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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Delivered with such high panache and brio, it's mesmerizing. Read full review
Kill Bill: Volume 1 shows Quentin Tarantino so effortlessly and brilliantly in command of his technique that he reminds me of a virtuoso violinist racing through "Flight of the Bumble Bee" -- or maybe an accordion prodigy setting a speed record for "Lady of Spain." Read full review
The film may be bloody, but it's also bloody gorgeous: a grandly fetishized epic of cinematic aggression. It's a tale of vengeance that hinges on Tarantino's love of ferocity as spectacle -- his immersion in action and exploitation, his addiction to the jazzy catharsis of junk-film kicks. Read full review
In Kill Bill, Tarantino brings delicious sin back to movies -- the thrill you get from something down, dirty and dangerous. Read full review
Bill re-establishes that Tarantino ranks with "Boogie Nights'" Paul Thomas Anderson as one of the few Hollywood filmmakers of the past 25 years with the stuff to win a lifetime achievement award. Read full review
Is Kill Bill a homage to great Asian action movies? Yes. Is Tarantino trying to outdo his cherished masters (on a budget that dwarfs their films)? Of course. Is there any other point of any of this? Let's see "Vol. 2." Read full review
Mr. Tarantino is an irrepressible showoff, recklessly flaunting his formal skills as a choreographer of high-concept violence, but he is also an unabashed cinephile, and the sincerity of his enthusiasm gives this messy, uneven spectacle an odd, feverish integrity. Read full review
The movie love can make it hard to hear the human pulse beneath the noise (it's there, if faint), much less see if there's anything new going on. Read full review
A strange, fun and densely textured work that gets better as it goes along. Read full review
It boggles the mind that after six years of silence, all Tarantino has to offer is this garbage. Read full review