|
Oswald Morris (Cinematographer)
|
Sleuth
|
1972
|
|
Sidney Lumet (Director)
|
King: A Filmed Record... Montgomery to Memphis
|
1970
|
|
Harry Stradling, Jr. (Cinematographer)
|
There Was a Crooked Man
|
1970
|
|
Dorothy Spencer (Editor)
|
Cleopatra
|
1963
|
|
Walter Wanger (Producer)
|
Cleopatra
|
1963
|
|
Hermes Pan (Choreography)
|
Cleopatra
|
1963
|
|
Herman A. Blumenthal (Art Director)
|
Cleopatra
|
1963
|
|
Jack Martin Smith (Art Director)
|
Cleopatra
|
1963
|
|
Leon Shamroy (Cinematographer)
|
Cleopatra
|
1963
|
|
David Berman (Costume Designer)
|
Cleopatra
|
1963
|
|
Irene Sharaff (Costume Designer)
|
Cleopatra
|
1963
|
|
Jean Louis (Costume Designer)
|
Suddenly, Last Summer
|
1959
|
|
Sam Spiegel (Producer)
|
Suddenly, Last Summer
|
1959
|
|
Robert Krasker (Cinematographer)
|
The Quiet American
|
1958
|
|
Harry Stradling (Cinematographer)
|
Guys and Dolls
|
1955
|
|
Michael Kidd (Choreography)
|
Guys and Dolls
|
1955
|
|
Irene Sharaff (Costume Designer)
|
Guys and Dolls
|
1955
|
|
Samuel Goldwyn (Producer)
|
Guys and Dolls
|
1955
|
|
Jack Cardiff (Cinematographer)
|
The Barefoot Contessa
|
1954
|
|
Cedric Gibbons (Art Director)
|
Julius Caesar
|
1953
|
|
John Houseman (Producer)
|
Julius Caesar
|
1953
|
|
James B. Clark (Editor)
|
5 Fingers
|
1952
|
|
Norbert F. Brodin (Cinematographer)
|
5 Fingers
|
1952
|
|
George W. Davis (Art Director)
|
5 Fingers
|
1952
|
|
Michael Kidd (Choreography)
|
The Guy Who Came Back
|
1951
|
|
Irene Sharaff (Costume Designer)
|
The Guy Who Came Back
|
1951
|
|
Harry Stradling (Cinematographer)
|
The Guy Who Came Back
|
1951
|
|
Darryl F. Zanuck (Producer)
|
People Will Talk
|
1951
|
|
Charles LeMaire (Costume Designer)
|
People Will Talk
|
1951
|
|
George W. Davis (Art Director)
|
People Will Talk
|
1951
|
|
George W. Davis (Art Director)
|
All About Eve
|
1950
|
|
Edith Head (Costume Designer)
|
All About Eve
|
1950
|
|
Charles LeMaire (Costume Designer)
|
All About Eve
|
1950
|
|
Darryl F. Zanuck (Producer)
|
All About Eve
|
1950
|
|
Darryl F. Zanuck (Producer)
|
No Way Out
|
1950
|
|
George W. Davis (Art Director)
|
No Way Out
|
1950
|
|
Walter Scott (Art Director)
|
House of Strangers
|
1949
|
|
Sol C. Siegel (Producer)
|
House of Strangers
|
1949
|
|
Charles LeMaire (Costume Designer)
|
House of Strangers
|
1949
|
|
George W. Davis (Art Director)
|
House of Strangers
|
1949
|
|
Sol C. Siegel (Producer)
|
A Letter to Three Wives
|
1949
|
|
Arthur C. Miller (Cinematographer)
|
A Letter to Three Wives
|
1949
|
|
Freddie Young (Cinematographer)
|
Escape
|
1948
|
|
William Perlberg (Producer)
|
Escape
|
1948
|
|
Arthur Freed (Producer)
|
The Pirate
|
1948
|
|
Harry Stradling (Cinematographer)
|
The Pirate
|
1948
|
|
Vincente Minnelli (Director)
|
The Pirate
|
1948
|
|
Cedric Gibbons (Art Director)
|
The Pirate
|
1948
|
|
Jack Martin Smith (Art Director)
|
The Pirate
|
1948
|
|
Gene Kelly (Choreography)
|
The Pirate
|
1948
|
|
George W. Davis (Art Director)
|
The Ghost and Mrs. Muir
|
1947
|
|
Fred Kohlmar (Producer)
|
The Ghost and Mrs. Muir
|
1947
|
|
Dorothy Spencer (Editor)
|
The Ghost and Mrs. Muir
|
1947
|
|
James B. Clark (Editor)
|
The Late George Apley
|
1947
|
|
Fred Kohlmar (Producer)
|
The Late George Apley
|
1947
|
|
James Basevi (Art Director)
|
The Late George Apley
|
1947
|
|
Arthur C. Miller (Cinematographer)
|
Dragonwyck
|
1946
|
|
Darryl F. Zanuck (Producer)
|
Dragonwyck
|
1946
|
|
Dorothy Spencer (Editor)
|
Dragonwyck
|
1946
|
|
James B. Clark (Editor)
|
Somewhere in the Night
|
1946
|
|
Norbert F. Brodin (Cinematographer)
|
Somewhere in the Night
|
1946
|
|
James Basevi (Art Director)
|
Somewhere in the Night
|
1946
|
|
James Basevi (Art Director)
|
The Keys of the Kingdom
|
1944
|
|
William S. Darling (Art Director)
|
The Keys of the Kingdom
|
1944
|
|
Arthur C. Miller (Cinematographer)
|
The Keys of the Kingdom
|
1944
|
|
John M. Stahl (Director)
|
The Keys of the Kingdom
|
1944
|
|
James B. Clark (Editor)
|
The Keys of the Kingdom
|
1944
|
|
W.S. Van Dyke (Director)
|
Cairo
|
1942
|
|
Cedric Gibbons (Art Director)
|
Cairo
|
1942
|
|
Cedric Gibbons (Art Director)
|
Reunion in France
|
1942
|
|
Irene (Costume Designer)
|
Reunion in France
|
1942
|
|
Jules Dassin (Director)
|
Reunion in France
|
1942
|
|
George Stevens (Director)
|
Woman of the Year
|
1942
|
|
Adrian (Costume Designer)
|
Woman of the Year
|
1942
|
|
Cedric Gibbons (Art Director)
|
Woman of the Year
|
1942
|
|
Cedric Gibbons (Art Director)
|
The Feminine Touch
|
1941
|
|
Adrian (Costume Designer)
|
The Feminine Touch
|
1941
|
|
W.S. Van Dyke (Director)
|
The Feminine Touch
|
1941
|
|
Oliver Marsh (Cinematographer)
|
The Wild Man of Borneo
|
1941
|
|
Cedric Gibbons (Art Director)
|
The Wild Man of Borneo
|
1941
|
|
George Cukor (Director)
|
The Philadelphia Story
|
1940
|
|
Cedric Gibbons (Art Director)
|
The Philadelphia Story
|
1940
|
|
Adrian (Costume Designer)
|
The Philadelphia Story
|
1940
|
|
Frank Borzage (Director)
|
Strange Cargo
|
1940
|
|
Cedric Gibbons (Art Director)
|
Strange Cargo
|
1940
|
|
John F. Seitz (Cinematographer)
|
The Adventures of Huckleberry Finn
|
1939
|
|
Richard Thorpe (Director)
|
The Adventures of Huckleberry Finn
|
1939
|
|
Cedric Gibbons (Art Director)
|
A Christmas Carol
|
1938
|
|
Cedric Gibbons (Art Director)
|
The Shining Hour
|
1938
|
|
Adrian (Costume Designer)
|
The Shining Hour
|
1938
|
|
Frank Borzage (Director)
|
The Shining Hour
|
1938
|
|
Adrian (Costume Designer)
|
The Shopworn Angel
|
1938
|
|
Cedric Gibbons (Art Director)
|
The Shopworn Angel
|
1938
|
|
Cedric Gibbons (Art Director)
|
Three Comrades
|
1938
|
|
Frank Borzage (Director)
|
Three Comrades
|
1938
|
|
Cedric Gibbons (Art Director)
|
The Bride Wore Red
|
1937
|
|
Adrian (Costume Designer)
|
The Bride Wore Red
|
1937
|
|
Dorothy Arzner (Director)
|
The Bride Wore Red
|
1937
|
|
Adrian (Costume Designer)
|
Double Wedding
|
1937
|
|
Richard Thorpe (Director)
|
Double Wedding
|
1937
|
|
Cedric Gibbons (Art Director)
|
Double Wedding
|
1937
|
|
William H. Daniels (Cinematographer)
|
Double Wedding
|
1937
|
|
Frank Borzage (Director)
|
Mannequin
|
1937
|
|
Adrian (Costume Designer)
|
Mannequin
|
1937
|
|
Cedric Gibbons (Art Director)
|
Fury
|
1936
|
|
Fritz Lang (Director)
|
Fury
|
1936
|
|
Cedric Gibbons (Art Director)
|
The Gorgeous Hussy
|
1936
|
|
Adrian (Costume Designer)
|
The Gorgeous Hussy
|
1936
|
|
Clarence Brown (Director)
|
The Gorgeous Hussy
|
1936
|
|
Adrian (Costume Designer)
|
Love on the Run
|
1936
|
|
Oliver Marsh (Cinematographer)
|
Love on the Run
|
1936
|
|
W.S. Van Dyke (Director)
|
Love on the Run
|
1936
|
|
Richard Boleslawski (Director)
|
Miracle in the Sand
|
1936
|
|
Cedric Gibbons (Art Director)
|
Forsaking All Others
|
1935
|
|
Adrian (Costume Designer)
|
Forsaking All Others
|
1935
|
|
Gregg Toland (Cinematographer)
|
Forsaking All Others
|
1935
|
|
W.S. Van Dyke (Director)
|
Forsaking All Others
|
1935
|
|
W.S. Van Dyke (Director)
|
I Live My Life
|
1935
|
|
Adrian (Costume Designer)
|
I Live My Life
|
1935
|
|
Cedric Gibbons (Art Director)
|
I Live My Life
|
1935
|
|
Adrian (Art Director)
|
I Live My Life
|
1935
|
|
David O. Selznick (Producer)
|
Manhattan Melodrama
|
1934
|
|
James Wong Howe (Cinematographer)
|
Manhattan Melodrama
|
1934
|
|
Cedric Gibbons (Art Director)
|
Manhattan Melodrama
|
1934
|
|
W.S. Van Dyke (Director)
|
Manhattan Melodrama
|
1934
|
|
King Vidor (Director)
|
Our Daily Bread
|
1934
|
|
King Vidor (Producer)
|
Our Daily Bread
|
1934
|
|
William Cameron Menzies (Art Director)
|
Alice in Wonderland
|
1933
|
|
Norman Z. McLeod (Director)
|
Alice in Wonderland
|
1933
|
|
Wally Westmore (Costume Designer)
|
Alice in Wonderland
|
1933
|
|
William Seiter (Director)
|
Diplomaniacs
|
1933
|
|
Merian C. Cooper (Executive Producer)
|
Emergency Call
|
1933
|
|
Van Nest Polglase (Art Director)
|
Emergency Call
|
1933
|
|
Roy Hunt (Cinematographer)
|
Emergency Call
|
1933
|
|
Edward Sutherland (Director)
|
Too Much Harmony
|
1933
|
|
LeRoy J. Prinz (Choreography)
|
Too Much Harmony
|
1933
|
|
William Le Baron (Producer)
|
Too Much Harmony
|
1933
|
|
William Seiter (Director)
|
If I Had a Million
|
1932
|
|
James Cruze (Director)
|
If I Had a Million
|
1932
|
|
H. Bruce Humberstone (Director)
|
If I Had a Million
|
1932
|
|
Ernst Lubitsch (Director)
|
If I Had a Million
|
1932
|
|
Norman Z. McLeod (Director)
|
If I Had a Million
|
1932
|
|
Norman Taurog (Director)
|
If I Had a Million
|
1932
|
|
Edward F. Cline (Director)
|
Million Dollar Legs
|
1932
|
|
Herman Mankiewicz (Producer)
|
Million Dollar Legs
|
1932
|
|
Norman Z. McLeod (Director)
|
Finn and Hattie
|
1931
|
|
Norman Taurog (Director)
|
Finn and Hattie
|
1931
|
|
Edward Sutherland (Director)
|
The Gang Buster
|
1931
|
|
Edward Sutherland (Director)
|
June Moon
|
1931
|
|
Norman Taurog (Director)
|
Newly Rich
|
1931
|
|
Karl Struss (Cinematographer)
|
Skippy
|
1931
|
|
Norman Taurog (Director)
|
Skippy
|
1931
|
|
Norman Taurog (Director)
|
Sooky
|
1931
|
|
Edward Dmytryk (Editor)
|
Only Saps Work
|
1930
|
|
Edwin H. Knopf (Director)
|
Only Saps Work
|
1930
|
|
Edwin H. Knopf (Director)
|
Slightly Scarlet
|
1930
|
|
Edward Sutherland (Director)
|
The Social Lion
|
1930
|
|
Edward Sutherland (Director)
|
Fast Company
|
1929
|
|
Victor Fleming (Director)
|
The Virginian
|
1929
|
|
Roy Hunt (Cinematographer)
|
The Virginian
|
1929
|