Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
A film in which everyone is lusting after the wrong person, and consummating those desires tends to lead to awkward - but not funny, unlike Dunham's usual projects - disasters of various scales. Read full review
Russo-Young studies the strange species of affluent Angelenus erectus under a microscope that distorts every character into unbelievability. Read full review
A good-looking but anecdotally slight dramedy about life and lifestyles in Los Angeles's hip Silver Lake district. Read full review
The whole thing comes out feeling kind of featureless, beaten flat by its own sense of fairness. Read full review
Sensitively written, nicely shot, expertly acted, and intelligently ambiguous, Nobody Walks still manages to send you out with a shrug. Read full review
Proves to be unsatisfactory because it establishes a well-defined group of characters and shows them disrupted by the careless behavior of a tiresome young woman and two adults who allow themselves to be motivated in one way or another by her infectious libido. Read full review
Don't fault Thirlby, who does as much as she can with the material. Krasinski is pretty good, and DeWitt and Ennenga are outstanding. The direction is decent, and the film is handsome. But it's finally frustrating, enigmatic in a way that suggests emptiness more than mystery.
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It's a naive example of the transformative powers of a 23-year-old let loose amongst the dullards. Whoa.
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The actors are all completely wasted in this dumb travesty of fumbling, unfocused, oversexed numbskulls who work in the movie business. Everyone connected with Nobody Walks should have done just that-early and quickly. Read full review
None of Dunham's humor comes across, except when someone says, "And when you speak, your words are snakes I swat at with swords," which is hilarious, but not intentionally. Read full review
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