Julia
Tilda Swinton gives a career performance in the title role of Eric Zonca's wild and crazy film, the most lunatic good film in recent memory, and even though I grudgingly acknowledge some of the flaws critics and viewers have found with the film (and at one point I thought maybe I should be calling 911 on the director for an unacceptable use of violent suggestion), this film ultimately becomes a moving and humane drama, and a daring one as well. It's the kind of film "Rachel Getting Married should have been, and couldn't, and perfectly epitomizes for me why I go to movies.