JuliaMovie Reviews



Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 100
    Chicago Sun-Times | Roger Ebert

    Tilda Swinton hasn't often been more fascinating than in Julia, a nerve-wracking thriller with a twisty plot and startling realism. Read full review

  • 88
    Miami Herald | Rene Rodriguez

    Charles Bukowski would have loved this foul-mouthed, fiery, reckless woman. Against all odds and common sense, you will, too. Read full review

  • 80
    The New York Times | Manohla Dargis

    Ms. Swinton demands to be seen even when her character is on a self-annihilating bender so real that you can almost smell the stink rising off her. So I sat in my seat, cursed the screen and was grateful to watch an actress at the height of her expressive power claw toward greatness. Read full review

  • 80
    The Hollywood Reporter |

    As Julia, Swinton belongs to that league of great cinematic alcoholics such as Jack Lemmon and Lee Remick in "Days of Wine and Roses" and Ray Milland in "The Lost Weekend." As an action character, she naturally evokes Gena Rowlands without ever trying to resemble her. Read full review

  • 75
    San Francisco Chronicle | Mick LaSalle

    Goes to all the places a sensitive character study might have gone, but more dramatically, convincingly and vividly. Read full review

  • 75
    Boston Globe | Ty Burr

    The movie’s electrifying without being completely satisfying. Zonca and his star don’t play by Hollywood rules, which is both good (keeps us off-balance) and less so (at times the film doesn’t seem sure where it’s going). Read full review

  • 67
    Entertainment Weekly | Lisa Schwarzbaum

    This overlong, lurchy homage to John Cassavetes' 1980 film "Gloria" is a mess, but a fascinating one, given Swinton's desperately avid performance in the title role. Read full review

  • 60
    Village Voice |

    Tilda Swinton doesn't merely act the title role in French director Erick Zonca's Julia--she devours it, spits it back up, dances giddily upon it, twirls it in the air. Read full review

  • 38
    New York Post | Kyle Smith

    Picture "Fargo" played with no sense of comedy, and you'll get some idea of the absurdity of this drunken floozy, clicking and wobbling on high heels, often with bits of her anatomy hanging out, trying to pull off the perfect crime. Read full review

  • 20
    New York Daily News | Joe Neumaier

    The end result is like Quentin Tarantino reworking a Charles Bukowski story. Read full review

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