Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
All the artistry and absurdity, glamour and the grit of the fashion industry are on display in the documentary Mademoiselle C. Read full review
It's to Carine Roitfeld's own credit and director Fabien Constant's funky and frenetic pacing that the doc feels neither like a corporate hagiography nor like mere fashionista masturbation material. Read full review
As vanity projects go, this one’s unusually well-made — as any portrait of an iconic stylist ought to be.
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You’ll be left scratching your head wondering what a naked girl draped in a purple net curtain in a cemetery has got to do with frocks. Not many revelations here. Read full review
Mme C. is Carine Roitfeld, ex-editor of Vogue Paris and former stylist. She’s a maternal presence – her own son calls her a MILF. Which makes for fantastic access, if minimal drama. Read full review
The filmmaking has some of the wit and irreverence of its subject, but goes on meandering tangents rather than having a cohesive vision or tone. Read full review
High in gloss if not necessary insight, this is manna for fashion fans but a marginally slighter piece of work than The September Issue. Read full review
As a distinctly not-insider, though, I would have benefited more from a broader portrait of the woman herself, and how she became such a legend. Read full review
Mademoiselle C should please fashion devotees while leaving everyone else scratching their heads. Read full review
There are just so many ways Carine Roitfeld can say she loves fashion in Mademoiselle C, a somewhat interesting documentary that brings us into the inner workings of a magazine, but harps a bit too much on her ideas of fashion and style. Read full review
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