|
George W. Davis (Art Director)
|
Seven Women
|
1966
|
|
Anne V. Coates (Editor)
|
Young Cassidy
|
1965
|
|
Jack Cardiff (Director)
|
Young Cassidy
|
1965
|
|
Edward Scaife (Cinematographer)
|
Young Cassidy
|
1965
|
|
Claude Renoir (Cinematographer)
|
Cheyenne Autumn
|
1964
|
|
Edith Head (Costume Designer)
|
Donovan's Reef
|
1963
|
|
George W. Davis (Art Director)
|
How the West Was Won
|
1962
|
|
William H. Daniels (Cinematographer)
|
How the West Was Won
|
1962
|
|
Henry Hathaway (Director)
|
How the West Was Won
|
1962
|
|
George Marshall (Director)
|
How the West Was Won
|
1962
|
|
Harold Kress (Editor)
|
How the West Was Won
|
1962
|
|
Edith Head (Costume Designer)
|
The Man Who Shot Liberty Valance
|
1962
|
|
Charles Lawton (Cinematographer)
|
Two Rode Together
|
1961
|
|
Martin Rackin (Producer)
|
The Horse Soldiers
|
1959
|
|
Charles Lawton (Cinematographer)
|
Gideon of Scotland Yard
|
1958
|
|
Freddie Young (Cinematographer)
|
Gideon of Scotland Yard
|
1958
|
|
Ken Adam (Art Director)
|
Gideon of Scotland Yard
|
1958
|
|
Charles Lawton (Cinematographer)
|
The Last Hurrah
|
1958
|
|
Jean Louis (Costume Designer)
|
The Last Hurrah
|
1958
|
|
Michael Gordon (Editor)
|
The Rising of the Moon
|
1957
|
|
Robert Krasker (Cinematographer)
|
The Rising of the Moon
|
1957
|
|
James Basevi (Art Director)
|
The Searchers
|
1956
|
|
Merian C. Cooper (Executive Producer)
|
The Searchers
|
1956
|
|
Jean Louis (Costume Designer)
|
The Long Gray Line
|
1955
|
|
Robert Arthur (Producer)
|
The Long Gray Line
|
1955
|
|
Charles Lawton (Cinematographer)
|
The Long Gray Line
|
1955
|
|
Mervyn LeRoy (Director)
|
Mister Roberts
|
1955
|
|
Sam Zimbalist (Producer)
|
Mogambo
|
1953
|
|
Robert Surtees (Cinematographer)
|
Mogambo
|
1953
|
|
Freddie Young (Cinematographer)
|
Mogambo
|
1953
|
|
Archie J. Stout (Cinematographer)
|
The Sun Shines Bright
|
1953
|
|
Merian C. Cooper (Producer)
|
The Sun Shines Bright
|
1953
|
|
Merian C. Cooper (Producer)
|
The Quiet Man
|
1952
|
|
Archie J. Stout (Cinematographer)
|
The Quiet Man
|
1952
|
|
Charles LeMaire (Costume Designer)
|
What Price Glory?
|
1952
|
|
Edward Stevenson (Costume Designer)
|
What Price Glory?
|
1952
|
|
Sol C. Siegel (Producer)
|
What Price Glory?
|
1952
|
|
Dorothy Spencer (Editor)
|
What Price Glory?
|
1952
|
|
Merian C. Cooper (Producer)
|
Rio Grande
|
1950
|
|
Archie J. Stout (Cinematographer)
|
Rio Grande
|
1950
|
|
James Basevi (Art Director)
|
Wagon Master
|
1950
|
|
Merian C. Cooper (Producer)
|
Wagon Master
|
1950
|
|
James B. Clark (Editor)
|
When Willie Comes Marching Home
|
1950
|
|
Fred Kohlmar (Producer)
|
When Willie Comes Marching Home
|
1950
|
|
Kenny Williams (Choreography)
|
When Willie Comes Marching Home
|
1950
|
|
Charles LeMaire (Costume Designer)
|
When Willie Comes Marching Home
|
1950
|
|
Ernest B. Schoedsack (Director)
|
Mighty Joe Young
|
1949
|
|
Roy Hunt (Cinematographer)
|
Mighty Joe Young
|
1949
|
|
Merian C. Cooper (Producer)
|
Mighty Joe Young
|
1949
|
|
Merian C. Cooper (Producer)
|
She Wore a Yellow Ribbon
|
1949
|
|
James Basevi (Art Director)
|
She Wore a Yellow Ribbon
|
1949
|
|
James Basevi (Art Director)
|
Fort Apache
|
1948
|
|
Kenny Williams (Choreography)
|
Fort Apache
|
1948
|
|
Archie J. Stout (Cinematographer)
|
Fort Apache
|
1948
|
|
Merian C. Cooper (Producer)
|
Fort Apache
|
1948
|
|
Merian C. Cooper (Producer)
|
The Fugitive
|
1948
|
|
Gabriel Figueroa (Cinematographer)
|
The Fugitive
|
1948
|
|
James Basevi (Art Director)
|
The Three Godfathers
|
1948
|
|
Merian C. Cooper (Producer)
|
The Three Godfathers
|
1948
|
|
Dorothy Spencer (Editor)
|
My Darling Clementine
|
1946
|
|
James Basevi (Art Director)
|
My Darling Clementine
|
1946
|
|
Joseph H. August (Cinematographer)
|
They Were Expendable
|
1945
|
|
Cedric Gibbons (Art Director)
|
They Were Expendable
|
1945
|
|
Darryl F. Zanuck (Director)
|
At the Front
|
1943
|
|
Gregg Toland (Director)
|
December 7th
|
1943
|
|
Gregg Toland (Cinematographer)
|
December 7th
|
1943
|
|
Gregg Toland (Cinematographer)
|
December 7th: The Movie
|
1943
|
|
Gregg Toland (Director)
|
December 7th: The Movie
|
1943
|
|
Robert Parrish (Editor)
|
December 7th: The Movie
|
1943
|
|
Gregg Toland (Cinematographer)
|
The Battle of Midway
|
1942
|
|
Arthur C. Miller (Cinematographer)
|
How Green Was My Valley
|
1941
|
|
James B. Clark (Editor)
|
How Green Was My Valley
|
1941
|
|
Darryl F. Zanuck (Producer)
|
How Green Was My Valley
|
1941
|
|
Darryl F. Zanuck (Producer)
|
Sex Hygiene
|
1941
|
|
James Basevi (Art Director)
|
Tobacco Road
|
1941
|
|
Arthur C. Miller (Cinematographer)
|
Tobacco Road
|
1941
|
|
Darryl F. Zanuck (Producer)
|
Tobacco Road
|
1941
|
|
Darryl F. Zanuck (Producer)
|
The Grapes of Wrath
|
1940
|
|
Gregg Toland (Cinematographer)
|
The Grapes of Wrath
|
1940
|
|
Gregg Toland (Cinematographer)
|
The Long Voyage Home
|
1940
|
|
Walter Wanger (Producer)
|
The Long Voyage Home
|
1940
|
|
Darryl F. Zanuck (Executive Producer)
|
Drums Along the Mohawk
|
1939
|
|
Robert Parrish (Editor)
|
Drums Along the Mohawk
|
1939
|
|
Raymond Griffith (Producer)
|
Drums Along the Mohawk
|
1939
|
|
Ray Rennahan (Cinematographer)
|
Drums Along the Mohawk
|
1939
|
|
Walter Wanger (Producer)
|
Stagecoach
|
1939
|
|
Dorothy Spencer (Editor)
|
Stagecoach
|
1939
|
|
Darryl F. Zanuck (Producer)
|
Young Mr. Lincoln
|
1939
|
|
Arthur C. Miller (Cinematographer)
|
Young Mr. Lincoln
|
1939
|
|
Bernard Herzbrun (Art Director)
|
Four Men and a Prayer
|
1938
|
|
Darryl F. Zanuck (Producer)
|
Four Men and a Prayer
|
1938
|
|
Darryl F. Zanuck (Producer)
|
Submarine Patrol
|
1938
|
|
William S. Darling (Art Director)
|
Submarine Patrol
|
1938
|
|
Arthur C. Miller (Cinematographer)
|
Submarine Patrol
|
1938
|
|
Gene Markey (Director)
|
Submarine Patrol
|
1938
|
|
Stuart Heisler (Director)
|
The Hurricane
|
1937
|
|
Archie J. Stout (Cinematographer)
|
The Hurricane
|
1937
|
|
Julia Heron (Art Director)
|
The Hurricane
|
1937
|
|
Samuel Goldwyn (Producer)
|
The Hurricane
|
1937
|
|
Gene Markey (Producer)
|
Wee Willie Winkie
|
1937
|
|
William S. Darling (Art Director)
|
Wee Willie Winkie
|
1937
|
|
Arthur C. Miller (Cinematographer)
|
Wee Willie Winkie
|
1937
|
|
Joseph H. August (Cinematographer)
|
Mary of Scotland
|
1936
|
|
Van Nest Polglase (Art Director)
|
Mary of Scotland
|
1936
|
|
Pandro S. Berman (Producer)
|
Mary of Scotland
|
1936
|
|
Van Nest Polglase (Art Director)
|
The Plough and the Stars
|
1936
|
|
Joseph H. August (Cinematographer)
|
The Plough and the Stars
|
1936
|
|
William S. Darling (Art Director)
|
The Prisoner of Shark Island
|
1936
|
|
Darryl F. Zanuck (Producer)
|
The Prisoner of Shark Island
|
1936
|
|
Van Nest Polglase (Art Director)
|
The Informer
|
1935
|
|
Joseph H. August (Cinematographer)
|
The Informer
|
1935
|
|
William S. Darling (Art Director)
|
Steamboat Round the Bend
|
1935
|
|
Sol Wurtzel (Producer)
|
Steamboat Round the Bend
|
1935
|
|
Joseph H. August (Cinematographer)
|
The Whole Town's Talking
|
1935
|
|
William S. Darling (Art Director)
|
Judge Priest
|
1934
|
|
Sol Wurtzel (Producer)
|
Judge Priest
|
1934
|
|
Van Nest Polglase (Art Director)
|
The Lost Patrol
|
1934
|
|
Paul Weatherwax (Editor)
|
The Lost Patrol
|
1934
|
|
William S. Darling (Art Director)
|
The World Moves On
|
1934
|
|
William S. Darling (Art Director)
|
Doctor Bull
|
1933
|
|
William S. Darling (Art Director)
|
Pilgrimage
|
1933
|
|
Karl W. Freund (Cinematographer)
|
Air Mail
|
1932
|
|
Carl Laemmle, Jr. (Producer)
|
Air Mail
|
1932
|
|
Arthur Edeson (Cinematographer)
|
Flesh
|
1932
|
|
Cedric Gibbons (Art Director)
|
Flesh
|
1932
|
|
Samuel Goldwyn (Producer)
|
Arrowsmith
|
1931
|
|
Joseph H. August (Cinematographer)
|
The Brat
|
1931
|
|
Joseph H. August (Cinematographer)
|
The Seas Beneath
|
1931
|
|
Joseph H. August (Cinematographer)
|
Men Without Women
|
1930
|
|
Paul Weatherwax (Editor)
|
Men Without Women
|
1930
|
|
William Fox (Producer)
|
Up the River
|
1930
|
|
Joseph H. August (Cinematographer)
|
Up the River
|
1930
|
|
Joseph H. August (Cinematographer)
|
The Black Watch
|
1929
|
|
Joseph H. August (Cinematographer)
|
Salute
|
1929
|
|
David Butler (Director)
|
Salute
|
1929
|
|
Joseph H. August (Cinematographer)
|
Strong Boy
|
1929
|
|
Charles G. Clarke (Cinematographer)
|
Four Sons
|
1928
|
|
Charles G. Clarke (Cinematographer)
|
Riley the Cop
|
1928
|
|
Arthur Edeson (Cinematographer)
|
Blue Eagle
|
1926
|
|
Joseph H. August (Cinematographer)
|
Lightnin'
|
1925
|