Though the most famous and controversial of the WWII "shell shock" documentaries, John Huston's Let There Be Light, was...
|
Director
|
1948
|
A superior Hopalong Cassidy Western, The Leather Burners benefits from a good script by Joe Pagano. In trouble with a gang of...
|
Director
|
1943
|
Though the film is called Speed Devils, the only racetrack scenes occur at the very beginning of the picture. After cracking...
|
Director
|
1935
|
"East is East, West is West, Never the Twain Shall Meet." That's the lesson to be learned in the low-budget exotic romance...
|
Director, Producer
|
1930
|
"Light Fingers" is both the name and the physical description of this film's hero, a dapper petty thief played by Ian Keith....
|
Director
|
1929
|
The fact that "all-American" leading man Reginald Denny spoke with a pronounced British accent somewhat worked against his...
|
Director
|
1929
|
This 1929 drama about mistaken identities contains three eight minute scenes that involve talking. The rest of the film is...
|
Director
|
1929
|
Although a humble stable boy, Ben Lyon is a whiz when it comes to medical know-how. This endears Lyon to his boss, Fred...
|
Director
|
1929
|
Informed by her doctor that she is going blind, Mary Astor tearfully breaks off her engagement with Lloyd Hughes, hoping to...
|
Director
|
1928
|
|
Director
|
1928
|
A mother stows away on a ship in order to be close to her long-lost son in this seafaring melodrama from small-time company...
|
Director
|
1928
|
A rather muddled prize-fighting melodrama from low-budget company Gotham Productions, United States Smith featured former...
|
Director
|
1928
|
|
Director
|
1927
|
Thanks to constant exposure in excerpt form in scores of silent-movie compilations, Play Safe is the best-known of the...
|
Director
|
1927
|
The lonesomest of the titular lonesome ladies is Polly Fosdick (Anna Q. Nilsson), the wife of wealthy John Fosdick...
|
Director
|
1927
|
|
Director
|
1927
|
A reasonably well-received silent comedy, The Broadway Boob was Merton of the Movies all over again, but with a change of...
|
Director
|
1926
|
|
Director
|
1926
|
This routine romantic comedy was slight of plot and light on name actors. Joseph Schildkraut plays Nicholas Alexnov, an...
|
Director
|
1926
|
Silent screen idol Rudolph Valentino made his next-to-last screen appearance in this romantic comedy/drama. Count Rodrigo...
|
Director
|
1925
|
Glenn Hunter was still riding high from his success with Merton of the Movies, and in just a few weeks his co-star, Constance...
|
Director
|
1925
|
Tully Marshall plays "the Stranger," an outcast who works in a saloon frequented by Peggy Bowlin, a poor girl suffering...
|
Director
|
1924
|
|
Director
|
1924
|
An attorney (Thomas Meighan) becomes the intermediary between an Indian tribe and the territory's settlers in this fine...
|
Director
|
1924
|
Paramount gave their newest star, an adolescent Douglas Fairbanks Jr., every advantage in his film debut. As support, young...
|
Director
|
1923
|
Hefty comedian Walter Hiers stars in this tepid comedy. Jimmy Kirk (Hiers) is a soda jerk in love with Mamie Smith...
|
Director
|
1923
|
Jack Holt plays Sam Sandell, an American engineer working in India who rescues a pretty half-caste girl (Aileen Pringle) from...
|
Director
|
1923
|
This farcical melodrama starring Jack Holt was a pleasant program feature. Holt is Robert Pitt, a wealthy young idler who has...
|
Director
|
1923
|
Virile Jack Holt was perfectly cast as the title character in this brawling South Seas drama. New Yorker Robert Kendall...
|
Director
|
1922
|
Although this comedy had an awful lot of inconsistencies, it still was an nicely entertaining programmer -- plus it had the...
|
Director
|
1922
|
A young cowboy turns vigilante after his father is killed in this fine silent Western filmed on location in blistering...
|
Director
|
1922
|
Missing Millions was inspired by "A Problem in Grand Larceny", one of the many "Boston Blackie" stories by Jack Boyle. David...
|
Director
|
1922
|
This Western -- which like many silent-era pictures was based on a Saturday Evening Post story (this one by Peter B. Kyne) --...
|
Director
|
1922
|
Before Paramount produced this well-received version of Edward White's novel Conjurer's House, it had been made into a play...
|
Director
|
1921
|
Mary Miles Minter once more emulates her great rival Mary Pickford in Don't Call Me Little Girl. Ms. Minter plays a Miss...
|
Director
|
1921
|
The Edgar Jepson novel, Ann Annington, was first made into a play, Ann, and then developed as a pleasant light comedy vehicle...
|
Director
|
1921
|
When an Arizona ranchman (Willard Louis) is elected senator, he heads for Washington with his daughter, Judith Baldwin (Mary...
|
Director
|
1921
|
|
Director
|
1920
|
This lively silent romantic comedy was the second film made by Douglas Fairbanks Sr. for the new United Artists company. Much...
|
First Assistant Director
|
1920
|
At first Louise Glaum, famed for her vamp roles, seems to be a bit miscast in this seven-reeler -- Mary Norwood (Glaum) is...
|
Director
|
1920
|
|
Director
|
1920
|
|
Director, Screenwriter
|
1919
|
|
Director, Screenwriter
|
1918
|
Rancher Warren Bronson (Herbert Standing) is plagued by cattle rustlers, so he gets Western detective Fancy Jim Sherwood...
|
Director
|
1917
|
When John Webster, a leader in high finance, dies, he leaves the Webster Trust Company to his daughter Janice (Dorothy Gish)....
|
Director
|
1917
|
Before becoming famous for her amusing comedies, Dorothy Gish did a number of dramas for the Triangle studios. This was one...
|
Director
|
1916
|
|
First Assistant Director
|
1916
|
The most successful and artistically advanced film of its time, The Birth of a Nation has also sparked protests, riots, and...
|
|
1915
|
|
John Hale
|
1915
|