|
Cedric Gibbons (Art Director)
|
The Great Caruso
|
1951
|
|
Richard Thorpe (Director)
|
The Great Caruso
|
1951
|
|
Joe Pasternak (Producer)
|
The Great Caruso
|
1951
|
|
Renie (Costume Designer)
|
The Miracle of the Bells
|
1948
|
|
Albert S. D'Agostino (Art Director)
|
Without Reservations
|
1946
|
|
Mervyn LeRoy (Director)
|
Without Reservations
|
1946
|
|
Milo Anderson (Costume Designer)
|
Rhapsody in Blue
|
1945
|
|
Sol Polito (Cinematographer)
|
Rhapsody in Blue
|
1945
|
|
Anton Grot (Art Director)
|
Rhapsody in Blue
|
1945
|
|
LeRoy J. Prinz (Choreography)
|
Rhapsody in Blue
|
1945
|
|
Don Siegel (Cinematographer)
|
The Adventures of Mark Twain
|
1944
|
|
Sol Polito (Cinematographer)
|
The Adventures of Mark Twain
|
1944
|
|
Orry-Kelly (Costume Designer)
|
The Adventures of Mark Twain
|
1944
|
|
Ralph Dawson (Editor)
|
The Adventures of Mark Twain
|
1944
|
|
William Holmes (Editor)
|
Sergeant York
|
1941
|
|
Hal B. Wallis (Producer)
|
Sergeant York
|
1941
|
|
Howard Hawks (Producer)
|
Sergeant York
|
1941
|
|
Howard Hawks (Director)
|
Sergeant York
|
1941
|
|
Sol Polito (Cinematographer)
|
Sergeant York
|
1941
|
|
Arthur Edeson (Cinematographer)
|
Sergeant York
|
1941
|
|
Roy Hunt (Cinematographer)
|
Hitting a New High
|
1937
|
|
Van Nest Polglase (Art Director)
|
Hitting a New High
|
1937
|
|
Raoul Walsh (Director)
|
Hitting a New High
|
1937
|
|
Edward Stevenson (Costume Designer)
|
Hitting a New High
|
1937
|
|
Edward Stevenson (Costume Designer)
|
Music for Madame
|
1937
|
|
Van Nest Polglase (Art Director)
|
Music for Madame
|
1937
|
|
Joseph H. August (Cinematographer)
|
Music for Madame
|
1937
|
|
Lucien Andriot (Cinematographer)
|
The Gay Desperado
|
1936
|
|
Mary Pickford (Producer)
|
The Gay Desperado
|
1936
|
|
Rouben Mamoulian (Director)
|
The Gay Desperado
|
1936
|
|
Mary Pickford (Producer)
|
One Rainy Afternoon
|
1936
|
|
Rowland V. Lee (Director)
|
One Rainy Afternoon
|
1936
|
|
William Wyler (Director)
|
The Gay Deception
|
1935
|
|
James Cruze (Director)
|
Helldorado
|
1935
|
|
John F. Seitz (Cinematographer)
|
Helldorado
|
1935
|
|
Norman Z. McLeod (Director)
|
Redheads on Parade
|
1935
|
|
John F. Seitz (Cinematographer)
|
Redheads on Parade
|
1935
|
|
Hal Mohr (Cinematographer)
|
As Husbands Go
|
1934
|
|
John F. Seitz (Cinematographer)
|
Coming Out Party
|
1934
|
|
Irving Cummings (Director)
|
Grand Canary
|
1934
|
|
Rowland V. Lee (Director)
|
I Am Suzanne
|
1934
|
|
John F. Seitz (Cinematographer)
|
Springtime for Henry
|
1934
|
|
Arthur C. Miller (Cinematographer)
|
The White Parade
|
1934
|
|
Irving Cummings (Director)
|
The White Parade
|
1934
|
|
Frank Lloyd (Director)
|
Berkeley Square
|
1933
|
|
William Howard (Director)
|
The Power and the Glory
|
1933
|
|
James Wong Howe (Cinematographer)
|
The Power and the Glory
|
1933
|
|
Paul Weatherwax (Editor)
|
The Power and the Glory
|
1933
|
|
Walter Lang (Director)
|
The Warrior's Husband
|
1933
|
|
Hal Mohr (Cinematographer)
|
The Warrior's Husband
|
1933
|
|
Hal Mohr (Cinematographer)
|
The Worst Woman in Paris
|
1933
|
|
Monta Bell (Director)
|
The Worst Woman in Paris
|
1933
|
|
Rowland V. Lee (Director)
|
Zoo in Budapest
|
1933
|
|
William S. Darling (Art Director)
|
Zoo in Budapest
|
1933
|
|
Dorothy Arzner (Director)
|
Paramount on Parade
|
1930
|
|
Edmund Goulding (Director)
|
Paramount on Parade
|
1930
|
|
Edwin H. Knopf (Director)
|
Paramount on Parade
|
1930
|
|
Rowland V. Lee (Director)
|
Paramount on Parade
|
1930
|
|
Ernst Lubitsch (Director)
|
Paramount on Parade
|
1930
|
|
Victor Schertzinger (Director)
|
Paramount on Parade
|
1930
|
|
Edward Sutherland (Director)
|
Paramount on Parade
|
1930
|
|
Adolph Zukor (Producer)
|
Paramount on Parade
|
1930
|
|
Monta Bell (Producer)
|
Applause
|
1929
|
|
Rouben Mamoulian (Director)
|
Applause
|
1929
|
|
Richard Wallace (Director)
|
Innocents of Paris
|
1929
|
|
LeRoy J. Prinz (Choreography)
|
Innocents of Paris
|
1929
|
|
Hans Dreier (Art Director)
|
Innocents of Paris
|
1929
|
|
Adolph Zukor (Producer)
|
Beau Sabreur
|
1928
|
|
William Wellman (Director)
|
Beggars of Life
|
1928
|
|
Adolph Zukor (Executive Producer)
|
Beggars of Life
|
1928
|
|
Rowland V. Lee (Producer)
|
Doomsday
|
1928
|
|
Adolph Zukor (Producer)
|
Doomsday
|
1928
|
|
Rowland V. Lee (Director)
|
Doomsday
|
1928
|
|
Travis Banton (Costume Designer)
|
Doomsday
|
1928
|
|
Gregory La Cava (Director)
|
Feel My Pulse
|
1928
|
|
Roy Hunt (Cinematographer)
|
Feel My Pulse
|
1928
|
|
Adolph Zukor (Producer)
|
Feel My Pulse
|
1928
|
|
Adolph Zukor (Producer)
|
Half a Bride
|
1928
|
|
Gregory La Cava (Director)
|
Half a Bride
|
1928
|
|
Josef von Sternberg (Director)
|
The Last Command
|
1928
|
|
Adolph Zukor (Producer)
|
The Last Command
|
1928
|
|
Hans Dreier (Art Director)
|
The Last Command
|
1928
|
|
Adolph Zukor (Producer)
|
Legion of the Condemned
|
1928
|
|
William Wellman (Director)
|
Legion of the Condemned
|
1928
|
|
Dorothy Arzner (Director)
|
Manhattan Cocktail
|
1928
|
|
Adolph Zukor (Producer)
|
Manhattan Cocktail
|
1928
|
|
Adolph Zukor (Producer)
|
Partners in Crime
|
1928
|
|
Adolph Zukor (Producer)
|
Arizona Bound
|
1927
|
|
Merian C. Cooper (Director)
|
Chang: A Drama of the Wilderness
|
1927
|
|
Ernest B. Schoedsack (Director)
|
Chang: A Drama of the Wilderness
|
1927
|
|
Ernest B. Schoedsack (Producer)
|
Chang: A Drama of the Wilderness
|
1927
|
|
Merian C. Cooper (Producer)
|
Chang: A Drama of the Wilderness
|
1927
|
|
Adolph Zukor (Producer)
|
Chang: A Drama of the Wilderness
|
1927
|
|
Ernest B. Schoedsack (Cinematographer)
|
Chang: A Drama of the Wilderness
|
1927
|
|
Frank Lloyd (Director)
|
Children of Divorce
|
1927
|
|
Adolph Zukor (Producer)
|
Children of Divorce
|
1927
|
|
Dorothy Arzner (Director)
|
Fashions for Women
|
1927
|
|
Adolph Zukor (Producer)
|
Fashions for Women
|
1927
|
|
Adolph Zukor (Producer)
|
Get Your Man
|
1927
|
|
Dorothy Arzner (Director)
|
Get Your Man
|
1927
|
|
Adolph Zukor (Producer)
|
It
|
1927
|
|
Josef von Sternberg (Director)
|
It
|
1927
|
|
Lewis Milestone (Director)
|
The Kid Brother
|
1927
|
|
Harold Lloyd (Producer)
|
The Kid Brother
|
1927
|
|
Adolph Zukor (Producer)
|
The Kid Brother
|
1927
|
|
Adolph Zukor (Producer)
|
Last Outlaw
|
1927
|
|
Edward Sutherland (Director)
|
Love's Greatest Mistake
|
1927
|
|
Adolph Zukor (Producer)
|
Love's Greatest Mistake
|
1927
|
|
Adolph Zukor (Producer)
|
Nevada
|
1927
|
|
Adolph Zukor (Producer)
|
New York
|
1927
|
|
Roy Hunt (Cinematographer)
|
New York
|
1927
|
|
Adolph Zukor (Producer)
|
Senorita
|
1927
|
|
Roy Hunt (Cinematographer)
|
She's a Sheik
|
1927
|
|
Adolph Zukor (Producer)
|
She's a Sheik
|
1927
|
|
Adolph Zukor (Producer)
|
Special Delivery
|
1927
|
|
Roscoe "Fatty" Arbuckle (Director)
|
Special Delivery
|
1927
|
|
Dorothy Arzner (Director)
|
Ten Modern Commandments
|
1927
|
|
Adolph Zukor (Producer)
|
Ten Modern Commandments
|
1927
|
|
Adolph Zukor (Producer)
|
Time to Love
|
1927
|
|
Edward Sutherland (Director)
|
We're in the Navy Now
|
1927
|
|
Maurice Tourneur (Director)
|
Aloma of the South Seas
|
1926
|
|
Adolph Zukor (Producer)
|
Aloma of the South Seas
|
1926
|
|
Adolph Zukor (Producer)
|
Beau Geste
|
1926
|
|
Roy Hunt (Cinematographer)
|
Beau Geste
|
1926
|
|
Herbert Brenon (Director)
|
Beau Geste
|
1926
|
|
George B. Seitz (Director)
|
Desert Gold
|
1926
|
|
Adolph Zukor (Producer)
|
Desert Gold
|
1926
|
|
Adolph Zukor (Producer)
|
The Enchanted Hill
|
1926
|
|
Irvin V. Willat (Director)
|
The Enchanted Hill
|
1926
|
|
Herbert Brenon (Director)
|
The Great Gatsby
|
1926
|
|
Adolph Zukor (Producer)
|
The Great Gatsby
|
1926
|
|
Edward Sutherland (Director)
|
It's the Old Army Game
|
1926
|
|
Adolph Zukor (Producer)
|
It's the Old Army Game
|
1926
|
|
Edward Sutherland (Producer)
|
It's the Old Army Game
|
1926
|
|
James Cruze (Producer)
|
Mannequin
|
1926
|
|
James Cruze (Director)
|
Mannequin
|
1926
|
|
James Wong Howe (Cinematographer)
|
Sea Horses
|
1926
|
|
Allan Dwan (Director)
|
Sea Horses
|
1926
|
|
Adolph Zukor (Producer)
|
Sea Horses
|
1926
|
|
Allan Dwan (Director)
|
Tin Gods
|
1926
|
|
Adolph Zukor (Producer)
|
Tin Gods
|
1926
|
|
Lucien Andriot (Cinematographer)
|
Volcano
|
1926
|
|
William Howard (Director)
|
Volcano
|
1926
|
|
Victor Fleming (Director)
|
Adventure
|
1925
|
|
Victor Fleming (Producer)
|
Adventure
|
1925
|
|
Irvin V. Willat (Director)
|
The Air Mail
|
1925
|
|
William Howard (Director)
|
Code of the West
|
1925
|
|
Edward Sutherland (Director)
|
Coming Through
|
1925
|
|
Cecil B. DeMille (Producer)
|
Dressmaker from Paris
|
1925
|
|
Adolph Zukor (Producer)
|
Forty Winks
|
1925
|
|
James Cruze (Producer)
|
Goose Hangs High
|
1925
|
|
James Cruze (Director)
|
Goose Hangs High
|
1925
|
|
Van Nest Polglase (Art Director)
|
A Kiss in the Dark
|
1925
|
|
Lucien Andriot (Cinematographer)
|
The Light of Western Stars
|
1925
|
|
William Howard (Director)
|
The Light of Western Stars
|
1925
|
|
Van Nest Polglase (Art Director)
|
Lovers in Quarantine
|
1925
|
|
William C. DeMille (Producer)
|
Men and Women
|
1925
|
|
William C. DeMille (Director)
|
Men and Women
|
1925
|
|
Irvin V. Willat (Director)
|
Rugged Water
|
1925
|
|
Herbert Brenon (Director)
|
Street of Forgotten Men
|
1925
|
|
D.W. Griffith (Producer)
|
That Royale Girl
|
1925
|
|
Adolph Zukor (Producer)
|
That Royale Girl
|
1925
|
|
D.W. Griffith (Director)
|
That Royale Girl
|
1925
|
|
Adolph Zukor (Producer)
|
Thundering Herd
|
1925
|
|
William Howard (Director)
|
Thundering Herd
|
1925
|
|
Lucien Andriot (Cinematographer)
|
Thundering Herd
|
1925
|
|
Harold Hal Rosson (Cinematographer)
|
Too Many Kisses
|
1925
|
|
Adolph Zukor (Producer)
|
Too Many Kisses
|
1925
|
|
Paul H. Sloan (Director)
|
Too Many Kisses
|
1925
|
|
George B. Seitz (Director)
|
The Vanishing American
|
1925
|
|
Adolph Zukor (Producer)
|
The Vanishing American
|
1925
|
|
George B. Seitz (Director)
|
Wild Horse Mesa
|
1925
|
|
Adolph Zukor (Producer)
|
Wild Horse Mesa
|
1925
|
|
Adolph Zukor (Producer)
|
Wild, Wild Susan
|
1925
|
|
Edward Sutherland (Director)
|
Wild, Wild Susan
|
1925
|
|
Gregory La Cava (Director)
|
Womanhandled
|
1925
|
|
Herbert Brenon (Director)
|
The Alaskan
|
1924
|
|
James W. Horne (Cinematographer)
|
The Alaskan
|
1924
|
|
William C. DeMille (Director)
|
The Bedroom Window
|
1924
|
|
Adolph Zukor (Producer)
|
Bluff
|
1924
|
|
Sam Wood (Director)
|
Bluff
|
1924
|
|
Rupert Julian (Director)
|
Changing Husbands
|
1924
|
|
James Cruze (Director)
|
City That Never Sleeps
|
1924
|
|
James Cruze (Producer)
|
City That Never Sleeps
|
1924
|
|
Victor Fleming (Director)
|
Code of the Sea
|
1924
|
|
Roy Hunt (Cinematographer)
|
Dangerous Money
|
1924
|
|
Adolph Zukor (Producer)
|
Dangerous Money
|
1924
|
|
Charles G. Clarke (Cinematographer)
|
Flaming Barriers
|
1924
|
|
Allan Dwan (Producer)
|
Her Love Story
|
1924
|
|
Allan Dwan (Director)
|
Her Love Story
|
1924
|
|
Irvin V. Willat (Director)
|
Heritage of the Desert
|
1924
|
|
William C. DeMille (Director)
|
Icebound
|
1924
|
|
Adolph Zukor (Producer)
|
Next Corner
|
1924
|
|
Sam Wood (Director)
|
Next Corner
|
1924
|
|
Herbert Brenon (Director)
|
Peter Pan
|
1924
|
|
James Wong Howe (Cinematographer)
|
Peter Pan
|
1924
|
|
Adolph Zukor (Producer)
|
Peter Pan
|
1924
|
|
Ernest Haller (Cinematographer)
|
Pied Piper Malone
|
1924
|
|
Alan Crosland (Director)
|
Sinners in Heaven
|
1924
|
|
Allan Dwan (Producer)
|
A Society Scandal
|
1924
|
|
Allan Dwan (Director)
|
A Society Scandal
|
1924
|
|
Harold Hal Rosson (Cinematographer)
|
A Society Scandal
|
1924
|
|
Alan Crosland (Director)
|
Unguarded Women
|
1924
|
|
Adolph Zukor (Producer)
|
Unguarded Women
|
1924
|
|
Sam Wood (Director)
|
Bluebeard's Eighth Wife
|
1923
|
|
Jerome Storm (Director)
|
Children of Jazz
|
1923
|
|
Harold Hal Rosson (Cinematographer)
|
Glimpses of the Moon
|
1923
|
|
Allan Dwan (Director)
|
Glimpses of the Moon
|
1923
|
|
Allan Dwan (Producer)
|
Glimpses of the Moon
|
1923
|
|
Adolph Zukor (Producer)
|
His Children's Children
|
1923
|
|
Sam Wood (Director)
|
His Children's Children
|
1923
|
|
Victor Fleming (Director)
|
Law of the Lawless
|
1923
|
|
Wesley Ruggles (Director)
|
Mr. Billings Spends His Dime
|
1923
|
|
Sam Wood (Director)
|
My American Wife
|
1923
|
|
Sam Wood (Director)
|
Prodigal Daughters
|
1923
|
|
Sam Wood (Producer)
|
Prodigal Daughters
|
1923
|
|
James Cruze (Director)
|
To the Ladies
|
1923
|
|
James Cruze (Producer)
|
To the Ladies
|
1923
|
|
Victor Fleming (Director)
|
To the Last Man
|
1923
|
|
James W. Horne (Cinematographer)
|
To the Last Man
|
1923
|
|
Herbert Brenon (Director)
|
Woman with Four Faces
|
1923
|
|
Herbert Brenon (Producer)
|
Woman with Four Faces
|
1923
|
|
Sam Wood (Director)
|
Beyond the Rocks
|
1922
|
|
Fred Niblo (Director)
|
Blood and Sand
|
1922
|
|
Dorothy Arzner (Editor)
|
Blood and Sand
|
1922
|
|
Sam Wood (Director)
|
Her Gilded Cage
|
1922
|
|
Sam Wood (Producer)
|
Her Gilded Cage
|
1922
|
|
Sam Wood (Director)
|
The Impossible Mrs. Bellew
|
1922
|
|
James Cruze (Director)
|
Old Homestead
|
1922
|
|
Karl Brown (Cinematographer)
|
Thirty Days
|
1922
|
|
James Cruze (Director)
|
Thirty Days
|
1922
|
|
Phil Rosen (Director)
|
The Young Rajah
|
1922
|
|
William Desmond Taylor (Director)
|
The Witching Hour
|
1921
|
|
Karl Brown (Cinematographer)
|
Brewster's Millions
|
1920
|
|
Sam Wood (Director)
|
Dancin' Fool
|
1920
|
|
Sam Wood (Director)
|
Sick Abed
|
1920
|
|
Sam Wood (Director)
|
What's Your Hurry?
|
1920
|
|
Cecil B. DeMille (Director)
|
Don't Change Your Husband
|
1919
|
|
William C. DeMille (Director)
|
Anton the Terrible
|
1916
|
|
Charles Rosher Sr. (Cinematographer)
|
Anton the Terrible
|
1916
|
|
Cecil B. DeMille (Director)
|
Brewster's Millions
|
1914
|
|
Cecil B. DeMille (Director)
|
The Ghost Breaker
|
1914
|
|
Cecil B. DeMille (Producer)
|
The Ghost Breaker
|
1914
|