|
Howard Hawks (Director)
|
Rio Bravo
|
1959
|
|
Howard Hawks (Producer)
|
Rio Bravo
|
1959
|
|
Josef von Sternberg (Director)
|
Jet Pilot
|
1957
|
|
Albert S. D'Agostino (Art Director)
|
Jet Pilot
|
1957
|
|
William Dieterle (Director)
|
Peking Express
|
1951
|
|
Hal B. Wallis (Producer)
|
Peking Express
|
1951
|
|
Warren Low (Editor)
|
Peking Express
|
1951
|
|
Harry Kurnitz (Producer)
|
Pretty Baby
|
1950
|
|
Gregory Ratoff (Director)
|
Moss Rose
|
1947
|
|
Gene Markey (Producer)
|
Moss Rose
|
1947
|
|
James B. Clark (Editor)
|
Moss Rose
|
1947
|
|
George Jessel (Producer)
|
Nightmare Alley
|
1947
|
|
Edmund Goulding (Director)
|
Nightmare Alley
|
1947
|
|
Howard Hawks (Director)
|
The Big Sleep
|
1946
|
|
Jack L. Warner (Executive Producer)
|
The Big Sleep
|
1946
|
|
Howard Hawks (Producer)
|
The Big Sleep
|
1946
|
|
Howard Hawks (Producer)
|
To Have and Have Not
|
1944
|
|
Howard Hawks (Director)
|
To Have and Have Not
|
1944
|
|
Milo Anderson (Costume Designer)
|
To Have and Have Not
|
1944
|
|
Gregg Toland (Cinematographer)
|
The Outlaw
|
1943
|
|
Howard R. Hughes (Director)
|
The Outlaw
|
1943
|
|
Howard R. Hughes (Producer)
|
The Outlaw
|
1943
|
|
Josef von Sternberg (Director)
|
The Shanghai Gesture
|
1941
|
|
Paul Ivano (Cinematographer)
|
The Shanghai Gesture
|
1941
|
|
Louis King (Director)
|
The Way of All Flesh
|
1940
|
|
Howard Hawks (Producer)
|
Only Angels Have Wings
|
1939
|
|
Howard Hawks (Director)
|
Only Angels Have Wings
|
1939
|
|
Lionel Banks (Art Director)
|
Only Angels Have Wings
|
1939
|
|
Hans Dreier (Art Director)
|
Spawn of the North
|
1938
|
|
Henry Hathaway (Director)
|
Spawn of the North
|
1938
|
|
Albert Lewin (Producer)
|
Spawn of the North
|
1938
|
|
Samuel Goldwyn (Producer)
|
Come and Get It
|
1936
|
|
William Wyler (Director)
|
Come and Get It
|
1936
|
|
Howard Hawks (Director)
|
Come and Get It
|
1936
|
|
Rudolph Maté (Cinematographer)
|
Come and Get It
|
1936
|
|
Gregg Toland (Cinematographer)
|
Come and Get It
|
1936
|
|
Cedric Gibbons (Art Director)
|
China Seas
|
1935
|
|
Adrian (Costume Designer)
|
China Seas
|
1935
|
|
Tay Garnett (Director)
|
China Seas
|
1935
|
|
Albert Lewin (Producer)
|
China Seas
|
1935
|
|
Irving G. Thalberg (Producer)
|
Mutiny on the Bounty
|
1935
|
|
Margaret Booth (Editor)
|
Mutiny on the Bounty
|
1935
|
|
Frank Lloyd (Director)
|
Mutiny on the Bounty
|
1935
|
|
Arthur Edeson (Cinematographer)
|
Mutiny on the Bounty
|
1935
|
|
Cedric Gibbons (Art Director)
|
Mutiny on the Bounty
|
1935
|
|
Arnold A. Gillespie (Art Director)
|
Mutiny on the Bounty
|
1935
|
|
Harold Hal Rosson (Cinematographer)
|
Bombshell
|
1933
|
|
Victor Fleming (Director)
|
Bombshell
|
1933
|
|
Adrian (Costume Designer)
|
Bombshell
|
1933
|
|
Margaret Booth (Editor)
|
Bombshell
|
1933
|
|
Hunt Stromberg (Producer)
|
Bombshell
|
1933
|
|
Travis Banton (Costume Designer)
|
Blonde Venus
|
1932
|
|
Josef von Sternberg (Director)
|
Blonde Venus
|
1932
|
|
Travis Banton (Costume Designer)
|
Shanghai Express
|
1932
|
|
Josef von Sternberg (Producer)
|
Shanghai Express
|
1932
|
|
Adolph Zukor (Producer)
|
Shanghai Express
|
1932
|
|
Josef von Sternberg (Director)
|
Shanghai Express
|
1932
|
|
Paul Weatherwax (Editor)
|
Body and Soul
|
1931
|
|
Anton Grot (Art Director)
|
Body and Soul
|
1931
|
|
John F. Seitz (Cinematographer)
|
Merely Mary Ann
|
1931
|
|
Arthur E. Arling (Cinematographer)
|
Merely Mary Ann
|
1931
|
|
Henry King (Director)
|
Merely Mary Ann
|
1931
|
|
Henry King (Director)
|
Over the Hill
|
1931
|
|
John F. Seitz (Cinematographer)
|
Over the Hill
|
1931
|
|
James Wong Howe (Cinematographer)
|
The Yellow Ticket
|
1931
|
|
Raoul Walsh (Director)
|
The Yellow Ticket
|
1931
|
|
Victor Fleming (Director)
|
Common Clay
|
1930
|
|
Lucien Ballard (Cinematographer)
|
Morocco
|
1930
|
|
Josef von Sternberg (Director)
|
Morocco
|
1930
|
|
Travis Banton (Costume Designer)
|
Morocco
|
1930
|
|
William Fox (Producer)
|
Renegades
|
1930
|
|
Victor Fleming (Director)
|
Renegades
|
1930
|
|
Harold Hal Rosson (Cinematographer)
|
Case of Lena Smith
|
1929
|
|
Josef von Sternberg (Director)
|
Case of Lena Smith
|
1929
|
|
Lewis Milestone (Director)
|
New York Nights
|
1929
|
|
Joseph M. Schenck (Producer)
|
New York Nights
|
1929
|
|
Hans Dreier (Art Director)
|
Thunderbolt
|
1929
|
|
Josef von Sternberg (Director)
|
Thunderbolt
|
1929
|
|
William Wyler (Director)
|
Thunderbolt
|
1929
|
|
Harold Hal Rosson (Cinematographer)
|
Aaron Slick
|
1928
|
|
Victor Fleming (Director)
|
Aaron Slick
|
1928
|
|
Josef von Sternberg (Director)
|
The Docks of New York
|
1928
|
|
Hans Dreier (Art Director)
|
The Docks of New York
|
1928
|
|
Harold Hal Rosson (Cinematographer)
|
The Docks of New York
|
1928
|
|
Harold Hal Rosson (Cinematographer)
|
The Dragnet
|
1928
|
|
Josef von Sternberg (Director)
|
The Dragnet
|
1928
|
|
Erich Pommer (Producer)
|
Barbed Wire
|
1927
|
|
Rowland V. Lee (Director)
|
Barbed Wire
|
1927
|
|
James Cruze (Director)
|
The City Gone Wild
|
1927
|
|
James Cruze (Producer)
|
The City Gone Wild
|
1927
|
|
Jesse Lasky (Producer)
|
Fashions for Women
|
1927
|
|
Adolph Zukor (Producer)
|
Fashions for Women
|
1927
|
|
Dorothy Arzner (Director)
|
Fashions for Women
|
1927
|
|
Erich Pommer (Producer)
|
Hotel Imperial
|
1927
|
|
Mauritz Stiller (Director)
|
Hotel Imperial
|
1927
|
|
Victor Fleming (Director)
|
The Way of All Flesh
|
1927
|
|
Frank Lloyd (Director)
|
Wise Guy
|
1926
|
|
Henry King (Director)
|
Any Woman
|
1925
|
|
Ernest Haller (Cinematographer)
|
Any Woman
|
1925
|
|
Robert M. Haas (Art Director)
|
Romola
|
1925
|
|
Henry King (Director)
|
Romola
|
1925
|
|
Henry King (Producer)
|
Romola
|
1925
|
|
Henry King (Producer)
|
Sackcloth and Scarlet
|
1925
|
|
Henry King (Director)
|
Sackcloth and Scarlet
|
1925
|
|
Alan James (Director)
|
Call of the Mate
|
1924
|
|
Clarence Brown (Director)
|
The Acquittal
|
1923
|
|
William Fox (Producer)
|
Lovebound
|
1923
|
|
John Ford (Director)
|
North of Hudson Bay
|
1923
|
|
Jerome Storm (Director)
|
St. Elmo
|
1923
|
|
Joseph H. August (Cinematographer)
|
St. Elmo
|
1923
|
|
Jerome Storm (Director)
|
Arabian Love
|
1922
|
|
Joseph H. August (Cinematographer)
|
Arabian Love
|
1922
|
|
John Francis Dillon (Director)
|
Calvert's Valley
|
1922
|
|
Joseph H. August (Cinematographer)
|
The Love Gambler
|
1922
|
|
Scott R. Dunlap (Director)
|
Pawn Ticket 210
|
1922
|
|
John Ford (Director)
|
The Big Punch
|
1921
|
|
Clyde de Vinna (Cinematographer)
|
The Cheater Reformed
|
1921
|
|
Scott R. Dunlap (Director)
|
The Cheater Reformed
|
1921
|
|
Lucien Andriot (Cinematographer)
|
Last Trail
|
1921
|
|
Emmett J. Flynn (Director)
|
Last Trail
|
1921
|
|
John Francis Dillon (Director)
|
Roof Tree
|
1921
|
|
Clarence Brown (Director)
|
Great Redeemer
|
1920
|
|
Maurice Tourneur (Director)
|
Great Redeemer
|
1920
|
|
Maurice Tourneur (Producer)
|
Great Redeemer
|
1920
|
|
Scott R. Dunlap (Director)
|
Iron Rider
|
1920
|
|
Emmett J. Flynn (Director)
|
Leave It to Me
|
1920
|
|
Emmett J. Flynn (Director)
|
Lincoln Highwayman
|
1920
|
|
Emmett J. Flynn (Director)
|
Man Who Dared
|
1920
|
|
Edward J. Le Saint (Director)
|
Sister to Salome
|
1920
|
|
Scott R. Dunlap (Director)
|
Twins of Suffering Creek
|
1920
|
|
William Wellman (Director)
|
Twins of Suffering Creek
|
1920
|
|
Henry King (Director)
|
Brass Buttons
|
1919
|
|
Henry King (Director)
|
Some Liar
|
1919
|
|
Henry King (Director)
|
Sporting Chance
|
1919
|
|
Maurice Tourneur (Producer)
|
Victory
|
1919
|
|
Maurice Tourneur (Director)
|
Victory
|
1919
|
|
Henry King (Director)
|
When a Man Rides Alone
|
1919
|
|
Henry King (Director)
|
Where the West Begins
|
1919
|
|
Henry King (Director)
|
Hearts or Diamonds?
|
1918
|
|
Henry King (Director)
|
Hobbs in a Hurry
|
1918
|
|
Henry King (Director)
|
Up Romance Road
|
1918
|
|
Edward H. Sloman (Director)
|
The Frame Up
|
1917
|