| Scott Tobias
Hits the sweet spot between stunning ineptitude, hilariously dated period touchstones, and a touching naïveté that gives it an odd distinction. As with the other so-bad-it's-good sensations that have toured the midnight circuit over the last few years - "The Room," "Birdemic," "Troll 2" - its awkwardness comes partly from a foreign-born auteur making an American film, and the culture clash plays out for all to see. Read full review