50

Boston Globe

By Mark Feeney
The biggest problem One for the Money faces is trying to have it both ways: gritty-ethnic inner city vs. girly-girly comic.
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30

Movieline

As played by Heigl, Stephanie is mind-blowingly charmless.
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30

The Hollywood Reporter

By Frank Scheck
Starring a painfully awkward Katherine Heigl, One for the Money mostly resembles a failed television pilot.
Full Review
25

Slant Magazine

By R. Kurt Osenlund
One for the Money is like The Bounty Hunter by Andy Tennant, if you dipped it in self-tanner and strapped some Four Loko on it.
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25

New Orleans Times-Picayune

By Mike Scott
I guess I can't call the movie sexist as it was largely produced, directed and written by women. So I'll settle for calling it dull, corny and amateurish instead.
Full Review
25

Entertainment Weekly

By Owen Gleiberman
It will have you groaning between yawns.
Full Review
25

The Globe and Mail (Toronto)

By Liam Lacey
Listlessly directed by Julie Anne Robinson (Miley Cyrus's The Last Song) from a script written by a trio of writers (Stacy Sherman, Karen Ray and Liz Brixius), One for the Money is tepidly glib throughout.
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20

Time Out New York

By Nick Schager
Flirty bickering is rampant but, courtesy of Heigl's inert performance, there's no heat or humor to the proceedings, just an avalanche of grating big-hair-and-bad-accent New Joisey caricatures.
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20

New York Daily News

By Elizabeth Weitzman
She's (Heigl) disastrously miscast as a character beloved by fans of novelist Janet Evanovich.
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0

Rolling Stone

By Peter Travers
Everything in One for the Money rings cringingly false, from Heigl's absurd Snooki accent to Plum's romance with Joe Morelli, an Italian cop, played by – faith and begorrah – Jason O'Mara. To dismiss Julie Anne Robinson's direction as clueless would be a kindness.
Full Review
22 out of 100
Generally unfavorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.