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Critic Ratings

70
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100

Christian Science Monitor

By David Sterritt
Miller shows terrific talent as a director with a sharp eye for images, a keen ear for dialogue, and a refreshing willingness to take...
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100

Entertainment Weekly

By Owen Gleiberman
A no-frills docu-Dogma plainness, yet Miller lingers on invisible, nearly psychic nuances, leaping into digressions of memory and desire....
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90

Wall Street Journal

By Joe Morgenstern
Everything and everyone is observed sharply, succinctly and indelibly.
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88

Chicago Sun-Times

By Roger Ebert
The actors are gifted at establishing character with just a few well-chosen strokes (as a short story writer must also be able to do). We...
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75

Philadelphia Inquirer

By Carrie Rickey
Has the confessional intimacy of a video diary and performances to match, particularly those of Kyra Sedgwick and Parker Posey.
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75

New York Post

By Megan Lehmann
Succinct yet detailed storytelling, evocative cinematography (by Ellen Kuras) and arresting central performances add up to a trio of...
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75

ReelViews

By James Berardinelli
The acting is uniformly excellent, with Kyra Sedgwick and Fairuza Balk in particular deserving to be singled out for praise.
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63

New York Daily News

By Jami Bernard
The first two stories are so well-drawn you hate to leave them. But Miller's femaleempowerment anthology carries a smart whiff of other...
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50

San Francisco Chronicle

By Mick LaSalle
A hit-and-miss affair, or, to be more precise, a miss (story one), hit (story two) and break even (story three) affair.
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50

Boston Globe

By Ty Burr
This isn't a movie -- it's an author in love with the sound of her own voice.
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Rated R | For brief violence, some strong sexuality and language