100 Time Out New York | Even this early in his career, Godard knew how to make audiences viscerally experience and contemplate things they might otherwise not have wanted to. Read full review
100 Los Angeles Times | Betsy Sharkey Beyond the timelessness of the story itself, the film is beautifully shot and though early in Godard’s career already showcased his ability to capture emotional intensity in the very way he frames the shots. Read full review
100 Chicago Sun-Times | Roger Ebert Starting with Le Petit Soldat, Godard was forging his own individualistic art and becoming the most relevant director of our time. Read full review
90 Village Voice | Scott Foundas It’s a classic espionage plot shot through with a typically heady mix of art and literary references: Klee and Velázquez, Bach and Haydn, Bernanos and Musil. Read full review