|
Pier Paolo Pasolini (Director)
|
La Rabbia di Pasolini
|
2008
|
|
Pier Paolo Pasolini (Editor)
|
La Rabbia di Pasolini
|
2008
|
|
Vittorio Cecchi Gori (Producer)
|
Il Barbiere Di Rio
|
1996
|
|
Danilo Donati (Art Director)
|
C'e Kim Novak al Telefono
|
1994
|
|
Ennio Guarnieri (Cinematographer)
|
C'e Kim Novak al Telefono
|
1994
|
|
Roberto Benigni (Producer)
|
The Monster
|
1994
|
|
Carlo Di Palma (Cinematographer)
|
The Monster
|
1994
|
|
Danilo Donati (Costume Designer)
|
The Monster
|
1994
|
|
Roberto Benigni (Director)
|
The Monster
|
1994
|
|
Jacques Deray (Director)
|
L'Ours en Peluche
|
1994
|
|
Margarethe von Trotta (Director)
|
Il Lungo Silenzio
|
1993
|
|
Mario Cecchi Gori (Producer)
|
Puerto Escondido
|
1993
|
|
Vittorio Cecchi Gori (Producer)
|
Puerto Escondido
|
1993
|
|
Roberto Benigni (Director)
|
Johnny Stecchino
|
1991
|
|
Mario Cecchi Gori (Producer)
|
Johnny Stecchino
|
1991
|
|
Vittorio Cecchi Gori (Producer)
|
Johnny Stecchino
|
1991
|
|
Mario Cecchi Gori (Producer)
|
Mediterraneo
|
1991
|
|
Vittorio Cecchi Gori (Producer)
|
Mediterraneo
|
1991
|
|
Tonino Delli Colli (Cinematographer)
|
L'Africana
|
1990
|
|
Margarethe von Trotta (Director)
|
L'Africana
|
1990
|
|
Armando Nannuzzi (Cinematographer)
|
L'Avaro
|
1990
|
|
Ben Gazzara (Director)
|
Beyond the Ocean
|
1990
|
|
Tonino Delli Colli (Cinematographer)
|
La Voce della Luna
|
1989
|
|
Federico Fellini (Director)
|
La Voce della Luna
|
1989
|
|
Mario Cecchi Gori (Producer)
|
Il Piccolo Diavolo
|
1988
|
|
Vittorio Cecchi Gori (Producer)
|
Il Piccolo Diavolo
|
1988
|
|
Robby Müller (Cinematographer)
|
Il Piccolo Diavolo
|
1988
|
|
Roberto Benigni (Director)
|
Il Piccolo Diavolo
|
1988
|
|
Giuseppe Rotunno (Cinematographer)
|
Hotel Colonial
|
1987
|
|
Federico Fellini (Director)
|
Intervista
|
1987
|
|
Paul Mazursky (Art Director)
|
Intervista
|
1987
|
|
Danilo Donati (Art Director)
|
Intervista
|
1987
|
|
Tonino Delli Colli (Cinematographer)
|
Intervista
|
1987
|
|
Danilo Donati (Costume Designer)
|
Intervista
|
1987
|
|
Mauro Bolognini (Director)
|
Mosca Addio
|
1987
|
|
Ennio Guarnieri (Cinematographer)
|
Mosca Addio
|
1987
|
|
Luigi Comencini (Director)
|
Un Ragazzo di Calabria
|
1987
|
|
Massimo Troisi (Director)
|
Le Vie Del Signore Sono Finite
|
1987
|
|
Ruggero Mastroianni (Editor)
|
Ginger and Fred
|
1986
|
|
Federico Fellini (Director)
|
Ginger and Fred
|
1986
|
|
Danilo Donati (Costume Designer)
|
Ginger and Fred
|
1986
|
|
Tonino Delli Colli (Cinematographer)
|
Ginger and Fred
|
1986
|
|
Ennio Guarnieri (Cinematographer)
|
Ginger and Fred
|
1986
|
|
Alberto Grimaldi (Producer)
|
Ginger and Fred
|
1986
|
|
Luigi Comencini (Director)
|
La Storia
|
1985
|
|
Giuseppe Rotunno (Cinematographer)
|
Non Ci Resta Che Piangere
|
1984
|
|
Roberto Benigni (Director)
|
Non Ci Resta Che Piangere
|
1984
|
|
Massimo Troisi (Director)
|
Non Ci Resta Che Piangere
|
1984
|
|
Sergio Leone (Director)
|
Once Upon a Time in America
|
1984
|
|
Tonino Delli Colli (Cinematographer)
|
Once Upon a Time in America
|
1984
|
|
Arnon Milchan (Producer)
|
Once Upon a Time in America
|
1984
|
|
Armando Nannuzzi (Cinematographer)
|
Occhei, Occhei
|
1983
|
|
Sergio Leone (Producer)
|
Bianco, Rosso E Verdone
|
1981
|
|
Dante Spinotti (Cinematographer)
|
Il Minestrone
|
1981
|
|
Mauro Bolognini (Director)
|
La Vera Storia Della Signora Delle Camelie
|
1981
|
|
Mauro Bolognini (Producer)
|
La Vera Storia Della Signora Delle Camelie
|
1981
|
|
Ennio Guarnieri (Cinematographer)
|
La Vera Storia Della Signora Delle Camelie
|
1981
|
|
Ennio Guarnieri (Cinematographer)
|
Il Cappoto Di Astrakan
|
1980
|
|
Franco Cristaldi (Producer)
|
Il Cappoto Di Astrakan
|
1980
|
|
Armando Nannuzzi (Cinematographer)
|
Il Malato Immaginario
|
1980
|
|
Luigi Comencini (Director)
|
Voltati Eugenio
|
1980
|
|
Danilo Donati (Art Director)
|
Caligula
|
1979
|
|
Ennio Guarnieri (Cinematographer)
|
L'Ingorgo
|
1979
|
|
Luigi Comencini (Director)
|
L'Ingorgo
|
1979
|
|
Luigi Comencini (Director)
|
Il Gatto
|
1978
|
|
Sergio Leone (Producer)
|
Il Gatto
|
1978
|
|
Dante Ferretti (Art Director)
|
Il Gatto
|
1978
|
|
Ennio Guarnieri (Cinematographer)
|
Il Gatto
|
1978
|
|
Franco Cristaldi (Producer)
|
Mogliamante
|
1977
|
|
Ennio Guarnieri (Cinematographer)
|
Mogliamante
|
1977
|
|
Armando Nannuzzi (Cinematographer)
|
Ritratto di Borghesia in Nero
|
1977
|
|
Mauro Bolognini (Director)
|
The Inheritance
|
1976
|
|
Ennio Guarnieri (Cinematographer)
|
The Inheritance
|
1976
|
|
Armando Nannuzzi (Cinematographer)
|
Quelle Strane Occasioni
|
1976
|
|
Aldo Tonti (Cinematographer)
|
Quelle Strane Occasioni
|
1976
|
|
Ruggero Mastroianni (Editor)
|
Quelle Strane Occasioni
|
1976
|
|
Luigi Comencini (Director)
|
Quelle Strane Occasioni
|
1976
|
|
Damiano Damiani (Director)
|
Un Genio, Due Compari, un Pollo
|
1975
|
|
Mauro Bolognini (Director)
|
Libera, Amore Mio
|
1975
|
|
Ennio Guarnieri (Cinematographer)
|
Per Le Antiche Scale
|
1975
|
|
Mauro Bolognini (Director)
|
Per Le Antiche Scale
|
1975
|
|
Danilo Donati (Costume Designer)
|
Salo, or the 120 Days of Sodom
|
1975
|
|
Tonino Delli Colli (Cinematographer)
|
Salo, or the 120 Days of Sodom
|
1975
|
|
Pier Paolo Pasolini (Director)
|
Salo, or the 120 Days of Sodom
|
1975
|
|
Alberto Grimaldi (Producer)
|
Salo, or the 120 Days of Sodom
|
1975
|
|
Armando Nannuzzi (Cinematographer)
|
Appassionata
|
1974
|
|
Pier Paolo Pasolini (Director)
|
The Arabian Nights
|
1974
|
|
Alberto Grimaldi (Producer)
|
The Arabian Nights
|
1974
|
|
Dante Ferretti (Art Director)
|
The Arabian Nights
|
1974
|
|
Danilo Donati (Costume Designer)
|
The Arabian Nights
|
1974
|
|
Dante Ferretti (Art Director)
|
Delitto d'amore
|
1974
|
|
Luigi Comencini (Director)
|
Delitto d'amore
|
1974
|
|
Tonino Delli Colli (Cinematographer)
|
Dio Mio, Come Sono Caduta In Basso
|
1974
|
|
Luigi Comencini (Director)
|
Dio Mio, Come Sono Caduta In Basso
|
1974
|
|
Dante Ferretti (Art Director)
|
Dio Mio, Come Sono Caduta In Basso
|
1974
|
|
Mauro Bolognini (Director)
|
Fatti Di Gente Perbene
|
1974
|
|
Ennio Guarnieri (Cinematographer)
|
Fatti Di Gente Perbene
|
1974
|
|
Armando Nannuzzi (Cinematographer)
|
My Name is Nobody
|
1974
|
|
Tonino Delli Colli (Cinematographer)
|
Paolo il Caldo
|
1973
|
|
Tonino Delli Colli (Cinematographer)
|
Storie Scellerate
|
1973
|
|
Sergio Leone (Director)
|
Giù la Testa
|
1972
|
|
Luigi Comencini (Director)
|
Lo Scopone Scientifico
|
1972
|
|
Luigi Comencini (Director)
|
Adventures of Pinocchio
|
1971
|
|
Armando Nannuzzi (Cinematographer)
|
Adventures of Pinocchio
|
1971
|
|
Pier Paolo Pasolini (Director)
|
The Canterbury Tales
|
1971
|
|
Alberto Grimaldi (Producer)
|
The Canterbury Tales
|
1971
|
|
Danilo Donati (Costume Designer)
|
The Canterbury Tales
|
1971
|
|
Tonino Delli Colli (Cinematographer)
|
The Canterbury Tales
|
1971
|
|
Pierre Granier-Deferre (Director)
|
Le Chat
|
1971
|
|
Enrico Sabbatini (Costume Designer)
|
Sacco and Vanzetti
|
1971
|
|
Liliana Cavani (Director)
|
I Cannibali
|
1970
|
|
Tonino Delli Colli (Cinematographer)
|
The Decameron
|
1970
|
|
Alberto Grimaldi (Producer)
|
The Decameron
|
1970
|
|
Pier Paolo Pasolini (Director)
|
The Decameron
|
1970
|
|
Danilo Donati (Costume Designer)
|
The Decameron
|
1970
|
|
Pier Paolo Pasolini (Director)
|
Medea
|
1970
|
|
Ennio Guarnieri (Cinematographer)
|
Medea
|
1970
|
|
Aldo Tonti (Cinematographer)
|
Violent City
|
1970
|
|
Ennio Guarnieri (Cinematographer)
|
L'Assoluto Naturale
|
1969
|
|
Laurence Harvey (Producer)
|
L'Assoluto Naturale
|
1969
|
|
Mauro Bolognini (Director)
|
L'Assoluto Naturale
|
1969
|
|
Dino de Laurentiis (Producer)
|
Fräulein Doktor
|
1969
|
|
Alberto Lattuada (Director)
|
Fräulein Doktor
|
1969
|
|
Luigi Comencini (Director)
|
Infanzia, vocazione e prime esperienze di Giacomo Casanova Veneziano
|
1969
|
|
Danilo Donati (Costume Designer)
|
Porcile
|
1969
|
|
Tonino Delli Colli (Cinematographer)
|
Porcile
|
1969
|
|
Armando Nannuzzi (Cinematographer)
|
Porcile
|
1969
|
|
Pier Paolo Pasolini (Director)
|
Porcile
|
1969
|
|
Luigi Comencini (Director)
|
Senza Sapere Niente di Lei
|
1969
|
|
Pasqualino De Santis (Cinematographer)
|
Senza Sapere Niente di Lei
|
1969
|
|
Liliana Cavani (Director)
|
Galileo
|
1968
|
|
Tonino Delli Colli (Cinematographer)
|
Il Giorno Della Civetta
|
1968
|
|
Damiano Damiani (Director)
|
Il Giorno Della Civetta
|
1968
|
|
Sergio Leone (Director)
|
Once Upon a Time in the West
|
1968
|
|
Tonino Delli Colli (Cinematographer)
|
Once Upon a Time in the West
|
1968
|
|
Pier Paolo Pasolini (Director)
|
Teorema
|
1968
|
|
Luigi Zampa (Director)
|
Le Dolci Signore
|
1967
|
|
Ennio Guarnieri (Cinematographer)
|
Le Dolci Signore
|
1967
|
|
Sergio Corbucci (Director)
|
The Hellbenders
|
1967
|
|
Albert Band (Producer)
|
The Hellbenders
|
1967
|
|
Danilo Donati (Costume Designer)
|
Oedipus Rex
|
1967
|
|
Pier Paolo Pasolini (Director)
|
Oedipus Rex
|
1967
|
|
Damiano Damiani (Director)
|
Strega in Amore
|
1967
|
|
Sergio Corbucci (Producer)
|
Django
|
1966
|
|
Sergio Corbucci (Director)
|
Django
|
1966
|
|
Mauro Bolognini (Director)
|
Le Fate
|
1966
|
|
Armando Nannuzzi (Cinematographer)
|
Le Fate
|
1966
|
|
Ennio Guarnieri (Cinematographer)
|
Le Fate
|
1966
|
|
Mario Monicelli (Director)
|
Le Fate
|
1966
|
|
Luciano Salce (Director)
|
Le Fate
|
1966
|
|
Ruggero Mastroianni (Editor)
|
Le Fate
|
1966
|
|
Armando Nannuzzi (Cinematographer)
|
La Fuga
|
1966
|
|
Tonino Delli Colli (Cinematographer)
|
The Good, the Bad and the Ugly
|
1966
|
|
Sergio Leone (Director)
|
The Good, the Bad and the Ugly
|
1966
|
|
Alberto Grimaldi (Producer)
|
The Good, the Bad and the Ugly
|
1966
|
|
Pier Paolo Pasolini (Director)
|
The Hawks and the Sparrows
|
1966
|
|
Tonino Delli Colli (Cinematographer)
|
The Hawks and the Sparrows
|
1966
|
|
Danilo Donati (Costume Designer)
|
The Hawks and the Sparrows
|
1966
|
|
Danilo Donati (Costume Designer)
|
Mandragola
|
1966
|
|
Tonino Delli Colli (Cinematographer)
|
Mandragola
|
1966
|
|
Alberto Lattuada (Director)
|
Mandragola
|
1966
|
|
Dino de Laurentiis (Producer)
|
Le Streghe
|
1966
|
|
Giuseppe Rotunno (Cinematographer)
|
Le Streghe
|
1966
|
|
Pier Paolo Pasolini (Director)
|
Le Streghe
|
1966
|
|
Vittorio De Sica (Director)
|
Le Streghe
|
1966
|
|
Mauro Bolognini (Director)
|
Le Streghe
|
1966
|
|
Luchino Visconti (Director)
|
Le Streghe
|
1966
|
|
Pier Paolo Pasolini (Director)
|
The Gospel According to St. Matthew
|
1964
|
|
Danilo Donati (Costume Designer)
|
The Gospel According to St. Matthew
|
1964
|
|
Tonino Delli Colli (Cinematographer)
|
The Gospel According to St. Matthew
|
1964
|
|
Luigi Comencini (Director)
|
La Ragazza di Bube
|
1964
|
|
Franco Cristaldi (Producer)
|
La Ragazza di Bube
|
1964
|
|
Otello Martelli (Cinematographer)
|
I Tre Volti
|
1964
|
|
Dino de Laurentiis (Producer)
|
I Tre Volti
|
1964
|
|
Carlo Di Palma (Cinematographer)
|
I Tre Volti
|
1964
|
|
Michelangelo Antonioni (Director)
|
I Tre Volti
|
1964
|
|
Mauro Bolognini (Director)
|
I Tre Volti
|
1964
|
|
Mauro Bolognini (Director)
|
La Corruzione
|
1963
|
|
Pier Paolo Pasolini (Director)
|
La Rabbia
|
1963
|
|
Pier Paolo Pasolini (Editor)
|
La Rabbia
|
1963
|
|
Luigi Comencini (Director)
|
A Cavallo Della Tigre
|
1962
|
|
Aldo Tonti (Cinematographer)
|
Agostino
|
1962
|
|
Mauro Bolognini (Director)
|
Agostino
|
1962
|
|
Bernardo Bertolucci (Director)
|
La Commare Secca
|
1962
|
|
Alberto Lattuada (Director)
|
Mafioso
|
1962
|
|
Armando Nannuzzi (Cinematographer)
|
Mafioso
|
1962
|
|
Dino de Laurentiis (Executive Producer)
|
Mafioso
|
1962
|
|
Pier Paolo Pasolini (Director)
|
Mamma Roma
|
1962
|
|
Tonino Delli Colli (Cinematographer)
|
Mamma Roma
|
1962
|
|
Tonino Delli Colli (Cinematographer)
|
I Nuovi Angeli
|
1962
|
|
René Clair (Director)
|
Les Quatre Verités
|
1962
|
|
Alessandro Blasetti (Director)
|
Les Quatre Verités
|
1962
|
|
Luis García Berlanga (Director)
|
Les Quatre Verités
|
1962
|
|
Pier Paolo Pasolini (Director)
|
Accattone
|
1961
|
|
Tonino Delli Colli (Cinematographer)
|
Accattone
|
1961
|
|
Mauro Bolognini (Director)
|
La Giornata Balorda
|
1961
|
|
Mauro Bolognini (Director)
|
Senilita
|
1961
|
|
Armando Nannuzzi (Cinematographer)
|
Senilita
|
1961
|
|
Carlo Di Palma (Cinematographer)
|
Tiro al Piccione
|
1961
|
|
Mauro Bolognini (Director)
|
Bell' Antonio
|
1960
|
|
Armando Nannuzzi (Cinematographer)
|
Bell' Antonio
|
1960
|
|
Dino de Laurentiis (Producer)
|
Tutti a Casa
|
1960
|
|
Luigi Comencini (Director)
|
Tutti a Casa
|
1960
|
|
Mauro Bolognini (Director)
|
La Viaccia
|
1960
|
|
Mauro Bolognini (Director)
|
La Notte Brava
|
1959
|
|
Armando Nannuzzi (Cinematographer)
|
La Notte Brava
|
1959
|
|
Luigi Comencini (Director)
|
La Tratta Delle Bianche
|
1953
|
|
Mike J. Frankovich (Producer)
|
Fugitive Lady
|
1950
|
|
Tonino Delli Colli (Cinematographer)
|
Fugitive Lady
|
1950
|
|
Orry-Kelly (Costume Designer)
|
Grand Slam
|
1933
|
|
Hal B. Wallis (Producer)
|
Grand Slam
|
1933
|
|
William Dieterle (Director)
|
Grand Slam
|
1933
|