70 Los Angeles Times | Kevin Thomas A fine example of digital filmmaking, and Weintrob and his co-writer, Andrew Osborne, manage to raise some serious issues regarding the Internet without taking themselves too seriously. Read full review
63 Premiere | Laine Ewen The movie falls flat at the end, unnecessarily linking all of the characters in what seems to be an attempt to show how it really is a small world after all. Read full review
60 Salon.com | Andrew O'Hehir There's nothing unconventional or daring about On_Line, but considering how cheap it undoubtedly was to make, the acting, writing and direction all stand up pretty well; this is more intelligent and better structured than at least half the Hollywood movies I see. Read full review
50 New York Daily News | Elizabeth Weitzman Weintrob's shallow analysis of virtual reality might have been more resonant in the mid-'90s, but he seems well aware that some things are timeless: By the end of his film, he has firmly shifted focus, concentrating far less on the cyber than on the sex. Read full review