100

Christian Science Monitor

By David Sterritt
Masina gives one of her most expressive performances.
Full Review
90

Los Angeles Times

By Kevin Thomas
Remains a timeless, major work of a master.
Full Review
90

New Times (L.A.)

By Gregory Weinkauf
Sometimes the cinema is just heavenly, and this is one of those times.
Full Review
88

Chicago Tribune

By Michael Wilmington
A mad, resplendent peacock of a film, a cinematographic riot of color and sensuality that evokes its era -- the swinging mid-'60s -- as much as any movie made during those giddy years.
Full Review
83

Seattle Post-Intelligencer

By William Arnold
Above all, the film is just wonderfully ... well, Fellini-esque. It looks like nothing the cinema has seen since then.
Full Review
80

The New York Times

By Stephen Holden
Invites you to contemplate the symbolic vibration of every hue in its teeming, overcrowded canvas.
Full Review
80

Variety

Fellini has put together an imperial-sized fantasy of a physical opulence to make the old Vincente Minnelli Metro musicals look like army training films.
Full Review
67

Portland Oregonian

Flopped on its initial release, and it is a somewhat decadent and overlong production. But Masina's performance is, as always, engaging, and Fellini's glee at launching into color filmmaking is palpable.
Full Review
60

Village Voice

By Michael Atkinson
Juliet is never less than eye-catching, but is rarely more.
Full Review
81 out of 100
Universal acclaim
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.