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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Tilda Swinton hasn't often been more fascinating than in Julia, a nerve-wracking thriller with a twisty plot and startling realism. Read full review
In tone and plot, Julia often resembles an extended episode of the AMC series "Breaking Bad"--except that Swinton's character is never NOT bad. Read full review
As Julia, Swinton belongs to that league of great cinematic alcoholics such as Jack Lemmon and Lee Remick in "Days of Wine and Roses" and Ray Milland in "The Lost Weekend." As an action character, she naturally evokes Gena Rowlands without ever trying to resemble her. Read full review
Ms. Swinton demands to be seen even when her character is on a self-annihilating bender so real that you can almost smell the stink rising off her. So I sat in my seat, cursed the screen and was grateful to watch an actress at the height of her expressive power claw toward greatness. Read full review
The movie's electrifying without being completely satisfying. Zonca and his star don't play by Hollywood rules, which is both good (keeps us off-balance) and less so (at times the film doesn't seem sure where it's going). Read full review
Goes to all the places a sensitive character study might have gone, but more dramatically, convincingly and vividly. Read full review
This overlong, lurchy homage to John Cassavetes' 1980 film "Gloria" is a mess, but a fascinating one, given Swinton's desperately avid performance in the title role. Read full review
As Julia struggles to survive her bad decisions, the film struggles to survive Julia. We never get a good look at her demons, just the havoc they wreak. Read full review
The miscalculated and overlong Julia proves a startling misfire for "The Dreamlife of Angels" writer-helmer Erick Zonca and dependably fearless actress Tilda Swinton. Read full review
The end result is like Quentin Tarantino reworking a Charles Bukowski story. Read full review