|
Georges Périnal (Cinematographer)
|
An Ideal Husband
|
1947
|
|
Alexander Korda (Director)
|
An Ideal Husband
|
1947
|
|
Alexander Korda (Producer)
|
An Ideal Husband
|
1947
|
|
Ernst Lubitsch (Producer)
|
A Royal Scandal
|
1945
|
|
Ernst Lubitsch (Director)
|
A Royal Scandal
|
1945
|
|
Otto Preminger (Director)
|
A Royal Scandal
|
1945
|
|
Dorothy Spencer (Editor)
|
A Royal Scandal
|
1945
|
|
Arthur C. Miller (Cinematographer)
|
A Royal Scandal
|
1945
|
|
John F. Seitz (Cinematographer)
|
Five Graves to Cairo
|
1943
|
|
Hans Dreier (Art Director)
|
Five Graves to Cairo
|
1943
|
|
Billy Wilder (Director)
|
Five Graves to Cairo
|
1943
|
|
Edith Head (Costume Designer)
|
Five Graves to Cairo
|
1943
|
|
Doane Harrison (Editor)
|
Five Graves to Cairo
|
1943
|
|
Zoltan Korda (Producer)
|
The Thief of Bagdad
|
1940
|
|
Alexander Korda (Producer)
|
The Thief of Bagdad
|
1940
|
|
Michael Powell (Director)
|
The Thief of Bagdad
|
1940
|
|
Charles Crichton (Editor)
|
The Thief of Bagdad
|
1940
|
|
Georges Périnal (Cinematographer)
|
The Thief of Bagdad
|
1940
|
|
Louis King (Director)
|
The Way of All Flesh
|
1940
|
|
Jack Cardiff (Cinematographer)
|
The Four Feathers
|
1939
|
|
Georges Périnal (Cinematographer)
|
The Four Feathers
|
1939
|
|
Alexander Korda (Producer)
|
The Four Feathers
|
1939
|
|
Zoltan Korda (Director)
|
The Four Feathers
|
1939
|
|
Henry Cornelius (Editor)
|
The Four Feathers
|
1939
|
|
Hans Dreier (Art Director)
|
Hotel Imperial
|
1939
|
|
Robert Florey (Director)
|
Hotel Imperial
|
1939
|
|
Harry Stradling (Cinematographer)
|
The Divorce of Lady X
|
1938
|
|
Alexander Korda (Producer)
|
The Divorce of Lady X
|
1938
|
|
Georges Périnal (Cinematographer)
|
The Drum
|
1938
|
|
Henry Cornelius (Editor)
|
The Drum
|
1938
|
|
Alexander Korda (Producer)
|
The Drum
|
1938
|
|
Geoffrey Unsworth (Cinematographer)
|
The Drum
|
1938
|
|
Zoltan Korda (Director)
|
The Drum
|
1938
|
|
Christopher G. Challis (Cinematographer)
|
The Drum
|
1938
|
|
Robert Krasker (Cinematographer)
|
The Drum
|
1938
|
|
Harry Stradling (Cinematographer)
|
Over the Moon
|
1938
|
|
Robert Krasker (Cinematographer)
|
Over the Moon
|
1938
|
|
William Howard (Director)
|
Over the Moon
|
1938
|
|
Alexander Korda (Producer)
|
Over the Moon
|
1938
|
|
Harry Stradling (Cinematographer)
|
Dark Journey
|
1937
|
|
Georges Périnal (Cinematographer)
|
Dark Journey
|
1937
|
|
Alexander Korda (Producer)
|
Dark Journey
|
1937
|
|
Alexander Korda (Producer)
|
Knight Without Armour
|
1937
|
|
Jacques Feyder (Director)
|
Knight Without Armour
|
1937
|
|
Harry Stradling (Cinematographer)
|
Knight Without Armour
|
1937
|
|
Jack Cardiff (Cinematographer)
|
Knight Without Armour
|
1937
|
|
Alexander Korda (Producer)
|
The Return of the Scarlet Pimpernel
|
1937
|
|
Alexander Korda (Producer)
|
The Man Who Could Work Miracles
|
1936
|
|
Harold Hal Rosson (Cinematographer)
|
The Man Who Could Work Miracles
|
1936
|
|
Georges Périnal (Cinematographer)
|
Rembrandt
|
1936
|
|
Alexander Korda (Director)
|
Rembrandt
|
1936
|
|
Alexander Korda (Producer)
|
Rembrandt
|
1936
|
|
Alexander Korda (Producer)
|
Things to Come
|
1936
|
|
Charles Crichton (Editor)
|
Things to Come
|
1936
|
|
William Cameron Menzies (Director)
|
Things to Come
|
1936
|
|
Georges Périnal (Cinematographer)
|
Things to Come
|
1936
|
|
Georges Périnal (Cinematographer)
|
Under the Red Robe
|
1936
|
|
James Wong Howe (Cinematographer)
|
Under the Red Robe
|
1936
|
|
James B. Clark (Editor)
|
Under the Red Robe
|
1936
|
|
Victor Sjöström (Director)
|
Under the Red Robe
|
1936
|
|
Alexander Korda (Producer)
|
Sanders of the River
|
1935
|
|
Charles Crichton (Editor)
|
Sanders of the River
|
1935
|
|
Zoltan Korda (Director)
|
Sanders of the River
|
1935
|
|
Georges Périnal (Cinematographer)
|
Sanders of the River
|
1935
|
|
Georges Périnal (Cinematographer)
|
Catherine the Great
|
1934
|
|
Alexander Korda (Producer)
|
Catherine the Great
|
1934
|
|
Alexander Korda (Producer)
|
The Private Life of Don Juan
|
1934
|
|
Georges Périnal (Cinematographer)
|
The Private Life of Don Juan
|
1934
|
|
Alexander Korda (Director)
|
The Private Life of Don Juan
|
1934
|
|
Harold Hal Rosson (Cinematographer)
|
The Scarlet Pimpernel
|
1934
|
|
Alexander Korda (Producer)
|
The Scarlet Pimpernel
|
1934
|
|
Michael Balcon (Producer)
|
The Faithful Hearts
|
1933
|
|
Vincent Korda (Art Director)
|
The Private Life of Henry VIII
|
1933
|
|
Alexander Korda (Producer)
|
The Private Life of Henry VIII
|
1933
|
|
Georges Périnal (Cinematographer)
|
The Private Life of Henry VIII
|
1933
|
|
Alexander Korda (Director)
|
The Private Life of Henry VIII
|
1933
|
|
Alexander Korda (Producer)
|
Strange Evidence
|
1933
|
|
Ian Dalrymple (Editor)
|
Michael and Mary
|
1932
|
|
Michael Balcon (Producer)
|
Michael and Mary
|
1932
|
|
Alexander Korda (Producer)
|
Reserved for Ladies
|
1932
|
|
Alexander Korda (Director)
|
Reserved for Ladies
|
1932
|
|
Alexander Korda (Director)
|
Wedding Rehearsal
|
1932
|
|
Vincent Korda (Art Director)
|
Wedding Rehearsal
|
1932
|
|
Alexander Korda (Producer)
|
Wedding Rehearsal
|
1932
|
|
Michael Balcon (Producer)
|
The Ghost Train
|
1931
|
|
Ian Dalrymple (Editor)
|
The Ghost Train
|
1931
|
|
Walter Forde (Director)
|
The Ghost Train
|
1931
|
|
Alexander Korda (Director)
|
Women Everywhere
|
1930
|
|
Sol Polito (Cinematographer)
|
The Haunted House
|
1928
|
|
Benjamin Christensen (Director)
|
The Haunted House
|
1928
|
|
Josef von Sternberg (Director)
|
The Last Command
|
1928
|
|
Hans Dreier (Art Director)
|
The Last Command
|
1928
|
|
Jesse Lasky (Producer)
|
The Last Command
|
1928
|
|
Adolph Zukor (Producer)
|
The Last Command
|
1928
|
|
Karl Struss (Cinematographer)
|
The Night Watch
|
1928
|
|
Alexander Korda (Director)
|
The Night Watch
|
1928
|
|
Alexander Korda (Director)
|
Yellow Lily
|
1928
|
|
Alexander Korda (Director)
|
Eine DuBarry Von Heute
|
1927
|
|
Mauritz Stiller (Director)
|
Hotel Imperial
|
1927
|
|
Erich Pommer (Producer)
|
Hotel Imperial
|
1927
|
|
Victor Fleming (Director)
|
The Way of All Flesh
|
1927
|
|
Ernst Lubitsch (Director)
|
Forbidden Paradise
|
1924
|