Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Cathy Moriarty and other Scorsese alums pop up, but these mean streets feel too derivative to thrill.
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Give director Paul Borghese credit for daring in giving his movie a title that evokes Sergio Leone’s two most famous epics. The trouble with doing that, of course, is that you better be prepared to deliver a movie on the same level. Read full review
As far as derivative crime sagas go, Paul Borghese's film might represent the new gold standard of shameless barrel-scraping. Read full review
Once Upon a Time in Brooklyn's vision of the Mafia comes filtered through a needlessly complex screenplay, as if the creators felt the need to prove they've seen a few Arnaud Desplechin films alongside Goodfellas. Read full review
Barely qualifies as late-night cable television fodder. Read full review
Pathetically inept. Read full review
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