrun (Art Director)
|
Klondike Annie
|
1936
|
|
Leon Shamroy (Cinematographer)
|
Spendthrift
|
1936
|
|
Walter Wanger (Producer)
|
Spendthrift
|
1936
|
|
Oliver Marsh (Cinematographer)
|
Baby Face Harrington
|
1935
|
|
Walter Wanger (Producer)
|
Every Night at Eight
|
1935
|
|
Hal Mohr (Cinematographer)
|
Under Pressure
|
1935
|
|
Darryl F. Zanuck (Producer)
|
The Bowery
|
1933
|
|
Adrian (Costume Designer)
|
Going Hollywood
|
1933
|
|
Walter Wanger (Producer)
|
Going Hollywood
|
1933
|
|
Arthur C. Miller (Cinematographer)
|
Sailor's Luck
|
1933
|
|
William Fox (Producer)
|
Me and My Gal
|
1932
|
|
Arthur C. Miller (Cinematographer)
|
Me and My Gal
|
1932
|
|
Norbert F. Brodin (Cinematographer)
|
Wild Girl
|
1932
|
|
Lucien Andriot (Cinematographer)
|
Die Grosse Fahrt [German Version]
|
1931
|
|
Arthur Edeson (Cinematographer)
|
The Man Who Came Back
|
1931
|
|
William Fox (Producer)
|
The Man Who Came Back
|
1931
|
|
Lucien Andriot (Cinematographer)
|
Women of All Nations
|
1931
|
|
James Wong Howe (Cinematographer)
|
The Yellow Ticket
|
1931
|
|
Arthur Edeson (Cinematographer)
|
The Big Trail
|
1930
|
|
Lucien Andriot (Cinematographer)
|
The Big Trail
|
1930
|
|
Fred Sersen (Art Director)
|
The Big Trail
|
1930
|
|
Arthur Edeson (Cinematographer)
|
The Cock-Eyed World
|
1929
|
|
Arthur Edeson (Cinematographer)
|
In Old Arizona
|
1929
|
|
Irving Cummings (Director)
|
In Old Arizona
|
1929
|
|
Arthur Edeson (Cinematographer)
|
Me, Gangster
|
1928
|
|
William Cameron Menzies (Director)
|
Sadie Thompson
|
1928
|
|
George Barnes (Cinematographer)
|
Sadie Thompson
|
1928
|
|
C. Gardner Sullivan (Editor)
|
Sadie Thompson
|
1928
|
|
Gloria Swanson (Producer)
|
Sadie Thompson
|
1928
|
|
Lucien Andriot (Cinematographer)
|
Loves of Carmen
|
1927
|
|
Mitchell Leisen (Costume Designer)
|
The Thief of Bagdad
|
1924
|
|
Arthur Edeson (Cinematographer)
|
The Thief of Bagdad
|
1924
|
|
Douglas Fairbanks (Producer)
|
The Thief of Bagdad
|
1924
|
|
William Cameron Menzies (Art Director)
|
Kindred of the Dust
|
1922
|
|
William Cameron Menzies (Art Director)
|
Serenade
|
1921
|
|
Hal Roach (Producer)
|
On the Jump
|
1918
|
|
William Fox (Producer)
|
The Serpent
|
1916
|
|
William Fox (Producer)
|
Carmen
|
1915
|