|
Lionel Lindon (Cinematographer)
|
Alias Jesse James
|
1959
|
|
Edith Head (Costume Designer)
|
Alias Jesse James
|
1959
|
|
Norman Z. McLeod (Director)
|
Alias Jesse James
|
1959
|
|
Bob Hope (Executive Producer)
|
Alias Jesse James
|
1959
|
|
Albert S. D'Agostino (Art Director)
|
The Unholy Wife
|
1957
|
|
Lucien Ballard (Cinematographer)
|
The Unholy Wife
|
1957
|
|
Paul Weatherwax (Editor)
|
Around the World in 80 Days
|
1956
|
|
Michael Anderson (Director)
|
Around the World in 80 Days
|
1956
|
|
Miles White (Costume Designer)
|
Around the World in 80 Days
|
1956
|
|
Lionel Lindon (Cinematographer)
|
Around the World in 80 Days
|
1956
|
|
Albert S. D'Agostino (Art Director)
|
Back from Eternity
|
1956
|
|
John F. Seitz (Cinematographer)
|
Botany Bay
|
1953
|
|
Archie J. Stout (Cinematographer)
|
Hondo
|
1953
|
|
Robert Burks (Cinematographer)
|
Hondo
|
1953
|
|
Ralph Dawson (Editor)
|
Hondo
|
1953
|
|
John Wayne (Producer)
|
Hondo
|
1953
|
|
John Wayne (Producer)
|
Plunder of the Sun
|
1953
|
|
Andrew V. McLaglen (Art Director)
|
Plunder of the Sun
|
1953
|
|
Robert Surtees (Cinematographer)
|
Ride, Vaquero!
|
1953
|
|
Cedric Gibbons (Art Director)
|
Ride, Vaquero!
|
1953
|
|
Harold Kress (Editor)
|
Ride, Vaquero!
|
1953
|
|
Howard R. Hughes (Producer)
|
His Kind of Woman
|
1951
|
|
Albert S. D'Agostino (Art Director)
|
His Kind of Woman
|
1951
|
|
Lionel Lindon (Cinematographer)
|
Submarine Command
|
1951
|
|
Edith Head (Costume Designer)
|
Submarine Command
|
1951
|
|
Henry Bumstead (Art Director)
|
Submarine Command
|
1951
|
|
Edith Head (Costume Designer)
|
Copper Canyon
|
1950
|
|
Hans Dreier (Art Director)
|
Copper Canyon
|
1950
|
|
Albert S. D'Agostino (Art Director)
|
Where Danger Lives
|
1950
|
|
Lionel Lindon (Cinematographer)
|
Contact Man
|
1949
|
|
Hans Dreier (Art Director)
|
Contact Man
|
1949
|
|
Daniel L. Fapp (Cinematographer)
|
Red, Hot and Blue
|
1949
|
|
Hans Dreier (Art Director)
|
Red, Hot and Blue
|
1949
|
|
Edith Head (Costume Designer)
|
Red, Hot and Blue
|
1949
|
|
John F. Seitz (Cinematographer)
|
Beyond Glory
|
1948
|
|
Edith Head (Costume Designer)
|
The Big Clock
|
1948
|
|
Hans Dreier (Art Director)
|
The Big Clock
|
1948
|
|
Daniel L. Fapp (Cinematographer)
|
The Big Clock
|
1948
|
|
John F. Seitz (Cinematographer)
|
The Big Clock
|
1948
|
|
Edith Head (Costume Designer)
|
Night Has a Thousand Eyes
|
1948
|
|
Hans Dreier (Art Director)
|
Night Has a Thousand Eyes
|
1948
|
|
John F. Seitz (Cinematographer)
|
Night Has a Thousand Eyes
|
1948
|
|
Edith Head (Costume Designer)
|
Blaze of Noon
|
1947
|
|
Hans Dreier (Art Director)
|
Calcutta
|
1947
|
|
John F. Seitz (Cinematographer)
|
Calcutta
|
1947
|
|
Hans Dreier (Art Director)
|
Easy Come, Easy Go
|
1947
|
|
Daniel L. Fapp (Cinematographer)
|
Easy Come, Easy Go
|
1947
|
|
Edith Head (Costume Designer)
|
California
|
1946
|
|
Ray Rennahan (Cinematographer)
|
California
|
1946
|
|
Hans Dreier (Art Director)
|
California
|
1946
|
|
Hans Dreier (Art Director)
|
Two Years Before the Mast
|
1946
|
|
Edith Head (Costume Designer)
|
You Came Along
|
1945
|
|
Daniel L. Fapp (Cinematographer)
|
You Came Along
|
1945
|
|
Hans Dreier (Art Director)
|
You Came Along
|
1945
|
|
Hal B. Wallis (Producer)
|
You Came Along
|
1945
|
|
Hans Dreier (Art Director)
|
The Hitler Gang
|
1944
|
|
Buddy G. DeSylva (Producer)
|
The Hitler Gang
|
1944
|
|
Hans Dreier (Art Director)
|
Wake Island
|
1942
|
|
Van Nest Polglase (Art Director)
|
A Bill of Divorcement
|
1940
|
|
Renie (Costume Designer)
|
A Bill of Divorcement
|
1940
|
|
Renie (Costume Designer)
|
Married and in Love
|
1940
|
|
Roy Hunt (Cinematographer)
|
Married and in Love
|
1940
|
|
Van Nest Polglase (Art Director)
|
Married and in Love
|
1940
|
|
Albert S. D'Agostino (Art Director)
|
Five Came Back
|
1939
|
|
Van Nest Polglase (Art Director)
|
Five Came Back
|
1939
|
|
Edward Stevenson (Costume Designer)
|
Five Came Back
|
1939
|
|
Roy Hunt (Cinematographer)
|
Full Confession
|
1939
|
|
Roy Hunt (Cinematographer)
|
Reno
|
1939
|
|
Van Nest Polglase (Art Director)
|
Reno
|
1939
|
|
Edward Stevenson (Costume Designer)
|
Reno
|
1939
|
|
Renie (Costume Designer)
|
The Saint Strikes Back
|
1939
|
|
Albert S. D'Agostino (Art Director)
|
The Saint Strikes Back
|
1939
|
|
Van Nest Polglase (Art Director)
|
The Saint Strikes Back
|
1939
|
|
Edward Stevenson (Costume Designer)
|
Sorority House
|
1939
|
|
Mark Hellinger (Producer)
|
Women in the Wind
|
1939
|
|
Orry-Kelly (Costume Designer)
|
Women in the Wind
|
1939
|
|
Orry-Kelly (Costume Designer)
|
My Bill
|
1938
|
|
Richard Thorpe (Director)
|
Last of the Pagans
|
1936
|
|
Clyde de Vinna (Cinematographer)
|
Last of the Pagans
|
1936
|
|
Richard Thorpe (Director)
|
Tarzan Escapes
|
1936
|
|
Sam Zimbalist (Producer)
|
Tarzan Escapes
|
1936
|
|
Hal Mohr (Cinematographer)
|
The Common Law
|
1931
|
|
Paul Stein (Director)
|
The Common Law
|
1931
|
|
Harry Joe Brown (Producer)
|
The Common Law
|
1931
|
|
Charles R. Rogers (Producer)
|
The Common Law
|
1931
|
|
Fred Allen (Editor)
|
A Woman of Experience
|
1931
|
|
Harry Joe Brown (Director)
|
A Woman of Experience
|
1931
|
|
Hal Mohr (Cinematographer)
|
A Woman of Experience
|
1931
|
|
Charles R. Rogers (Producer)
|
A Woman of Experience
|
1931
|
|
Joseph M. Schenck (Producer)
|
The Bad One
|
1930
|
|
William Cameron Menzies (Art Director)
|
The Bad One
|
1930
|
|
Karl Struss (Cinematographer)
|
The Bad One
|
1930
|
|
William Le Baron (Producer)
|
Inside the Lines
|
1930
|
|
Bernard Herzbrun (Art Director)
|
Seven Days Leave
|
1930
|
|
Richard Wallace (Director)
|
Seven Days Leave
|
1930
|
|
Hans Dreier (Art Director)
|
A Dangerous Woman
|
1929
|
|
Rowland V. Lee (Director)
|
A Dangerous Woman
|
1929
|
|
Victor Schertzinger (Director)
|
The Wheel of Life
|
1929
|
|
Victor Fleming (Director)
|
Wolf Song
|
1929
|
|
Victor Fleming (Producer)
|
Wolf Song
|
1929
|
|
Paul H. Sloan (Director)
|
Blue Danube
|
1928
|
|
Rowland V. Lee (Director)
|
First Kiss
|
1928
|
|
Ernest B. Schoedsack (Editor)
|
The Four Feathers
|
1928
|
|
Ernest B. Schoedsack (Director)
|
The Four Feathers
|
1928
|
|
Merian C. Cooper (Cinematographer)
|
The Four Feathers
|
1928
|
|
Merian C. Cooper (Director)
|
The Four Feathers
|
1928
|
|
Ernest B. Schoedsack (Cinematographer)
|
The Four Feathers
|
1928
|
|
William Wellman (Director)
|
Ladies of the Mob
|
1928
|
|
Harold Hal Rosson (Cinematographer)
|
Three Week-Ends
|
1928
|
|
Lloyd Bacon (Director)
|
A Sailor's Sweetheart
|
1927
|
|
William Howard (Director)
|
White Gold
|
1927
|
|
Lucien Andriot (Cinematographer)
|
White Gold
|
1927
|
|
Anton Grot (Art Director)
|
White Gold
|
1927
|