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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Klapisch's masterstroke was to place at the center of a movie a man, forced by circumstances, to stop and simply observe. Read full review
Paris is a funny, sad, romantic and deeply felt love letter to a great city. If you can't book a trip now, it's the next best thing. Read full review
Every character has life and depth. It's unusual for an episodic film to involve us so well in individual lives; as the narrative circles through their stories, we're genuinely curious about what will happen next. Read full review
Has a mature tapestry of characters, a welcome sense of humor and, most crucially, a lovely Juliette Binoche. Read full review
As a whole, though, Paris pulses with a contemporary version of the energy that animated Balzac's novels, or Colette's accounts of the life she observed from the window of her apartment in the Palais Royal. Read full review
There are enough intersecting characters from different classes and backgrounds in Paris to evoke the city as a complex, healthy organism, whose parts are all connected. If it is too lighthearted to show the actual political and economic machinery behind it, its celebration of how well that machinery works produces a pleasant afterglow. Read full review
If the idea of interconnectedness feels secondhand, what's fresh and affecting is the way Binoche's and Duris' characters navigate life and death. Read full review
There are too many secondhand characters roving through Paris. Read full review
The best armchair holiday going - the cast is lovely to behold and the plot dips in and out of the arrondissements with panache. You almost don't mind that none of it adds up to terribly much. Read full review
Paris is a bittersweet film containing rare moments of comedy. Read full review