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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Edward Norton is in top form as Ray, a burned-out detective whose investigation into the deaths of four cops leads him to suspect his brother-in-law, Officer Jimmy Egan (Colin Farrell, also terrific). Read full review
Its value is unquestionable as drama and moral provocation. Read full review
The stark drama harkens back to Sidney Lumet classics like "Serpico" and "Prince of the City"-filmmaking that went after an unadorned, jagged realism, with acting to match. Read full review
Not especially good, but there is enough rough artistry in Mr. O'Connor's direction to make you wish the film were better. Read full review
It follows the well-worn pathways of countless police dramas before it. Read full review
Feels like a film that should have been made at least 25 years ago. Or made as a period piece. Heavy, doom-laden and, unfortunately, entirely predictable. Read full review
The movie is as histrionic as it is ham-fisted, a bad combination that leads to scenes such as the one in which officers threaten to torture a baby to get their point across. Read full review
It's dj vu all over again. There isn't much more to say about "We Own the Night 2." Oops, make that Pride and Glory. Read full review
Pride and Glory would be risible if it weren't so reprehensible. Read full review
A single 125-minute monstrosity of a cop movie. Read full review
0.5
Dave White Profile
...glowering and fuming and snorting... Read full review