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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Moon is a superior example of that threatened genre, hard science-fiction, which is often about the interface between humans and alien intelligence of one kind of or other, including digital. Read full review
After the chaos of "Transformers: Revenge of the Fallen," it's refreshing to encounter a science fiction film that respects the intelligence and attention span of an adult. Read full review
Moon is enjoyable as much for its small scale and solid execution as for its crazy twists and creeping existential dread. Read full review
Under Duncan Jones' kinetic direction, Moon also shines on the production front: Cinematographer Gary Shaw's shaded shots intensify the drama, and Clint Mansell's music heightens the psycho-scape. Read full review
Moon, a superb first feature directed by Duncan Jones (David Bowie's son) and starring an impressive Sam Rockwell, is an intelligent, evocative and deceptively low-key sci-fi adventure. Read full review
The film's ideas are interesting, but don't feel entirely worked out, and Mr. Rockwell's intriguingly strange performance (or performances) is left suspended, without the context that would give Sam's plight its full emotional and philosophical impact. The smallness of this movie is decidedly a virtue, but also, in the end, something of a limitation. Read full review
Despite its handsome look and good thesping workout for Sam Rockwell, the story stretches a bit thin over feature length. Read full review
The double role suits Rockwell perfectly -- in fact, it suits him a little too well. Read full review
Impressively pulled together on a modest budget, Moon has a strong lead and a valid philosophical premise but, despite Bell's fissured psyche, the drama is inert. Read full review
Try as they might, the filmmakers never hit the outer reaches of imagination that both Kubrick and Bowie did. Which is not to say the film completely implodes into a black hole either. Read full review
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