Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Loopy, film-literate and full-bore, it's a sadistic '70s thriller in modern-day garb. Read full review
Director Ryûhei Kitamura (The Midnight Meat Train) is too talented for material this retro-junky, but he and screenwriter David Cohen keep the action coming hard and fast. Read full review
Depending on taste, you’ll be left either barfing or laughing. Read full review
Director Ryuhei Kitamura ladles on the entrails like a ghoulish dinnerlady, but his three-way narrative strategies lead nowhere. Read full review
No One Lives is a cheap horror prank that's ultimately not clever or accomplished enough to sustain its eccentricities, and they are very bloody eccentricities indeed. Read full review
No One Lives has to give away its biggest, best secret (the killers have messed with the wrong guy) far too early for its own good. Read full review
Ryuhei Kitamura's latest genre bloodbath is par for the course, in spite of the occasionally flourish of interesting subtext. Read full review
Mr. Kitamura, an action enthusiast who prefers to show rather than tell, seems unaware that the film’s dialogue is laughable, its characters unfathomable and the acting often less than optimal. Read full review
Almost coming off like an academic blueprint of what a serial killer movie should look like, rather than anything with a distinct voice or authorial hand, "No One Lives" shocks by virtue of being completely uninteresting. Read full review
How bad is No One Lives, the new bottom-feeding schlock-fest from WWE Studios? Simply put: It’s bad enough to make some of the studio’s other offerings, like the Steve Austin deathmatch movie "The Condemned" and the Kane-starring slasher flick "See No Evil," look like genre gems. Read full review
Mid-afternoon beef substitute Moped.
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