|
Jack Martin Smith (Art Director)
|
Move Over, Darling
|
1963
|
|
Daniel L. Fapp (Cinematographer)
|
Move Over, Darling
|
1963
|
|
Michael Gordon (Director)
|
Move Over, Darling
|
1963
|
|
Aaron Rosenberg (Producer)
|
Move Over, Darling
|
1963
|
|
Oswald Morris (Cinematographer)
|
Satan Never Sleeps
|
1962
|
|
Leon Shamroy (Cinematographer)
|
Rally 'Round the Flag, Boys!
|
1958
|
|
Charles LeMaire (Costume Designer)
|
Rally 'Round the Flag, Boys!
|
1958
|
|
James B. Clark (Editor)
|
An Affair to Remember
|
1957
|
|
Jerry Wald (Producer)
|
An Affair to Remember
|
1957
|
|
Charles LeMaire (Costume Designer)
|
An Affair to Remember
|
1957
|
|
Jack Martin Smith (Art Director)
|
An Affair to Remember
|
1957
|
|
Harry Stradling (Cinematographer)
|
My Son, John
|
1952
|
|
Edith Head (Costume Designer)
|
My Son, John
|
1952
|
|
George Barnes (Cinematographer)
|
Good Sam
|
1948
|
|
Edith Head (Costume Designer)
|
The Bells of St. Mary's
|
1945
|
|
George Barnes (Cinematographer)
|
The Bells of St. Mary's
|
1945
|
|
Edith Head (Costume Designer)
|
Going My Way
|
1944
|
|
Lionel Lindon (Cinematographer)
|
Going My Way
|
1944
|
|
Hans Dreier (Art Director)
|
Going My Way
|
1944
|
|
Albert S. D'Agostino (Art Director)
|
Once Upon a Honeymoon
|
1942
|
|
George Barnes (Cinematographer)
|
Once Upon a Honeymoon
|
1942
|
|
Robert Wise (Editor)
|
My Favorite Wife
|
1940
|
|
Garson Kanin (Director)
|
My Favorite Wife
|
1940
|
|
Rudolph Maté (Cinematographer)
|
My Favorite Wife
|
1940
|
|
Van Nest Polglase (Art Director)
|
My Favorite Wife
|
1940
|
|
Rudolph Maté (Cinematographer)
|
Love Affair
|
1939
|
|
Edward Stevenson (Costume Designer)
|
Love Affair
|
1939
|
|
Edward Dmytryk (Editor)
|
Love Affair
|
1939
|
|
Lionel Banks (Art Director)
|
The Awful Truth
|
1937
|
|
Bernard Herzbrun (Art Director)
|
Make Way for Tomorrow
|
1937
|
|
Hans Dreier (Art Director)
|
Make Way for Tomorrow
|
1937
|
|
Adolph Zukor (Producer)
|
Make Way for Tomorrow
|
1937
|
|
Adolph Zukor (Producer)
|
The Milky Way
|
1936
|
|
Hans Dreier (Art Director)
|
The Milky Way
|
1936
|
|
Bernard Herzbrun (Art Director)
|
The Milky Way
|
1936
|
|
Hans Dreier (Art Director)
|
Ruggles of Red Gap
|
1935
|
|
Travis Banton (Costume Designer)
|
Ruggles of Red Gap
|
1935
|
|
Edward Dmytryk (Editor)
|
Ruggles of Red Gap
|
1935
|
|
Arthur Hornblow, Jr. (Producer)
|
Ruggles of Red Gap
|
1935
|
|
William Le Baron (Producer)
|
Belle of the Nineties
|
1934
|
|
Travis Banton (Costume Designer)
|
Belle of the Nineties
|
1934
|
|
Karl Struss (Cinematographer)
|
Belle of the Nineties
|
1934
|
|
Hans Dreier (Art Director)
|
Belle of the Nineties
|
1934
|
|
Bernard Herzbrun (Art Director)
|
Belle of the Nineties
|
1934
|
|
Hans Dreier (Art Director)
|
Six of a Kind
|
1934
|
|
Hans Dreier (Art Director)
|
Duck Soup
|
1933
|
|
Herman Mankiewicz (Producer)
|
Duck Soup
|
1933
|
|
Samuel Goldwyn (Producer)
|
The Kid From Spain
|
1932
|
|
Gregg Toland (Cinematographer)
|
The Kid From Spain
|
1932
|
|
Busby Berkeley (Choreography)
|
The Kid From Spain
|
1932
|
|
Stuart Heisler (Editor)
|
The Kid From Spain
|
1932
|
|
Milo Anderson (Costume Designer)
|
The Kid From Spain
|
1932
|
|
Buddy G. DeSylva (Producer)
|
Indiscreet
|
1931
|
|
Joseph M. Schenck (Producer)
|
Indiscreet
|
1931
|
|
Gregg Toland (Cinematographer)
|
Indiscreet
|
1931
|
|
George Stevens (Cinematographer)
|
Blotto
|
1930
|
|
Hal Roach (Producer)
|
Blotto
|
1930
|
|
Richard C. Currier (Editor)
|
Blotto
|
1930
|
|
James Parrott (Director)
|
Blotto
|
1930
|
|
James Parrott (Director)
|
Brats
|
1930
|
|
Richard C. Currier (Editor)
|
Brats
|
1930
|
|
Hal Roach (Producer)
|
Brats
|
1930
|
|
George Stevens (Cinematographer)
|
Brats
|
1930
|
|
Adolph Zukor (Executive Producer)
|
Let's Go Native
|
1930
|
|
Hal Roach (Producer)
|
Bacon Grabbers
|
1929
|
|
Richard C. Currier (Editor)
|
Berth Marks
|
1929
|
|
Hal Roach (Producer)
|
Berth Marks
|
1929
|
|
George Stevens (Cinematographer)
|
Big Business
|
1929
|
|
Richard C. Currier (Editor)
|
Big Business
|
1929
|
|
James W. Horne (Director)
|
Big Business
|
1929
|
|
Hal Roach (Producer)
|
Big Business
|
1929
|
|
Hal Roach (Producer)
|
Liberty
|
1929
|
|
Richard C. Currier (Editor)
|
Men O' War
|
1929
|
|
Hal Roach (Producer)
|
Men O' War
|
1929
|
|
George Stevens (Cinematographer)
|
Men O' War
|
1929
|
|
Doane Harrison (Editor)
|
The Sophomore
|
1929
|
|
Richard C. Currier (Editor)
|
Wrong Again
|
1929
|
|
George Stevens (Cinematographer)
|
Wrong Again
|
1929
|
|
Hal Roach (Producer)
|
Wrong Again
|
1929
|
|
Hal Roach (Producer)
|
The Finishing Touch
|
1928
|
|
Clyde Bruckman (Director)
|
The Finishing Touch
|
1928
|
|
Edgar Kennedy (Director)
|
From Soup to Nuts
|
1928
|
|
Hal Roach (Producer)
|
From Soup to Nuts
|
1928
|
|
Hal Roach (Producer)
|
Habeas Corpus
|
1928
|
|
James Parrott (Director)
|
Habeas Corpus
|
1928
|
|
James Parrott (Director)
|
Should Married Men Go Home?
|
1928
|
|
Hal Roach (Producer)
|
Should Married Men Go Home?
|
1928
|
|
Hal Roach (Producer)
|
We Faw Down
|
1928
|
|
Hal Roach (Producer)
|
Long Fliv the King
|
1926
|