This made-for-cable documentary traces the filming of the imperishable classic Gone with the Wind, from its inception to its...
|
|
1989
|
|
Norma Treet
|
1972
|
Leo (Rod Steiger) is an aristocrat whose family fortunes have plummeted in this downbeat melodrama. He seeks to reverse his...
|
Maria Grazia Ardengo
|
1964
|
Irregularly scheduled on NBC from 1954-1957, Producers' Showcase was a series of lavish, full-color, 90-minute specials,...
|
Sylvia Fowler
|
1955
|
Four friends go on a friendly fishing trip but only three return. This suspenseful drama chronicles the fate of the fourth...
|
Angie Vickers
|
1954
|
Her days of cinematic glory behind her, Paulette Goddard was compelled to take whatever came along in the mid-1950s. Playing...
|
Jezebel
|
1954
|
|
|
Mona
|
1953
|
Charge of the Lancers is an all too typical Columbia "B" adventure film of the 1950s, with inexpensive sets, fading stars,...
|
Tanya
|
1953
|
|
|
|
1953
|
Though she was pushing 50 at the time, Paulette Goddard still looked quite fetching in harem duds in the independently...
|
Kyra
|
1952
|
The Torch was originally released in Mexico as La Malquerida. It also bore several other titles, including...
|
Maria Dolores
|
1950
|
Philip Yordan's stage hit Anna Lucasta posed two problems to Hollywood in 1949. For one thing, the story concerned a...
|
Anna Lucasta
|
1949
|
After Ray Milland turned down the leading role in Bride of Vengeance, Paramount contractee John Lund stepped into the role of...
|
Lucretia Borgia
|
1949
|
Also known as A Miracle Can Happen, On Our Merry Way is a multipart comedy linked by inquiring reporter Burgess Meredith. It...
|
Martha Pease
|
1948
|
Chronic gambler Ellen Crane (Paulette Goddard) indulges in games of chance to compensate for the loss of her boyfriend during...
|
Ellen Crane
|
1948
|
|
Abby Hale
|
1947
|
A man's youthful indiscretions come back to haunt him in this droll drawing room comedy. Sir Robert Chiltern (Hugh Williams)...
|
Mrs. Cheveley
|
1947
|
A post-WWII romantic comedy that explores the effects of the war on American marriage, this film stars Fred MacMurray and...
|
Mary Morely
|
1947
|
This story of two young hopefuls who come to Hollywood is merely a thin device to feature almost every star working for...
|
|
1947
|
|
|
Celestine
|
1946
|
Kitty is the "Pygmalion" legend, 18th century style. London aristocrat Ray Milland takes it upon himself to make a lady of a...
|
Kitty
|
1945
|
Several of Paramount Pictures brightest stars make cameo appearances in this comedy set in "Duffy's Tavern," a favorite...
|
Herself
|
1945
|
The overcrowding in WWII-era Washington, D.C., provided the concept for this comedy, as well as another film from the...
|
Jane Rogers
|
1944
|
|
|
Eva Morgan
|
1944
|
Overloaded with unreleased films in 1942 and 1943, Paramount Pictures cleaned house by diverting several pictures to United...
|
Toni Gerard
|
1943
|
|
Lt. Joan O'Doul
|
1943
|
In this drama, a dedicated forest ranger begins suspecting that a recent series of fires has been caused by arson. He...
|
Celia Huston
|
1942
|
|
Loxi Claiborne
|
1942
|
Star-Spangled Rhythm is a typical wartime all-star musical-comedy melange, this time from Paramount Pictures. The slender...
|
|
1942
|
Long underappreciated by film buffs, The Lady Has Plans is a screwball comedy disguised as an espionage melodrama. The title...
|
Sidney Royce
|
1942
|
James Stewart once classified Pot O' Gold as his worst film, though this may have stemmed from his reported inability to get...
|
Molly McCorkle
|
1941
|
Hold Back the Dawn begins with a shabby immigrant (Charles Boyer) wandering onto a Paramount sound stage and telling his life...
|
Anita Dixon
|
1941
|
|
|
Gwen Saunders
|
1941
|
|
Mary Carter
|
1940
|
Cecil B. De Mille directed this lavish all-star spectacular paying tribute to America's neighbors to the North. In 1885, as...
|
Louvette Corbeau
|
1940
|
"This is the story of the period between two world wars--an interim during which insanity cut loose, liberty took a nose...
|
Hannah
|
1940
|
Though not the best of the Fred Astaire musicals, Second Chorus is the most easily accessible thanks to its current...
|
Ellen Miller
|
1940
|
The classic "old dark house" motif is given sterling treatment in this second filmed version of the hit play. Bob Hope's...
|
Joyce Norman
|
1939
|
Based on the Clare Booth Luce play of the same name, this MGM comedy is famous for its all-female cast and deft direction by...
|
Miriam Aarons
|
1939
|
Viennese-born Luise Rainer plays a young Parisian girl who attends an exclusive drama school, working nights at a factory to...
|
Nana
|
1938
|
A comparatively little-known entry in the "screwball comedy" genre, David O. Selznick's The Young in Heart goes for quiet...
|
Leslie Saunders
|
1938
|
|
|
|
1936
|
This episodic satire of the Machine Age is considered Charles Chaplin's last "silent" film, although Chaplin uses sound,...
|
Gamine
|
1936
|
In this crime drama, an assistant DA must scramble to save the life of an innocent man he mistakenly sent to the chair....
|
|
1932
|
In director Leo McCarey's film The Kid From Spain, actor Eddie Cantor plays mischievious college boy Eddie Williams, who,...
|
|
1932
|
Though he'd been given top billing at other studios, Charles Ruggles attained star status at his home lot of Paramount for...
|
|
1931
|
Laurel and Hardy's second two-reel talkie is made up of a few very simple scenes -- Oliver Hardy goes to meet his partner...
|
|
1929
|