See it in
Digital 3D
83

Entertainment Weekly

By Lisa Schwarzbaum
This is jumbo-size science fiction, with a handsome, impermeable titanium gleam - and a thick coating of creationism lite.
Full Review
80

New York Daily News

By Joe Neumaier
We are left, after all the propulsive action, with great turns by Theron and Rapace, and a tightly wound turn by Fassbender, whose eerie, poetically impish mechanical man might have burst from Bradbury's conscience.
Full Review
80

The Hollywood Reporter

By Todd McCarthy
Although Ridley Scott's 3D visual feast is no classic, the oozing alien tentacles hit all the right sci-fi horror notes.
Full Review
75

Rolling Stone

By Peter Travers
The ending isn't squishy scary or deeply satisfying. Bummer. Otherwise, Prometheus – especially in its spellbinding first hour – kicks ass so hard and often that it's impossible not to be thrilled by it.
Full Review
75

USA Today

By Claudia Puig
Scott seduces audiences with thought-provoking possibilities, then pulls a bait-and-switch, subbing in a familiar monster thriller and fiery explosion-fest.
Full Review
63

Philadelphia Inquirer

By Steven Rea
It is Rapace, the Swedish actress who gained worldwide recognition as Lisbeth Salander in the original adaptation of "The Girl With the Dragon Tattoo," who ends up the true heroine of Prometheus.
Full Review
60

Movieline

By Stephanie Zacharek
It's imaginative only in a stiff, expensive way. Scott vests the movie with an admirable degree of integrity – it doesn't feel like a cheap grab for our moviegoing dollars – but it doesn't inspire anything so vital as wonder or fear, either.
Full Review
50

San Francisco Chronicle

By Mick LaSalle
Try as it might, the movie is hardly profound, and the murky atmosphere and the leaden pace drag things down.
Full Review
50

Boston Globe

By Ty Burr
Watching Prometheus is like opening a deluxe gift box from Tiffany's to find a mug from the dollar store.
Full Review
50

Wall Street Journal

By Joe Morgenstern
Prometheus, in efficient 3-D, places most of its bets on the wonders that today's visual artists and technicians can work with digital tools. This tale of an interstellar search asks cosmic questions about the meaning of life, but comes up with lame answers in a script that screams attention-deficit disorder.
Full Review
65 out of 100
Generally favorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.