|
Elliott Kastner (Executive Producer)
|
Breakheart Pass
|
1976
|
|
Dino de Laurentiis (Producer)
|
Drum
|
1976
|
|
Frank D. Gilroy (Director)
|
From Noon Till Three
|
1976
|
|
Mike J. Frankovich (Producer)
|
From Noon Till Three
|
1976
|
|
Elaine May (Director)
|
Mikey and Nicky
|
1976
|
|
Victor J. Kemper (Cinematographer)
|
Mikey and Nicky
|
1976
|
|
J. Lee Thompson (Director)
|
St. Ives
|
1976
|
|
Irwin Winkler (Producer)
|
Breakout
|
1975
|
|
Gordon Parks, Jr. (Director)
|
Thomasine and Bushrod
|
1974
|
|
Vonetta McGee (Producer)
|
Thomasine and Bushrod
|
1974
|
|
Robert Swink (Editor)
|
Three the Hard Way
|
1974
|
|
Gordon Parks, Jr. (Director)
|
Three the Hard Way
|
1974
|
|
Robert Swink (Editor)
|
Lady Ice
|
1973
|
|
Sam Peckinpah (Director)
|
The Getaway
|
1972
|
|
Roger Spottiswoode (Editor)
|
The Getaway
|
1972
|
|
Sam Peckinpah (Director)
|
Junior Bonner
|
1972
|
|
Budd Boetticher (Producer)
|
Arruza
|
1971
|
|
Budd Boetticher (Director)
|
Arruza
|
1971
|
|
Budd Boetticher (Director)
|
A Time for Dying
|
1971
|
|
Audie Murphy (Producer)
|
A Time for Dying
|
1971
|
|
Curtis Harrington (Director)
|
What's the Matter with Helen?
|
1971
|
|
Sam Peckinpah (Director)
|
The Ballad of Cable Hogue
|
1970
|
|
Sam Peckinpah (Producer)
|
The Ballad of Cable Hogue
|
1970
|
|
Walter Mirisch (Producer)
|
The Hawaiians
|
1970
|
|
Warren Low (Editor)
|
True Grit
|
1969
|
|
Henry Hathaway (Director)
|
True Grit
|
1969
|
|
Hal B. Wallis (Producer)
|
True Grit
|
1969
|
|
Sam Peckinpah (Director)
|
The Wild Bunch
|
1969
|
|
Jerry Paris (Director)
|
How Sweet It Is!
|
1968
|
|
Jerry Belson (Producer)
|
How Sweet It Is!
|
1968
|
|
Garry Marshall (Producer)
|
How Sweet It Is!
|
1968
|
|
Blake Edwards (Director)
|
The Party
|
1968
|
|
Blake Edwards (Producer)
|
The Party
|
1968
|
|
John Sturges (Director)
|
Hour of the Gun
|
1967
|
|
John Sturges (Producer)
|
Hour of the Gun
|
1967
|
|
Warren Low (Editor)
|
Will Penny
|
1967
|
|
Henry Hathaway (Director)
|
Nevada Smith
|
1966
|
|
Henry Hathaway (Producer)
|
Nevada Smith
|
1966
|
|
Edith Head (Costume Designer)
|
Boeing Boeing
|
1965
|
|
Hal B. Wallis (Producer)
|
Boeing Boeing
|
1965
|
|
Warren Low (Editor)
|
Boeing Boeing
|
1965
|
|
Henry Koster (Director)
|
Dear Brigitte
|
1965
|
|
Henry Koster (Producer)
|
Dear Brigitte
|
1965
|
|
Fred Kohlmar (Producer)
|
Dear Brigitte
|
1965
|
|
Jack Martin Smith (Art Director)
|
Dear Brigitte
|
1965
|
|
Edith Head (Costume Designer)
|
The Sons of Katie Elder
|
1965
|
|
Henry Hathaway (Director)
|
The Sons of Katie Elder
|
1965
|
|
Hal B. Wallis (Producer)
|
The Sons of Katie Elder
|
1965
|
|
Warren Low (Editor)
|
The Sons of Katie Elder
|
1965
|
|
Warren Low (Editor)
|
Roustabout
|
1964
|
|
Edith Head (Costume Designer)
|
Roustabout
|
1964
|
|
Hal B. Wallis (Producer)
|
Roustabout
|
1964
|
|
Hall Bartlett (Producer)
|
The Caretakers
|
1963
|
|
Hall Bartlett (Director)
|
The Caretakers
|
1963
|
|
Jack Martin Smith (Art Director)
|
Take Her, She's Mine
|
1963
|
|
Henry Koster (Producer)
|
Take Her, She's Mine
|
1963
|
|
Henry Koster (Director)
|
Take Her, She's Mine
|
1963
|
|
Richard Wilson (Director)
|
Wall of Noise
|
1963
|
|
Hal B. Wallis (Producer)
|
Wives and Lovers
|
1963
|
|
Edith Head (Costume Designer)
|
Wives and Lovers
|
1963
|
|
Warren Low (Editor)
|
Wives and Lovers
|
1963
|
|
Sam Peckinpah (Director)
|
Ride the High Country
|
1962
|
|
George W. Davis (Art Director)
|
Ride the High Country
|
1962
|
|
Jack Martin Smith (Art Director)
|
Marines, Let's Go
|
1961
|
|
Raoul Walsh (Director)
|
Marines, Let's Go
|
1961
|
|
Raoul Walsh (Producer)
|
Marines, Let's Go
|
1961
|
|
Delmer Daves (Producer)
|
Susan Slade
|
1961
|
|
Delmer Daves (Director)
|
Susan Slade
|
1961
|
|
Daniel Petrie (Director)
|
The Bramble Bush
|
1960
|
|
William F. Claxton (Producer)
|
Desire in the Dust
|
1960
|
|
William F. Claxton (Director)
|
Desire in the Dust
|
1960
|
|
William Witney (Director)
|
Disneyland: Zorro: Adios El Cuhillo
|
1960
|
|
William Witney (Director)
|
Disneyland: Zorro: El Bandido
|
1960
|
|
William Beaudine (Director)
|
Elfego Baca: Friendly Enemies at Law
|
1960
|
|
William Beaudine (Director)
|
Elfego Baca: Gus Tomlin Is Dead
|
1960
|
|
Richard Wilson (Producer)
|
Pay or Die
|
1960
|
|
Richard Wilson (Director)
|
Pay or Die
|
1960
|
|
Budd Boetticher (Director)
|
The Rise and Fall of Legs Diamond
|
1960
|
|
Richard Wilson (Director)
|
Al Capone
|
1959
|
|
Budd Boetticher (Director)
|
Buchanan Rides Alone
|
1958
|
|
Harry Joe Brown (Producer)
|
Buchanan Rides Alone
|
1958
|
|
Randolph Scott (Producer)
|
Buchanan Rides Alone
|
1958
|
|
Raoul Walsh (Director)
|
Band of Angels
|
1957
|
|
John Farrow (Producer)
|
The Unholy Wife
|
1957
|
|
John Farrow (Director)
|
The Unholy Wife
|
1957
|
|
Albert S. D'Agostino (Art Director)
|
The Unholy Wife
|
1957
|
|
Hal Kanter (Director)
|
I Married a Woman
|
1956
|
|
Budd Boetticher (Director)
|
The Killer Is Loose
|
1956
|
|
Stanley Kubrick (Director)
|
The Killing
|
1956
|
|
Renie (Costume Designer)
|
The King and Four Queens
|
1956
|
|
Raoul Walsh (Director)
|
The King and Four Queens
|
1956
|
|
Budd Boetticher (Director)
|
The Magnificent Matador
|
1955
|
|
Jack Martin Smith (Art Director)
|
Seven Cities of Gold
|
1955
|
|
Jack Martin Smith (Art Director)
|
White Feather
|
1955
|
|
Charles LeMaire (Costume Designer)
|
Prince Valiant
|
1954
|
|
Henry Hathaway (Director)
|
Prince Valiant
|
1954
|
|
Robert Wise (Director)
|
The Desert Rats
|
1953
|
|
Roy Ward Baker (Director)
|
Inferno
|
1953
|
|
James B. Clark (Editor)
|
Diplomatic Courier
|
1952
|
|
Casey Robinson (Producer)
|
Diplomatic Courier
|
1952
|
|
Henry Hathaway (Director)
|
Diplomatic Courier
|
1952
|
|
Charles LeMaire (Costume Designer)
|
Diplomatic Courier
|
1952
|
|
Roy Ward Baker (Director)
|
Don't Bother to Knock
|
1952
|
|
Roy Ward Baker (Director)
|
Night without Sleep
|
1952
|
|
Renie (Costume Designer)
|
Night without Sleep
|
1952
|
|
Jean Negulesco (Director)
|
O. Henry's Full House
|
1952
|
|
Henry King (Director)
|
O. Henry's Full House
|
1952
|
|
Henry Koster (Director)
|
O. Henry's Full House
|
1952
|
|
Henry Hathaway (Director)
|
O. Henry's Full House
|
1952
|
|
Howard Hawks (Director)
|
O. Henry's Full House
|
1952
|
|
Delmer Daves (Director)
|
Return of the Texan
|
1952
|
|
Renie (Costume Designer)
|
Return of the Texan
|
1952
|
|
Charles LeMaire (Costume Designer)
|
Fixed Bayonets
|
1951
|
|
Samuel Fuller (Director)
|
Fixed Bayonets
|
1951
|
|
Robert Wise (Director)
|
The House on Telegraph Hill
|
1951
|
|
Renie (Costume Designer)
|
The House on Telegraph Hill
|
1951
|
|
Alfred Newman (Editor)
|
The House on Telegraph Hill
|
1951
|
|
Albert S. D'Agostino (Art Director)
|
Berlin Express
|
1948
|
|
Orry-Kelly (Costume Designer)
|
Berlin Express
|
1948
|
|
Jacques Tourneur (Director)
|
Berlin Express
|
1948
|
|
John Cromwell (Director)
|
Night Song
|
1947
|
|
Albert S. D'Agostino (Art Director)
|
Night Song
|
1947
|
|
Edward Small (Producer)
|
Temptation
|
1946
|
|
Bernard Herzbrun (Art Director)
|
Temptation
|
1946
|
|
Orry-Kelly (Costume Designer)
|
Temptation
|
1946
|
|
William Dieterle (Director)
|
This Love of Ours
|
1945
|
|
Travis Banton (Costume Designer)
|
This Love of Ours
|
1945
|
|
Kenny Williams (Choreography)
|
The Lodger
|
1944
|
|
James Basevi (Art Director)
|
The Lodger
|
1944
|
|
John Brahm (Director)
|
The Lodger
|
1944
|
|
Archie Mayo (Director)
|
Sweet and Lowdown
|
1944
|
|
William Le Baron (Producer)
|
Sweet and Lowdown
|
1944
|
|
Dorothy Spencer (Editor)
|
Sweet and Lowdown
|
1944
|
|
Sol Wurtzel (Producer)
|
Bomber's Moon
|
1943
|
|
John M. Stahl (Director)
|
Holy Matrimony
|
1943
|
|
James Basevi (Art Director)
|
Holy Matrimony
|
1943
|
|
Nunnally Johnson (Producer)
|
Holy Matrimony
|
1943
|
|
James B. Clark (Editor)
|
Holy Matrimony
|
1943
|
|
John Brahm (Director)
|
Tonight We Raid Calais
|
1943
|
|
Fritz Lang (Director)
|
Moontide
|
1942
|
|
Archie Mayo (Director)
|
Moontide
|
1942
|
|
James Basevi (Art Director)
|
Moontide
|
1942
|
|
Charles G. Clarke (Cinematographer)
|
Moontide
|
1942
|
|
Mark Hellinger (Producer)
|
Moontide
|
1942
|
|
Archie Mayo (Director)
|
Orchestra Wives
|
1942
|
|
William Le Baron (Producer)
|
Orchestra Wives
|
1942
|
|
John Brahm (Director)
|
The Undying Monster
|
1942
|
|
Sol Wurtzel (Producer)
|
Whispering Ghosts
|
1942
|
|
Jean Renoir (Director)
|
Swamp Water
|
1941
|
|
Edward F. Cline (Director)
|
The Villain Still Pursued Her
|
1941
|
|
John Brahm (Director)
|
Wild Geese Calling
|
1941
|
|
Harry Joe Brown (Producer)
|
Wild Geese Calling
|
1941
|
|
Lionel Banks (Art Director)
|
Blind Alley
|
1939
|
|
Charles Vidor (Director)
|
Blind Alley
|
1939
|
|
Fred Kohlmar (Producer)
|
Coast Guard
|
1939
|
|
William Perlberg (Producer)
|
Let Us Live
|
1939
|
|
John Brahm (Director)
|
Let Us Live
|
1939
|
|
John Brahm (Director)
|
Penitentiary
|
1938
|
|
Erle C. Kenton (Director)
|
Devil's Playground
|
1937
|
|
Irving Briskin (Executive Producer)
|
Girls Can Play
|
1937
|
|
Erle C. Kenton (Director)
|
Racketeers in Exile
|
1937
|
|
Lionel Banks (Art Director)
|
The Shadow
|
1937
|
|
Irving Briskin (Executive Producer)
|
The Shadow
|
1937
|
|
Dorothy Arzner (Director)
|
Craig's Wife
|
1936
|
|
Edward Chodorov (Producer)
|
Craig's Wife
|
1936
|
|
John Rawlins (Editor)
|
The Final Hour
|
1936
|
|
Josef von Sternberg (Director)
|
The King Steps Out
|
1936
|
|
Josef von Sternberg (Director)
|
Crime and Punishment
|
1935
|
|
B.P. Schulberg (Producer)
|
Crime and Punishment
|
1935
|
|
Josef von Sternberg (Director)
|
The Devil Is a Woman
|
1935
|
|
Hans Dreier (Art Director)
|
The Devil Is a Woman
|
1935
|
|
Josef von Sternberg (Cinematographer)
|
The Devil Is a Woman
|
1935
|
|
Travis Banton (Costume Designer)
|
The Devil Is a Woman
|
1935
|
|
Travis Banton (Costume Designer)
|
Morocco
|
1930
|
|
Josef von Sternberg (Director)
|
Morocco
|
1930
|