100

San Francisco Chronicle

By Ruthe Stein
Totally original yet filled with familiar human frailties, "Everyone" leaps off the screen to become one of those rare movie-going experiences.
Full Review
100

Chicago Sun-Times

By Roger Ebert
A film that with quiet confidence creates a fragile magic.
Full Review
100

Entertainment Weekly

By Lisa Schwarzbaum
Definition eludes the delicate pleasures of this marvelous, idiosyncratic movie collage.
Full Review
88

Boston Globe

By Ty Burr
Remarkably, ''Me and You" doesn't shock so much as soothe.
Full Review
88

Philadelphia Inquirer

By Steven Rea
Although Me and You and Everyone We Know requires patience on the part of the viewer - to get past the faux naivete of its grown-up characters, to get past its deadpan arty tone - Miranda July's feature debut is worth the time.
Full Review
88

Rolling Stone

By Peter Travers
Performance artist Miranda July hits a grand slam as the writer, director and star of her first film. It's a moonbeam romance laced with startling wit and gravity.
Full Review
80

Wall Street Journal

By Joe Morgenstern
The distinction of this lovely, if slightly tentative, debut feature is its willingness to set forth mysteries of the human heart without solving them; everyone's fate stays unsealed.
Full Review
63

USA Today

By Mike Clark
There are some notable oddballs in the filmmaking debut of performance artist Miranda July, whose lead performance in this Sundance winner for "originality" is the most appealing thing about it.
Full Review
50

The Hollywood Reporter

By Kirk Honeycutt
A hit-and-miss affair. It has moments of unexpected, offbeat comedy, but most of the time neither the characters nor the situations engage the viewer.
Full Review
50

New York Daily News

By Jack Mathews
A vanity project by a moderately talented artist that has moments of real brilliance in it.
Full Review
76 out of 100
Generally favorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.