Movie Reviews

Critic Ratings

85
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100

San Francisco Chronicle

By Mick LaSalle
[Soderbergh] plays with time and narrative to reveal character, mood and longing in ways you just don't find in a mainstream crime picture.
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88

New York Daily News

By
When boy meets girl in Steven Soderbergh's jaunty, sexy Out of Sight, it happens with a bang.
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88

Chicago Tribune

By Michael Wilmington
It's a nice mix, an elegantly smoky and dangerous cocktail -- just like the old noirs, but in a more modern, shinier glass. And since the...
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88

The Globe and Mail (Toronto)

By Rick Groen
Undoubtedly, [the lead actors] both benefit hugely from the sharpness of Leonard's stock-in-trade dialogue: Put smart words in any actor's...
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88

Chicago Sun-Times

By Roger Ebert
The first film to build on the enormously influential "Pulp Fiction" instead of simply mimicking it. It has the games with time, the...
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88

ReelViews

By James Berardinelli
Everything in Out of Sight is smart -- the dialogue, the characters, and the storyline.
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83

Entertainment Weekly

By Owen Gleiberman
Lopez, for all her Latina-siren voluptuousness, has always projected a contained coolness, and this is the first movie in which it fully...
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75

USA Today

By Andy Seiler
The low-key approach probably gets closer to the soul of Leonard, but it lacks zip. As a result, Out of Sight sometimes runs out of gas.
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50

Christian Science Monitor

By David Sterritt
Much of the action seems more like warmed-over Quentin Tarantino than first-rate Steven Soderbergh.
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50

San Francisco Examiner

By
Out of Sight needed the energetic and stylish hand of "Get Shorty" director Barry Sonnenfeld. Instead, a sad-sackish Soderbergh ( "sex, lies...
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