Set in 19th-century New York, this mystery begins when a Frenchwoman shows up at the home of one of Napoleon's former...
|
|
1951
|
An unusually disturbing noir from a director better known for more mainstream fare like High Noon and From Here to Eternity,...
|
|
1949
|
When Homecoming was first released in 1948, some observers felt that Clark Gable's unusually sensitive performance was based...
|
|
1948
|
Former army pilot Robert Taylor is accused, on the basis of strong circumstantial evidence, of his wife's murder. Suffering...
|
|
1947
|
In this war movie, set during WW II, a pilot must crash land in the Pacific after he is shot down. As he floats upon the...
|
|
1947
|
A change of pace for both director Vincente Minnelli and star Katharine Hepburn, this taut drama features the latter as Ann...
|
|
1946
|
One of two con-artists ends up arrested and given five days of freedom before he must go to jail. This comedy chronicles...
|
|
1946
|
William Powell plays a cynical con man who graduates from penny-ante operations to a big-time charity racket. The scam...
|
|
1946
|
|
|
1946
|
In another of her series of romantic desert adventures, popular actress Maria Montez is this time Naila, the newly crowned...
|
|
1945
|
Several of Paramount Pictures brightest stars make cameo appearances in this comedy set in "Duffy's Tavern," a favorite...
|
|
1945
|
The Three Mesquiteers are back in the saddle in Republic's Code of the Outlaws. In this outing, the Mesquiteers are played by...
|
|
1942
|
No sooner had the second of Monogram's "Range Riders" westerns hit the screens than the third entry, West of Pinto Basin, was...
|
|
1940
|
Filmed back-to-back with Roll, Wagons, Roll (1939), this minor Tex Ritter Western once again teamed Ritter with the rangy,...
|
|
1940
|
Despite its comparatively upbeat ending, Let Us Live is one of the darkest and gloomiest films of the late 1930s. As working...
|
|
1939
|
This film should have been a press agent's dream: Hollywood's two greatest "big mouths," Joe E. Brown and Martha Raye,...
|
|
1939
|
A big city lawyer returns to his tiny home town to enter the firm of his late father. His father's partner is happy to have...
|
|
1939
|
Also known as The Duke Is Tops, this is one of the best examples of the many all-black films made in the 1930s for what were...
|
Screenwriter
|
1938
|
As one of Harry Carey's mid-1930s independent westerns, Ghost Town is noted for its good, atmospheric cinematography (as...
|
|
1937
|
|
Screenwriter
|
1937
|
The third of four Fred Scott Westerns produced by C.C. Burr for Spectrum Pictures, Two Gun Troubadour was rather grim for...
|
Screenwriter
|
1937
|
Bank Alarm was one of four low-budget but high-entertainment crime melodramas starring Conrad Nagel and Eleanor Hunt as...
|
|
1937
|
Weather-beaten western star Harry Carey is consistently better than his material in the cheapie shoot-em-up Aces Wild....
|
Anson
|
1937
|
Russell Gleason, the personable and talented son of actors James and Lucille Gleason, is afforded a rare starring role in the...
|
Screenwriter
|
1937
|
The third of six Rex Bell Westerns produced by the Alexander brothers, Arthur and Max, The Idaho Kid was the first to be...
|
|
1937
|
This B-budget outing from co-directors Crane Wilbur and Joseph H. Lewis served as a vehicle for now-forgotten 1930s star...
|
Dr. Matthews
|
1937
|
In his final Western for low-budget Diversion Pictures, veteran cowboy ace Hoot Gibson plays a pony express rider who...
|
|
1936
|
The first of thirteen singing-Westerns starring former San Francisco Opera barytone Fred Scott, Romance Rides the Range was...
|
|
1936
|
The second of former silent screen star Jack Perrin's "Blue Ribbon" Westerns, Hair-Trigger Casey deftly straddled the fence...
|
|
1936
|
The second-to-last Rex Bell Western for Poverty Row producers Max and Arthur Alexander, Stormy Trails was the only entry not...
|
Screenwriter
|
1936
|
An obscure backstage drama from Poverty Row company Puritan Pictures, The Reckless Way stars Marion Nixon as Helen Rogers, a...
|
Screenwriter
|
1936
|
When wealthy Mr. Ames is murdered, his beautiful wife Hope (Madeleine Carroll) is the principal suspect. She is acquitted...
|
|
1936
|
William Colt MacDonald's 1934 story based on the Three Mesqueteers characters was brought to the screen the following year by...
|
|
1935
|
Neither the best nor worst of Hoot Gibson's westerns for producer Walter Futter, Feud of the West lies somewhere in between....
|
Screenwriter
|
1935
|
In this comedy, a waitress at a local lunch counter inadvertently foils a bank robbery and finds herself turned into a...
|
|
1935
|
In this drama, a fighter's fiancee refuses to marry him until he can overcome his insane jealousy. He does and they marry....
|
|
1934
|
The musical picture that ended Lou Brock's career as an RKO Radio producer, Down to Their Last Yacht is almost festive in its...
|
|
1934
|
Back in the 1930s, the "Search for Beauty" contests were designed to scout the hinterlands of America and England for...
|
|
1934
|
|
|
1934
|
Young football hero Jim Fowler (Robert Young) isn't in it for the love of the game. The hardworking young man is simply using...
|
|
1933
|
Unlike the unintentionally amusing vehicles of many another western star, most of Hoot Gibson's starring films are funny on...
|
|
1933
|
In this western, a hero is arrested and tossed in the pokey. He and a renowned mail thief escape together. It is soon...
|
|
1933
|
Tall-in-the-saddle Rex Bell stars in this Monogram western. Bell, a Navy boxing champ, returns to his family's ranch, only to...
|
Screenwriter
|
1933
|
William Wyler directed this melodramatic story about a boy who, after growing up in the shadow of his father, learns the old...
|
|
1932
|
This M.F. Hoffman production released through Grand National featured Ken Maynard as Friendly Fields, a mama's boy whose hat...
|
|
1930
|
Deft light comedienne Constance Talmadge seems woefully out of place in this historical drama of 17th century England. It was...
|
|
1923
|
The first Tarzan starring Elmo Lincoln did so well that, in time-honored cinematic tradition, the studio, First National,...
|
|
1918
|
Comedian Billy Bevan was new to the U.S. when he starred in this L-Ko picture. It's obvious that the head of the production...
|
Director
|
1917
|
|
|
1916
|
|
|
1914
|
|
|
1914
|
|
|
1914
|
|
|
1914
|
|
|
1914
|
The titular commodity in this Vitagraph comedy-fantasy is purchased by an absent-minded anatomy professor. En route to his...
|
|
1914
|
|
|
1914
|
|
|
1914
|
|
|
1914
|
|
|
1914
|
|
|
1914
|
|
|
1914
|
|
|
1914
|
|
|
1913
|
|
|
1913
|
|
|
1913
|