|
Tony Richardson (Director)
|
The Phantom of the Opera
|
1990
|
|
Tony Richardson (Director)
|
Shadow on the Sun
|
1988
|
|
Arthur A. Seidelman (Director)
|
Strange Voices
|
1987
|
|
Norman Reynolds (Director)
|
Amazing Stories: The Pumpkin Competition
|
1986
|
|
Clive Donner (Director)
|
Dead Man's Folly
|
1986
|
|
Glenn Jordan (Director)
|
Something in Common
|
1986
|
|
Freddie Francis (Cinematographer)
|
Code Name: Emerald
|
1985
|
|
Yoram Globus (Producer)
|
Grace Quigley
|
1984
|
|
Menahem Golan (Producer)
|
Grace Quigley
|
1984
|
|
Jerry London (Director)
|
Ellis Island
|
1983
|
|
Ennio Guarnieri (Cinematographer)
|
Ellis Island
|
1983
|
|
Jerry London (Producer)
|
Ellis Island
|
1983
|
|
Ted Moore (Cinematographer)
|
Charles and Diana: A Royal Love Story
|
1982
|
|
Marvin J. Chomsky (Director)
|
I Was a Mail Order Bride
|
1982
|
|
Peter Medak (Director)
|
Mistress of Paradise
|
1981
|
|
Cliff Robertson (Director)
|
Danger in the Skies
|
1979
|
|
Douglas Heyes (Director)
|
The French Atlantic Affair
|
1979
|
|
Aaron Spelling (Executive Producer)
|
The French Atlantic Affair
|
1979
|
|
Harvey Hart (Director)
|
Like Normal People
|
1979
|
|
John Llewellyn Moxey (Director)
|
The Power Within
|
1979
|
|
Aaron Spelling (Executive Producer)
|
The Power Within
|
1979
|
|
Tony Richardson (Director)
|
A Death in Canaan
|
1978
|
|
Hy Averback (Director)
|
Pearl
|
1978
|
|
Stirling Silliphant (Executive Producer)
|
Pearl
|
1978
|
|
Richard Attenborough (Director)
|
A Bridge Too Far
|
1977
|
|
Geoffrey Unsworth (Cinematographer)
|
A Bridge Too Far
|
1977
|
|
Anthony Mendleson (Costume Designer)
|
A Bridge Too Far
|
1977
|
|
Tony Richardson (Director)
|
Joseph Andrews
|
1977
|
|
David Watkin (Cinematographer)
|
Joseph Andrews
|
1977
|
|
Herbert Ross (Producer)
|
The Seven-Per-Cent Solution
|
1976
|
|
Herbert Ross (Director)
|
The Seven-Per-Cent Solution
|
1976
|
|
Alex Thomson (Cinematographer)
|
The Seven-Per-Cent Solution
|
1976
|
|
Oswald Morris (Cinematographer)
|
The Seven-Per-Cent Solution
|
1976
|
|
Geoffrey Holder (Choreography)
|
Swashbuckler
|
1976
|
|
Elliott Kastner (Producer)
|
Swashbuckler
|
1976
|
|
Ron Miller (Executive Producer)
|
Born to Run
|
1975
|
|
Jack Cardiff (Cinematographer)
|
Born to Run
|
1975
|
|
Tony Richardson (Director)
|
Dead Cert
|
1974
|
|
Freddie Young (Cinematographer)
|
Luther
|
1974
|
|
Guy Green (Director)
|
Luther
|
1974
|
|
Joseph L. Mankiewicz (Director)
|
Sleuth
|
1972
|
|
Oswald Morris (Cinematographer)
|
Sleuth
|
1972
|
|
Arne Sucksdorff (Cinematographer)
|
Cry of the Penguins
|
1971
|
|
Edward Scaife (Cinematographer)
|
Cry of the Penguins
|
1971
|
|
J. Lee Thompson (Director)
|
Brotherly Love
|
1970
|
|
Ted Moore (Cinematographer)
|
Brotherly Love
|
1970
|
|
Norman Lear (Executive Producer)
|
Start the Revolution Without Me
|
1970
|
|
Norman Lear (Producer)
|
Start the Revolution Without Me
|
1970
|
|
Bud Yorkin (Producer)
|
Start the Revolution Without Me
|
1970
|
|
Bud Yorkin (Director)
|
Start the Revolution Without Me
|
1970
|
|
Tony Richardson (Director)
|
The Charge of the Light Brigade
|
1968
|
|
David Watkin (Cinematographer)
|
The Charge of the Light Brigade
|
1968
|
|
Kevin Brownlow (Editor)
|
The Charge of the Light Brigade
|
1968
|
|
Joseph L. Mankiewicz (Director)
|
The Honey Pot
|
1967
|
|
Joseph L. Mankiewicz (Producer)
|
The Honey Pot
|
1967
|
|
Carlo Ponti (Producer)
|
Smashing Time
|
1967
|
|
Irvin Kershner (Director)
|
A Fine Madness
|
1966
|
|
Ann Roth (Costume Designer)
|
A Fine Madness
|
1966
|
|
Alfred Hitchcock (Director)
|
Torn Curtain
|
1966
|
|
Edith Head (Costume Designer)
|
Torn Curtain
|
1966
|
|
Alfred Hitchcock (Producer)
|
Torn Curtain
|
1966
|
|
Ted Moore (Cinematographer)
|
The Amorous Adventures of Moll Flanders
|
1965
|
|
Terence Young (Director)
|
The Amorous Adventures of Moll Flanders
|
1965
|
|
Tony Richardson (Director)
|
The Loved One
|
1965
|
|
Haskell Wexler (Cinematographer)
|
The Loved One
|
1965
|
|
Hal Ashby (Editor)
|
The Loved One
|
1965
|
|
Haskell Wexler (Producer)
|
The Loved One
|
1965
|
|
Tony Richardson (Executive Producer)
|
Girl With Green Eyes
|
1964
|
|
John Guillermin (Director)
|
Guns at Batasi
|
1964
|
|
Tony Richardson (Director)
|
Tom Jones
|
1963
|
|
Tony Richardson (Producer)
|
Tom Jones
|
1963
|
|
Erwin Hillier (Cinematographer)
|
Go to Blazes
|
1962
|
|
Tony Richardson (Director)
|
The Loneliness of the Long Distance Runner
|
1962
|
|
Tony Richardson (Producer)
|
The Loneliness of the Long Distance Runner
|
1962
|
|
Brian Desmond Hurst (Director)
|
His and Hers
|
1961
|
|
Edward Scaife (Cinematographer)
|
His and Hers
|
1961
|
|
Tony Richardson (Director)
|
A Taste of Honey
|
1961
|
|
Tony Richardson (Producer)
|
A Taste of Honey
|
1961
|
|
Oswald Morris (Cinematographer)
|
The Entertainer
|
1960
|
|
Harry Saltzman (Producer)
|
The Entertainer
|
1960
|
|
Tony Richardson (Director)
|
The Entertainer
|
1960
|
|
Roy Boulting (Director)
|
A French Mistress
|
1960
|
|
Roy Boulting (Producer)
|
A French Mistress
|
1960
|
|
John Boulting (Producer)
|
A French Mistress
|
1960
|
|
John Boulting (Director)
|
A French Mistress
|
1960
|
|
Erwin Hillier (Cinematographer)
|
School for Scoundrels
|
1960
|
|
Roy Boulting (Director)
|
Carlton-Browne of the F.O.
|
1959
|
|
John Boulting (Producer)
|
Carlton-Browne of the F.O.
|
1959
|
|
John Guillermin (Director)
|
I Was Monty's Double
|
1958
|
|
Oswald Morris (Cinematographer)
|
Look Back in Anger
|
1958
|
|
Tony Richardson (Director)
|
Look Back in Anger
|
1958
|
|
Harry Saltzman (Producer)
|
Look Back in Anger
|
1958
|
|
Michael Balcon (Producer)
|
All at Sea
|
1957
|
|
Charles Frend (Director)
|
All at Sea
|
1957
|
|
John Boulting (Director)
|
Lucky Jim
|
1957
|
|
Roy Boulting (Director)
|
Lucky Jim
|
1957
|
|
Roy Boulting (Producer)
|
Lucky Jim
|
1957
|
|
Michael Balcon (Producer)
|
The Shiralee
|
1957
|
|
Ken Annakin (Director)
|
Three Men in a Boat
|
1957
|
|
Jack Clayton (Producer)
|
Three Men in a Boat
|
1957
|
|
Roy Boulting (Producer)
|
A Private's Progress
|
1956
|
|
John Boulting (Director)
|
A Private's Progress
|
1956
|
|
Julie Harris (Costume Designer)
|
Reach for the Sky
|
1956
|
|
Jack Asher (Cinematographer)
|
Reach for the Sky
|
1956
|
|
Albert R. Broccoli (Producer)
|
The Cockleshell Heroes
|
1955
|
|
José Ferrer (Director)
|
The Cockleshell Heroes
|
1955
|
|
Ted Moore (Cinematographer)
|
The Cockleshell Heroes
|
1955
|
|
Gilbert Taylor (Cinematographer)
|
Josephine and Men
|
1955
|
|
David Watkin (Cinematographer)
|
Josephine and Men
|
1955
|
|
Tony Richardson (Director)
|
Josephine and Men
|
1955
|
|
John Boulting (Producer)
|
Josephine and Men
|
1955
|
|
Roy Boulting (Director)
|
Josephine and Men
|
1955
|
|
John Paddy Carstairs (Director)
|
One Good Turn
|
1955
|
|
Robert Krasker (Cinematographer)
|
That Lady
|
1955
|
|
Terence Young (Director)
|
That Lady
|
1955
|
|
Michael Balcon (Producer)
|
Touch and Go
|
1955
|
|
Tay Garnett (Director)
|
The Black Knight
|
1954
|
|
Albert R. Broccoli (Producer)
|
The Black Knight
|
1954
|
|
Alexander MacKendrick (Director)
|
The Maggie
|
1954
|
|
Anthony Mendleson (Costume Designer)
|
The Maggie
|
1954
|
|
W.P. Lipscomb (Producer)
|
Make Me an Offer
|
1954
|
|
Carol Reed (Producer)
|
The Man Between
|
1953
|
|
Desmond Dickinson (Cinematographer)
|
The Man Between
|
1953
|
|
Carol Reed (Director)
|
The Man Between
|
1953
|
|
Terence Young (Director)
|
Paratrooper
|
1953
|
|
Albert R. Broccoli (Producer)
|
Paratrooper
|
1953
|
|
Freddie Young (Cinematographer)
|
Terror on a Train
|
1953
|
|
Ted Tetzlaff (Director)
|
Terror on a Train
|
1953
|
|
Wilkie Cooper (Cinematographer)
|
Time Gentlemen Please?
|
1953
|
|
John Grierson (Producer)
|
Time Gentlemen Please?
|
1953
|
|
John Grierson (Producer)
|
Brandy for the Parson
|
1952
|
|
Harold French (Director)
|
The Hour of Thirteen
|
1952
|
|
Guy Green (Cinematographer)
|
The Hour of Thirteen
|
1952
|
|
Roy Boulting (Director)
|
High Treason
|
1951
|
|
Gilbert Taylor (Cinematographer)
|
High Treason
|
1951
|
|
Cedric Gibbons (Art Director)
|
The Light Touch
|
1951
|
|
Robert Surtees (Cinematographer)
|
The Light Touch
|
1951
|
|
Richard Brooks (Director)
|
The Light Touch
|
1951
|
|
Pandro S. Berman (Producer)
|
The Light Touch
|
1951
|
|
Michael Balcon (Producer)
|
Pool of London
|
1951
|
|
Michael Relph (Producer)
|
Pool of London
|
1951
|
|
Anthony Mendleson (Costume Designer)
|
Pool of London
|
1951
|
|
Basil Dearden (Director)
|
Pool of London
|
1951
|
|
Gilbert Taylor (Cinematographer)
|
Seven Days to Noon
|
1950
|
|
Roy Boulting (Director)
|
Seven Days to Noon
|
1950
|
|
John Boulting (Director)
|
Seven Days to Noon
|
1950
|
|
Roy Boulting (Editor)
|
Seven Days to Noon
|
1950
|
|
John Boulting (Producer)
|
Seven Days to Noon
|
1950
|
|
Roy Boulting (Producer)
|
Seven Days to Noon
|
1950
|
|
John Boulting (Producer)
|
The Guinea Pig
|
1948
|
|
Roy Boulting (Director)
|
The Guinea Pig
|
1948
|
|
Gilbert Taylor (Cinematographer)
|
The Guinea Pig
|
1948
|