Written
September 23, 2012
Complex drama, amazing acting
This movie sets a high bar for this Oscar season: Joaquin Phoenix will be up one, and it ought to be best actor. Philip Seymour Hoffman will be up for one, and it ought to be best actor. Strategy dictates one will be promoted for best supporting actor. That's a shame because both are so powerful, so absolutely in command of their characters that either could win best actor. You'll also never again think of Amy Adams as that sweet-smiley-girl-next-door: Here she's colder than dry ice, a messianic zealot, calculating and scary. A best supporting actress nomination is a given. Some say this movie is a swipe against scientology, and on reflection there are quite a few hints. It certainly speaks against cults and the cult of personality. The acting is enhanced by superb cinematography. I understand it was shot on film, not digitally, and the soft background focus lends authenticity to the early 1950s feel. Not for kids, though. It is an adult movie, for adults.
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4
out of
4
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