|
Brad Bird (Director)
|
Mission: Impossible - Ghost Protocol
|
2011
|
|
Tom Cruise (Producer)
|
Mission: Impossible - Ghost Protocol
|
2011
|
|
J.J. Abrams (Producer)
|
Mission: Impossible - Ghost Protocol
|
2011
|
|
Brett Ratner (Director)
|
Rush Hour 3
|
2007
|
|
Tom Cruise (Producer)
|
Mission: Impossible III
|
2006
|
|
J.J. Abrams (Director)
|
Mission: Impossible III
|
2006
|
|
Dante Spinotti (Producer)
|
After the Sunset
|
2004
|
|
Brett Ratner (Director)
|
After the Sunset
|
2004
|
|
Dante Spinotti (Cinematographer)
|
After the Sunset
|
2004
|
|
Queen Latifah (Executive Producer)
|
Bringing Down the House
|
2003
|
|
Michael De Luca (Executive Producer)
|
Rush Hour 2
|
2001
|
|
Brett Ratner (Director)
|
Rush Hour 2
|
2001
|
|
John Woo (Director)
|
Mission: Impossible II
|
2000
|
|
Tom Cruise (Producer)
|
Mission: Impossible II
|
2000
|
|
Brett Ratner (Director)
|
Rush Hour
|
1998
|
|
Carlos Saura (Director)
|
Tango
|
1998
|
|
Vittorio Storaro (Cinematographer)
|
Tango
|
1998
|
|
Brett Ratner (Director)
|
Money Talks
|
1997
|
|
Chris Tucker (Executive Producer)
|
Money Talks
|
1997
|
|
Tom Cruise (Producer)
|
Mission: Impossible
|
1996
|
|
Brian De Palma (Director)
|
Mission: Impossible
|
1996
|
|
Stephen H. Burum (Cinematographer)
|
Mission: Impossible
|
1996
|
|
Penelope Spheeris (Director)
|
The Beverly Hillbillies
|
1993
|
|
Penelope Spheeris (Producer)
|
The Beverly Hillbillies
|
1993
|
|
Bryan Brown (Producer)
|
F/X 2
|
1991
|
|
Victor J. Kemper (Cinematographer)
|
F/X 2
|
1991
|
|
Teo Escamilla (Cinematographer)
|
Berlin Blues
|
1989
|
|
Larry Peerce (Director)
|
The Neon Empire
|
1989
|
|
Michael Caine (Executive Producer)
|
The Fourth Protocol
|
1987
|
|
Michael Caine (Producer)
|
The Fourth Protocol
|
1987
|
|
Colin Higgins (Producer)
|
Out on a Limb
|
1987
|
|
Harvey Hart (Director)
|
Beverly Hills Madam
|
1986
|
|
Enrico Sabbatini (Costume Designer)
|
A.D.
|
1985
|
|
Ennio Guarnieri (Cinematographer)
|
A.D.
|
1985
|
|
Aaron Spelling (Executive Producer)
|
Hollywood Wives
|
1985
|
|
Sean S. Cunningham (Producer)
|
The New Kids
|
1985
|
|
Sean S. Cunningham (Director)
|
The New Kids
|
1985
|
|
David Greene (Director)
|
Triplecross
|
1985
|
|
Jon Avnet (Executive Producer)
|
Triplecross
|
1985
|
|
King Baggot (Cinematographer)
|
Doctor Detroit
|
1983
|
|
Sam Peckinpah (Director)
|
The Osterman Weekend
|
1983
|
|
Waris Hussein (Director)
|
Princess Daisy
|
1983
|
|
Jerry Jameson (Director)
|
Starflight One
|
1983
|
|
Jeremy Kagan (Director)
|
The Sting II
|
1983
|
|
Bill Butler (Cinematographer)
|
The Sting II
|
1983
|
|
David S. Ward (Cinematographer)
|
The Sting II
|
1983
|
|
Clint Eastwood (Director)
|
Sudden Impact
|
1983
|
|
Bruce Surtees (Cinematographer)
|
Sudden Impact
|
1983
|
|
Clint Eastwood (Producer)
|
Sudden Impact
|
1983
|
|
Marvin J. Chomsky (Director)
|
Tank
|
1983
|
|
Damiano Damiani (Director)
|
Amityville II: The Possession
|
1982
|
|
Dino de Laurentiis (Producer)
|
Amityville II: The Possession
|
1982
|
|
King Baggot (Cinematographer)
|
Fast-Walking
|
1982
|
|
Chuck Russell (Producer)
|
The Seduction
|
1982
|
|
Sean S. Cunningham (Director)
|
A Stranger Is Watching
|
1982
|
|
Harry Stradling, Jr. (Cinematographer)
|
Buddy Buddy
|
1981
|
|
Billy Wilder (Director)
|
Buddy Buddy
|
1981
|
|
Alan Hume (Cinematographer)
|
Caveman
|
1981
|
|
Jerry London (Director)
|
The Chicago Story
|
1981
|
|
Mark L. Lester (Director)
|
Class of 1984
|
1981
|
|
Mark L. Lester (Executive Producer)
|
Class of 1984
|
1981
|
|
Liliana Cavani (Director)
|
La Pelle
|
1981
|
|
Armando Nannuzzi (Cinematographer)
|
La Pelle
|
1981
|
|
Ruggero Mastroianni (Editor)
|
La Pelle
|
1981
|
|
Hector Olivera (Director)
|
Los Viernes De La Eternidad
|
1981
|
|
Raymond Chow (Executive Producer)
|
Battle Creek Brawl
|
1980
|
|
Ted Mann (Producer)
|
Brubaker
|
1980
|
|
Robert Brown (Editor)
|
Brubaker
|
1980
|
|
Ted Mann (Executive Producer)
|
Brubaker
|
1980
|
|
Stuart Rosenberg (Director)
|
Brubaker
|
1980
|
|
Bruno Nuytten (Cinematographer)
|
Brubaker
|
1980
|
|
Clive Donner (Director)
|
The Nude Bomb
|
1980
|
|
Irwin Allen (Producer)
|
When Time Ran Out
|
1980
|
|
David Lowell Rich (Director)
|
Airport '79: Concorde
|
1979
|
|
Dorothy Spencer (Editor)
|
Airport '79: Concorde
|
1979
|
|
Stuart Rosenberg (Director)
|
The Amityville Horror
|
1979
|
|
Robert Brown (Editor)
|
The Amityville Horror
|
1979
|
|
Samuel Z. Arkoff (Executive Producer)
|
The Amityville Horror
|
1979
|
|
Tony Bill (Producer)
|
Boulevard Nights
|
1979
|
|
John Bailey (Cinematographer)
|
Boulevard Nights
|
1979
|
|
Tony Bill (Executive Producer)
|
Boulevard Nights
|
1979
|
|
Gilbert Taylor (Cinematographer)
|
Escape to Athena
|
1979
|
|
Ken Annakin (Director)
|
Institute for Revenge
|
1979
|
|
Anthony Richmond (Cinematographer)
|
Love and Bullets
|
1979
|
|
Stuart Rosenberg (Director)
|
Love and Bullets
|
1979
|
|
Ron Miller (Producer)
|
The Cat from Outer Space
|
1978
|
|
Norman Tokar (Director)
|
The Cat from Outer Space
|
1978
|
|
Bernard Kowalski (Director)
|
The Nativity
|
1978
|
|
Ann Roth (Costume Designer)
|
Nunzio
|
1978
|
|
Stephen Friedman (Executive Producer)
|
The President's Mistress
|
1978
|
|
John Llewellyn Moxey (Director)
|
The President's Mistress
|
1978
|
|
Ron Miller (Cinematographer)
|
Return From Witch Mountain
|
1978
|
|
Ron Miller (Producer)
|
Return From Witch Mountain
|
1978
|
|
Paul Wendkos (Director)
|
Good Against Evil
|
1977
|
|
Don Siegel (Director)
|
Telefon
|
1977
|
|
Mel Stuart (Director)
|
Brenda Starr
|
1976
|
|
Anne V. Coates (Editor)
|
The Eagle Has Landed
|
1976
|
|
John Sturges (Director)
|
The Eagle Has Landed
|
1976
|
|
Harry Stradling, Jr. (Cinematographer)
|
Special Delivery
|
1976
|
|
Paul Wendkos (Director)
|
Special Delivery
|
1976
|
|
J. Lee Thompson (Director)
|
St. Ives
|
1976
|
|
Lucien Ballard (Cinematographer)
|
St. Ives
|
1976
|
|
Stuart Rosenberg (Director)
|
Voyage of the Damned
|
1976
|
|
John Llewellyn Moxey (Director)
|
Foster and Laurie
|
1975
|
|
David Watkin (Cinematographer)
|
The Four Musketeers
|
1975
|
|
Alexander Salkind (Producer)
|
The Four Musketeers
|
1975
|
|
Richard Lester (Director)
|
The Four Musketeers
|
1975
|
|
Tom Laughlin (Director)
|
The Master Gunfighter
|
1975
|
|
Aaron Spelling (Executive Producer)
|
Starsky & Hutch [TV Series]
|
1975
|
|
Frank Perry (Director)
|
Man on a Swing
|
1974
|
|
Don Taylor (Director)
|
Night Games
|
1974
|
|
Don Siegel (Director)
|
Charley Varrick
|
1973
|
|
Don Siegel (Producer)
|
Charley Varrick
|
1973
|
|
John A. Alonzo (Cinematographer)
|
Hit!
|
1973
|
|
Sidney J. Furie (Director)
|
Hit!
|
1973
|
|
Daniel Petrie (Director)
|
The Neptune Factor
|
1973
|
|
Lamar Boren (Cinematographer)
|
The Neptune Factor
|
1973
|
|
Bruce Surtees (Cinematographer)
|
Joe Kidd
|
1972
|
|
Henry Bumstead (Art Director)
|
Joe Kidd
|
1972
|
|
John Sturges (Director)
|
Joe Kidd
|
1972
|
|
Michael Ritchie (Director)
|
Prime Cut
|
1972
|
|
George C. Scott (Director)
|
Rage
|
1972
|
|
Ralph Nelson (Producer)
|
The Wrath of God
|
1972
|
|
Ralph Nelson (Director)
|
The Wrath of God
|
1972
|
|
Don Siegel (Producer)
|
Dirty Harry
|
1971
|
|
Don Siegel (Director)
|
Dirty Harry
|
1971
|
|
Bruce Surtees (Cinematographer)
|
Dirty Harry
|
1971
|
|
John Llewellyn Moxey (Director)
|
Escape
|
1971
|
|
Joseph Biroc (Cinematographer)
|
Mrs. Pollifax -- Spy
|
1971
|
|
Roger Vadim (Director)
|
Pretty Maids All in a Row
|
1971
|
|
George W. Davis (Art Director)
|
Pretty Maids All in a Row
|
1971
|
|
Gene Roddenberry (Producer)
|
Pretty Maids All in a Row
|
1971
|
|
Francis Ford Coppola (Executive Producer)
|
THX 1138
|
1971
|
|
George Lucas (Editor)
|
THX 1138
|
1971
|
|
George Lucas (Director)
|
THX 1138
|
1971
|
|
Don Siegel (Producer)
|
The Beguiled
|
1970
|
|
Bruce Surtees (Cinematographer)
|
The Beguiled
|
1970
|
|
Don Siegel (Director)
|
The Beguiled
|
1970
|
|
Mel Stuart (Director)
|
I Love My Wife
|
1970
|
|
Gabriel Figueroa (Cinematographer)
|
Kelly's Heroes
|
1970
|
|
Brian G. Hutton (Director)
|
Kelly's Heroes
|
1970
|
|
Tonino Delli Colli (Cinematographer)
|
Pussycat, Pussycat, I Love You
|
1970
|
|
Jerry Bresler (Producer)
|
Pussycat, Pussycat, I Love You
|
1970
|
|
Paul Newman (Producer)
|
WUSA
|
1970
|
|
Stuart Rosenberg (Director)
|
WUSA
|
1970
|
|
Richard Fleischer (Director)
|
Che!
|
1969
|
|
Jack Martin Smith (Art Director)
|
Che!
|
1969
|
|
Russell Metty (Cinematographer)
|
Eye of the Cat
|
1969
|
|
Edith Head (Costume Designer)
|
Eye of the Cat
|
1969
|
|
David Lowell Rich (Director)
|
Eye of the Cat
|
1969
|
|
John Dunning (Editor)
|
The Mask of Sheba
|
1969
|
|
David Lowell Rich (Director)
|
The Mask of Sheba
|
1969
|
|
George W. Davis (Art Director)
|
The Mask of Sheba
|
1969
|
|
George W. Davis (Art Director)
|
U.M.C.
|
1969
|
|
Boris Sagal (Director)
|
U.M.C.
|
1969
|
|
Harvey Hart (Director)
|
Young Lawyers
|
1969
|
|
Martin Ritt (Director)
|
The Brotherhood
|
1968
|
|
Boris Kaufman (Cinematographer)
|
The Brotherhood
|
1968
|
|
Kirk Douglas (Producer)
|
The Brotherhood
|
1968
|
|
William A. Fraker (Cinematographer)
|
Bullitt
|
1968
|
|
Peter Yates (Director)
|
Bullitt
|
1968
|
|
Don Siegel (Producer)
|
Coogan's Bluff
|
1968
|
|
Don Siegel (Director)
|
Coogan's Bluff
|
1968
|
|
John Boorman (Director)
|
Hell in the Pacific
|
1968
|
|
Conrad L. Hall (Cinematographer)
|
Hell in the Pacific
|
1968
|
|
Brian G. Hutton (Director)
|
Sol Madrid
|
1968
|
|
George W. Davis (Art Director)
|
Sol Madrid
|
1968
|
|
Hall Bartlett (Producer)
|
Sol Madrid
|
1968
|
|
Stuart Rosenberg (Director)
|
Cool Hand Luke
|
1967
|
|
Conrad L. Hall (Cinematographer)
|
Cool Hand Luke
|
1967
|
|
Mark Rydell (Director)
|
The Fox
|
1967
|
|
William A. Fraker (Cinematographer)
|
The Fox
|
1967
|
|
William A. Fraker (Cinematographer)
|
The President's Analyst
|
1967
|
|
Howard W. Koch (Executive Producer)
|
The President's Analyst
|
1967
|
|
Harvey Hart (Director)
|
Sullivan's Empire
|
1967
|
|
Thomas Carr (Director)
|
Sullivan's Empire
|
1967
|
|
George W. Davis (Art Director)
|
The Venetian Affair
|
1967
|
|
Howard Morris (Director)
|
Who's Minding the Mint?
|
1967
|
|
Frank Tashlin (Director)
|
Who's Minding the Mint?
|
1967
|
|
Edith Head (Costume Designer)
|
Who's Minding the Mint?
|
1967
|
|
Joseph Biroc (Cinematographer)
|
Who's Minding the Mint?
|
1967
|
|
Philip Dunne (Director)
|
Blindfold
|
1966
|
|
Walter Scott (Art Director)
|
I Deal in Danger
|
1966
|
|
Jack Martin Smith (Art Director)
|
I Deal in Danger
|
1966
|
|
Edward Scaife (Cinematographer)
|
The Liquidator
|
1966
|
|
Jack Cardiff (Director)
|
The Liquidator
|
1966
|
|
Gordon M. Douglas (Director)
|
Way... Way Out
|
1966
|
|
Jack Martin Smith (Art Director)
|
Way... Way Out
|
1966
|
|
Norman Jewison (Director)
|
The Cincinnati Kid
|
1965
|
|
George W. Davis (Art Director)
|
The Cincinnati Kid
|
1965
|
|
Hal Ashby (Editor)
|
The Cincinnati Kid
|
1965
|
|
Harvey Hart (Director)
|
Dark Intruder
|
1965
|
|
Ralph Nelson (Director)
|
Once a Thief
|
1965
|
|
Robert Burks (Cinematographer)
|
Once a Thief
|
1965
|
|
George W. Davis (Art Director)
|
Once a Thief
|
1965
|
|
David Lowell Rich (Director)
|
See How They Run
|
1965
|
|
Lionel Lindon (Cinematographer)
|
See How They Run
|
1965
|
|
Henri Decaë (Cinematographer)
|
Joy House
|
1964
|
|
René Clément (Director)
|
Joy House
|
1964
|
|
Ivan Tors (Director)
|
Rhino!
|
1964
|
|
Lamar Boren (Cinematographer)
|
Rhino!
|
1964
|