100

Chicago Sun-Times

By Roger Ebert
Harrelson is an ideal actor for the role. Especially in tensely wound-up movies like this, he implies that he's looking at everything and then watching himself looking.
Full Review
100

Entertainment Weekly

By Owen Gleiberman
Oren Moverman's Rampart is a terrific film: tense, shocking, complex, mesmerizing.
Full Review
88

Rolling Stone

By Peter Travers
Yup, it could have been a bucket of bleak. But the electric talent of Harrelson and Moverman is too exciting to be anything but exhilarating.
Full Review
80

Wall Street Journal

By John Anderson
With Mr. Harrelson, Mr. Moverman has created an antihero of epic proportions and indiscretions.
Full Review
75

San Francisco Chronicle

By Mick LaSalle
The best thing Harrelson brings is his own sweetness of disposition, which somehow never goes completely into hiding.
Full Review
75

USA Today

By Claudia Puig
Though the plot can be vague and occasionally convoluted, Harrelson is mesmerizing.
Full Review
65

Movieline

While it provides a watchable, nuanced portrait of man in crisis, it's an insistently one-note affair, repeated until it induces a splitting headache.
Full Review
60

New York Daily News

By Joe Neumaier
Harrelson though, is in every scene, and seeing him burn up Rampart is positively arresting.
Full Review
50

Boston Globe

By Ty Burr
Something to see and little to remember, an acrid character study undone by narrative implausibilities and its own lack of purpose.
Full Review
50

The Hollywood Reporter

By Kirk Honeycutt
Harrelson goes full bore from the opening scene and there are no scenes he is not in. But the effect is wearying rather than exhilarating.
Full Review
70 out of 100
Generally favorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.