100

Chicago Sun-Times

By Roger Ebert
Kristen Dunst is pitch-perfect in the title role.
Full Review
88

Rolling Stone

By Peter Travers
With lyrical intelligence and scrappy wit, Coppola creates a luscious world to get lost in. It's a pleasure.
Full Review
88

Philadelphia Inquirer

By Steven Rea
A gorgeous confection, packed with gargantuan gowns and pornographic displays of pastrystuffs, Sofia Coppola's Marie Antoinette is also a sharp, smart look at the isolation, ennui and supercilious affairs of the rich, famous and famously pampered.
Full Review
83

Entertainment Weekly

By Lisa Schwarzbaum
Coppola's stranded royal suggests that at heart, Marie Antoinette was just a simple girl who wanted to have fun, and got her head handed to her.
Full Review
80

The Hollywood Reporter

By Kirk Honeycutt
In the revisionist Marie Antoinette, writer-director Sofia Coppola and actress Kirsten Dunst take a remote and no doubt misunderstood historical figure, the controversial and often despised Queen of France at the time of the French Revolution, and brings her into sharp focus as a living, breathing human being with flaws, foibles, passions, intelligence and warm affections.
Full Review
75

Boston Globe

By Wesley Morris
As art, the movie is neither shallow nor profound, just inconsequential. Yet Coppola is too clever a filmmaker to dismiss the movie out of hand. If her film is mostly surface then she skims with style.
Full Review
63

New York Daily News

By Jack Mathews
Coppola won't win any Oscars, but the movie is a contender for cinematography, costumes and production design, and it's a lock for Prettiest Pastries.
Full Review
50

Wall Street Journal

Viewed through a contemporary lens and set mostly to a score of '80s pop tunes, this highly stylized, self-conscious enterprise -- really, a music video -- posits the misunderstood and vilified Marie, née Maria Antonia Josepha Johanna, as a figure in the mold of Diana, Princess of Wales.
Full Review
50

USA Today

By Claudia Puig
With its ho-hum performances, muddled point of view, inert plot and pedestrian writing, all that's left to appreciate are the sumptuous costumes, elaborate hairstyles and rococo production design, which are not enough to sustain any movie, even one set in the gilded splendor of Versailles.
Full Review
25

San Francisco Chronicle

By Mick LaSalle
Coppola has no trouble convincing viewers that Marie Antoinette is an interesting historical subject, but there's a big distance between that and creating a fascinating personality or fashioning a compelling narrative.
Full Review
65 out of 100
Generally favorable reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.