Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Most documentaries put us inside people's heads. The dazzling, experimental Pina puts us inside people's feet. Read full review
The result, Pina, is the most spirited and spectacular film about dance since Robert Altman's "The Company." Read full review
In both theatrical environments and open-air ones, with Wenders paying close attention to the geometrics as well as the psychology of the movement, Pina is the best possible tribute to Bausch, and to adventurous image-making. Read full review
The result, in Pina, is...wow. Read full review
The real 3-D experience of the season is Pina, Wim Wenders' shockingly beautiful and moving tribute to the late German choreographer Pina Bausch. Read full review
What's remarkable about Pina is how democratic it is, how casual it is about opening up the world of modern dance to people who know, or perhaps care, little about it. Read full review
The images captured by the film - dancers in theatrical sets, dancers in surreal exterior settings - are deeply scary for their loneliness and pain, and crazily thrilling for the intensity of their joy. Read full review
Wim Wenders' stylish 3D mirrors the bizarrely captivating world of choreographer Pina Bausch. Read full review
Where Pina excels - where it resembles no previous dance film - is in the staging of several of Bausch's signature works for Wenders's cameras. Read full review
The film is best suited for dance buffs excited by an unexpected congregation of artistic pioneers. Read full review