Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
The film becomes a sort of boxing match, getting more intense with each round, building to an exciting finish. Read full review
The movie — the third in a trilogy of powerful political dramas from Larraín, including "Tony Manero" and "Post Mortem" — uses period detail, archival footage, and '80s-era technology to create an excellently authentic, bleached, crummy-looking document of a great democratic accomplishment. Read full review
Like "Argo" or "Zero Dark Thirty," the film dramatizes a fertile subject — in this instance, the language of advertising in modern politics. Read full review
A political drama, a personal drama, a sharp-eyed study of how the media manipulate us from all sides, No reels and ricochets with emotional force. Read full review
No grabs you hard, no mercy, and keeps you riveted. Read full review
For anyone fascinated by the political process and the powers of persuasive advertising, No is a resounding yes. Read full review
No is a comedy, but of a dangerous sort. Its eyes are open and the laughs tend to stick in your throat. Read full review
Anchored by an admirably measured performance from Gael Garcia Bernal as the maverick advertising ace who spearheaded the winning campaign, the quietly impassioned film seems a natural for intelligent arthouse audiences. Read full review
Bernal is quite good as the young media specialist - it's always surprising to see how strong a presence he is in his Spanish-language films and how he all-but disappears in his American films. Is it a matter of the roles or the language? The jury is still out. Read full review
The result was remarkable, but the story of it, while true to the moment, needed — ironically — much more dynamism. Read full review
Exclusive Interview: Gael Garcia Bernal We chat with the Mexican heartthrob about his latest foreign language Oscar nominated endeavor 'No' and perfecting the Chilean accent.