|
Danny Huston (Director)
|
Mr. North
|
1988
|
|
Gabriel Figueroa (Cinematographer)
|
Under the Volcano
|
1984
|
|
Raymond Stark (Producer)
|
Annie
|
1981
|
|
Margaret Booth (Editor)
|
Annie
|
1981
|
|
Gerry Fisher (Cinematographer)
|
Victory
|
1981
|
|
Gerry Fisher (Cinematographer)
|
Wise Blood
|
1979
|
|
Ann Roth (Costume Designer)
|
Independence
|
1976
|
|
Owen Roizman (Cinematographer)
|
Independence
|
1976
|
|
Oswald Morris (Cinematographer)
|
The Man Who Would Be King
|
1975
|
|
Edith Head (Costume Designer)
|
The Man Who Would Be King
|
1975
|
|
Oswald Morris (Cinematographer)
|
The Mackintosh Man
|
1973
|
|
Conrad L. Hall (Cinematographer)
|
Fat City
|
1972
|
|
Margaret Booth (Editor)
|
Fat City
|
1972
|
|
Raymond Stark (Producer)
|
Fat City
|
1972
|
|
Edith Head (Costume Designer)
|
The Life and Times of Judge Roy Bean
|
1972
|
|
Sven Nykvist (Cinematographer)
|
The Last Run
|
1971
|
|
Richard Fleischer (Director)
|
The Last Run
|
1971
|
|
Edward Scaife (Cinematographer)
|
The Kremlin Letter
|
1970
|
|
Walter Mirisch (Executive Producer)
|
Sinful Davey
|
1969
|
|
Walter Mirisch (Producer)
|
Sinful Davey
|
1969
|
|
Edward Scaife (Cinematographer)
|
Sinful Davey
|
1969
|
|
Freddie Young (Cinematographer)
|
Sinful Davey
|
1969
|
|
Edward Scaife (Cinematographer)
|
A Walk With Love and Death
|
1969
|
|
Tutte Lemkow (Choreography)
|
Casino Royale
|
1967
|
|
Nicolas Roeg (Cinematographer)
|
Casino Royale
|
1967
|
|
Robert Parrish (Director)
|
Casino Royale
|
1967
|
|
Val Guest (Director)
|
Casino Royale
|
1967
|
|
Ken Hughes (Director)
|
Casino Royale
|
1967
|
|
Julie Harris (Costume Designer)
|
Casino Royale
|
1967
|
|
Jerry Bresler (Producer)
|
Casino Royale
|
1967
|
|
Raymond Stark (Producer)
|
Reflections in a Golden Eye
|
1967
|
|
Aldo Tonti (Cinematographer)
|
Reflections in a Golden Eye
|
1967
|
|
Giuseppe Rotunno (Cinematographer)
|
The Bible - In the Beginning
|
1966
|
|
Dino de Laurentiis (Producer)
|
The Bible - In the Beginning
|
1966
|
|
Raymond Stark (Producer)
|
The Night of the Iguana
|
1964
|
|
Gabriel Figueroa (Cinematographer)
|
The Night of the Iguana
|
1964
|
|
Kirk Douglas (Producer)
|
The List of Adrian Messenger
|
1963
|
|
Russell Metty (Cinematographer)
|
The Misfits
|
1961
|
|
George Tomasini (Editor)
|
The Misfits
|
1961
|
|
Jack Martin Smith (Art Director)
|
The Barbarian and the Geisha
|
1958
|
|
Charles G. Clarke (Cinematographer)
|
The Barbarian and the Geisha
|
1958
|
|
Darryl F. Zanuck (Producer)
|
The Roots of Heaven
|
1958
|
|
Oswald Morris (Cinematographer)
|
The Roots of Heaven
|
1958
|
|
Oswald Morris (Cinematographer)
|
A Farewell to Arms
|
1957
|
|
Charles Vidor (Director)
|
A Farewell to Arms
|
1957
|
|
David O. Selznick (Producer)
|
A Farewell to Arms
|
1957
|
|
Buddy Adler (Producer)
|
Heaven Knows, Mr. Allison
|
1957
|
|
Oswald Morris (Cinematographer)
|
Heaven Knows, Mr. Allison
|
1957
|
|
Oswald Morris (Cinematographer)
|
Moby Dick
|
1956
|
|
Freddie Francis (Cinematographer)
|
Moby Dick
|
1956
|
|
Oswald Morris (Cinematographer)
|
Beat the Devil
|
1953
|
|
Oswald Morris (Cinematographer)
|
Moulin Rouge
|
1952
|
|
Jack Clayton (Producer)
|
Moulin Rouge
|
1952
|
|
Sam Spiegel (Producer)
|
The African Queen
|
1951
|
|
Jack Cardiff (Cinematographer)
|
The African Queen
|
1951
|
|
Arthur C. Miller (Cinematographer)
|
The Prowler
|
1951
|
|
Paul Weatherwax (Editor)
|
The Prowler
|
1951
|
|
Joseph Losey (Director)
|
The Prowler
|
1951
|
|
Sam Spiegel (Producer)
|
The Prowler
|
1951
|
|
Harold Hal Rosson (Cinematographer)
|
The Red Badge of Courage
|
1951
|
|
Cedric Gibbons (Art Director)
|
The Red Badge of Courage
|
1951
|
|
Harold Hal Rosson (Cinematographer)
|
The Asphalt Jungle
|
1950
|
|
Cedric Gibbons (Art Director)
|
The Asphalt Jungle
|
1950
|
|
Arthur Hornblow, Jr. (Producer)
|
The Asphalt Jungle
|
1950
|
|
Jean Louis (Costume Designer)
|
We Were Strangers
|
1949
|
|
Russell Metty (Cinematographer)
|
We Were Strangers
|
1949
|
|
Karl W. Freund (Cinematographer)
|
Key Largo
|
1948
|
|
Jerry Wald (Producer)
|
Key Largo
|
1948
|
|
Henry Blanke (Producer)
|
The Treasure of the Sierra Madre
|
1948
|
|
Robert Siodmak (Director)
|
The Killers
|
1946
|
|
Mark Hellinger (Producer)
|
The Killers
|
1946
|
|
Stanley Cortez (Cinematographer)
|
Let There Be Light
|
1946
|
|
Orson Welles (Director)
|
The Stranger
|
1946
|
|
Russell Metty (Cinematographer)
|
The Stranger
|
1946
|
|
Arthur Edeson (Cinematographer)
|
Three Strangers
|
1946
|
|
Milo Anderson (Costume Designer)
|
Three Strangers
|
1946
|
|
Jean Negulesco (Director)
|
Three Strangers
|
1946
|
|
Walter Huston (Director)
|
Report from the Aleutians
|
1943
|
|
William Wyler (Director)
|
Report from the Aleutians
|
1943
|
|
Jerry Wald (Producer)
|
Across the Pacific
|
1942
|
|
Arthur Edeson (Cinematographer)
|
Across the Pacific
|
1942
|
|
Robert M. Haas (Art Director)
|
Across the Pacific
|
1942
|
|
Milo Anderson (Costume Designer)
|
Across the Pacific
|
1942
|
|
Ernest Haller (Cinematographer)
|
In This Our Life
|
1942
|
|
Robert M. Haas (Art Director)
|
In This Our Life
|
1942
|
|
Hal B. Wallis (Executive Producer)
|
In This Our Life
|
1942
|
|
William Holmes (Editor)
|
In This Our Life
|
1942
|
|
Orry-Kelly (Costume Designer)
|
In This Our Life
|
1942
|
|
Orry Kelly (Costume Designer)
|
In This Our Life
|
1942
|
|
Milo Anderson (Costume Designer)
|
High Sierra
|
1941
|
|
Raoul Walsh (Director)
|
High Sierra
|
1941
|
|
Jack L. Warner (Executive Producer)
|
High Sierra
|
1941
|
|
Hal B. Wallis (Producer)
|
High Sierra
|
1941
|
|
Arthur Edeson (Cinematographer)
|
The Maltese Falcon
|
1941
|
|
Robert M. Haas (Art Director)
|
The Maltese Falcon
|
1941
|
|
Orry-Kelly (Costume Designer)
|
The Maltese Falcon
|
1941
|
|
Jesse Lasky (Producer)
|
Sergeant York
|
1941
|
|
Arthur Edeson (Cinematographer)
|
Sergeant York
|
1941
|
|
Sol Polito (Cinematographer)
|
Sergeant York
|
1941
|
|
Hal B. Wallis (Producer)
|
Sergeant York
|
1941
|
|
William Holmes (Editor)
|
Sergeant York
|
1941
|
|
Howard Hawks (Director)
|
Sergeant York
|
1941
|
|
Howard Hawks (Producer)
|
Sergeant York
|
1941
|
|
James Wong Howe (Cinematographer)
|
Dr. Ehrlich's Magic Bullet
|
1940
|
|
William Dieterle (Director)
|
Dr. Ehrlich's Magic Bullet
|
1940
|
|
Warren Low (Editor)
|
Dr. Ehrlich's Magic Bullet
|
1940
|
|
Hal B. Wallis (Producer)
|
Dr. Ehrlich's Magic Bullet
|
1940
|
|
Jack L. Warner (Producer)
|
Dr. Ehrlich's Magic Bullet
|
1940
|
|
Henry Blanke (Producer)
|
Juarez
|
1939
|
|
Hal B. Wallis (Producer)
|
Juarez
|
1939
|
|
Warren Low (Editor)
|
Juarez
|
1939
|
|
William Dieterle (Director)
|
Juarez
|
1939
|
|
Orry-Kelly (Costume Designer)
|
Juarez
|
1939
|
|
Milo Anderson (Costume Designer)
|
The Amazing Dr. Clitterhouse
|
1938
|
|
Anatole Litvak (Director)
|
The Amazing Dr. Clitterhouse
|
1938
|
|
Anatole Litvak (Producer)
|
The Amazing Dr. Clitterhouse
|
1938
|
|
Warren Low (Editor)
|
The Amazing Dr. Clitterhouse
|
1938
|
|
Orry Kelly (Costume Designer)
|
Jezebel
|
1938
|
|
William Wyler (Director)
|
Jezebel
|
1938
|
|
Robert M. Haas (Art Director)
|
Jezebel
|
1938
|
|
Ernest Haller (Cinematographer)
|
Jezebel
|
1938
|
|
Hal B. Wallis (Executive Producer)
|
Jezebel
|
1938
|
|
Warren Low (Editor)
|
Jezebel
|
1938
|
|
Orry-Kelly (Costume Designer)
|
Jezebel
|
1938
|
|
Carol Reed (Director)
|
It Happened in Paris
|
1935
|
|
Karl W. Freund (Cinematographer)
|
Murders in the Rue Morgue
|
1932
|
|
Carl Laemmle, Jr. (Producer)
|
Murders in the Rue Morgue
|
1932
|
|
Robert Florey (Director)
|
Murders in the Rue Morgue
|
1932
|
|
William Wyler (Director)
|
A House Divided
|
1931
|
|
William Wyler (Director)
|
The Storm
|
1930
|
|
Clarence Brown (Director)
|
The Acquittal
|
1923
|