|
Mike J. Frankovich (Producer)
|
40 Carats
|
1973
|
|
Ross Hunter (Producer)
|
Lost Horizon
|
1973
|
|
Hermes Pan (Choreography)
|
Lost Horizon
|
1973
|
|
Robert Surtees (Cinematographer)
|
Lost Horizon
|
1973
|
|
Charles Jarrott (Director)
|
Lost Horizon
|
1973
|
|
Paul Bogart (Director)
|
Marlowe
|
1969
|
|
William H. Daniels (Cinematographer)
|
Marlowe
|
1969
|
|
George W. Davis (Art Director)
|
Marlowe
|
1969
|
|
Andrew V. McLaglen (Director)
|
The Ballad of Josie
|
1968
|
|
Joseph Sargent (Director)
|
The Hell with Heroes
|
1968
|
|
Loyal Griggs (Cinematographer)
|
P.J.
|
1968
|
|
John Guillermin (Director)
|
P.J.
|
1968
|
|
Stanley Kramer (Director)
|
Guess Who's Coming to Dinner
|
1967
|
|
Stanley Kramer (Producer)
|
Guess Who's Coming to Dinner
|
1967
|
|
Ross Hunter (Producer)
|
Thoroughly Modern Millie
|
1967
|
|
Russell Metty (Cinematographer)
|
Thoroughly Modern Millie
|
1967
|
|
George Roy Hill (Director)
|
Thoroughly Modern Millie
|
1967
|
|
Ronald Neame (Director)
|
Gambit
|
1966
|
|
Ross Hunter (Producer)
|
Madame X
|
1966
|
|
Russell Metty (Cinematographer)
|
Madame X
|
1966
|
|
David Lowell Rich (Director)
|
Madame X
|
1966
|
|
Edward Dmytryk (Director)
|
Mirage
|
1966
|
|
Harry Keller (Producer)
|
Mirage
|
1966
|
|
Elliott Kastner (Producer)
|
Bus Riley's Back in Town
|
1965
|
|
Russell Metty (Cinematographer)
|
Bus Riley's Back in Town
|
1965
|
|
Harvey Hart (Director)
|
Bus Riley's Back in Town
|
1965
|
|
Stanley Kramer (Director)
|
Ship of Fools
|
1965
|
|
Stanley Kramer (Producer)
|
Ship of Fools
|
1965
|
|
Norman Panama (Producer)
|
Strange Bedfellows
|
1965
|
|
Melvin Frank (Producer)
|
Strange Bedfellows
|
1965
|
|
Melvin Frank (Director)
|
Strange Bedfellows
|
1965
|
|
Norman Jewison (Director)
|
Send Me No Flowers
|
1964
|
|
Daniel L. Fapp (Cinematographer)
|
Send Me No Flowers
|
1964
|
|
Harry Keller (Producer)
|
Send Me No Flowers
|
1964
|
|
Robert Arthur (Producer)
|
For Love or Money
|
1963
|
|
Michael Gordon (Director)
|
For Love or Money
|
1963
|
|
Russell Metty (Cinematographer)
|
The Thrill of It All!
|
1963
|
|
Norman Jewison (Director)
|
The Thrill of It All!
|
1963
|
|
Ross Hunter (Producer)
|
The Thrill of It All!
|
1963
|
|
Ross Hunter (Producer)
|
If a Man Answers
|
1962
|
|
Russell Metty (Cinematographer)
|
If a Man Answers
|
1962
|
|
Stanley Cortez (Cinematographer)
|
Back Street
|
1961
|
|
Ross Hunter (Producer)
|
Back Street
|
1961
|
|
Stanley Kramer (Producer)
|
Judgment at Nuremberg
|
1961
|
|
Stanley Kramer (Director)
|
Judgment at Nuremberg
|
1961
|
|
Russell Metty (Cinematographer)
|
Portrait in Black
|
1960
|
|
Michael Gordon (Director)
|
Portrait in Black
|
1960
|
|
Ross Hunter (Producer)
|
Portrait in Black
|
1960
|
|
George Cukor (Director)
|
Song Without End
|
1960
|
|
Charles Vidor (Director)
|
Song Without End
|
1960
|
|
James Wong Howe (Cinematographer)
|
Song Without End
|
1960
|
|
Richard Quine (Director)
|
Strangers When We Meet
|
1960
|
|
Richard Quine (Producer)
|
Strangers When We Meet
|
1960
|
|
Norman Krasna (Producer)
|
Who Was That Lady?
|
1960
|
|
George Sidney (Director)
|
Who Was That Lady?
|
1960
|
|
Harry Stradling (Cinematographer)
|
Who Was That Lady?
|
1960
|
|
Russell Metty (Cinematographer)
|
Imitation of Life
|
1959
|
|
Douglas Sirk (Director)
|
Imitation of Life
|
1959
|
|
Ross Hunter (Producer)
|
Imitation of Life
|
1959
|
|
James Wong Howe (Cinematographer)
|
The Last Angry Man
|
1959
|
|
Daniel Mann (Director)
|
The Last Angry Man
|
1959
|
|
Fred Kohlmar (Producer)
|
The Last Angry Man
|
1959
|
|
Delbert Mann (Director)
|
Middle of the Night
|
1959
|
|
Arthur E. Arling (Cinematographer)
|
Pillow Talk
|
1959
|
|
Ross Hunter (Producer)
|
Pillow Talk
|
1959
|
|
Michael Gordon (Director)
|
Pillow Talk
|
1959
|
|
Joseph L. Mankiewicz (Director)
|
Suddenly, Last Summer
|
1959
|
|
Sam Spiegel (Producer)
|
Suddenly, Last Summer
|
1959
|
|
Robert Rossen (Director)
|
They Came to Cordura
|
1959
|
|
James Wong Howe (Cinematographer)
|
Bell, Book and Candle
|
1958
|
|
Richard Quine (Director)
|
Bell, Book and Candle
|
1958
|
|
John Ford (Producer)
|
The Last Hurrah
|
1958
|
|
John Ford (Director)
|
The Last Hurrah
|
1958
|
|
Charles Lawton (Cinematographer)
|
The Last Hurrah
|
1958
|
|
Charles Lawton (Cinematographer)
|
3:10 to Yuma
|
1957
|
|
Delmer Daves (Director)
|
3:10 to Yuma
|
1957
|
|
Phil Karlson (Director)
|
The Brothers Rico
|
1957
|
|
Vincent Sherman (Director)
|
The Garment Jungle
|
1957
|
|
Joseph Biroc (Cinematographer)
|
The Garment Jungle
|
1957
|
|
George Sidney (Producer)
|
Jeanne Eagels
|
1957
|
|
George Sidney (Director)
|
Jeanne Eagels
|
1957
|
|
Giuseppe Rotunno (Cinematographer)
|
The Monte Carlo Story
|
1957
|
|
Fred Kohlmar (Producer)
|
Pal Joey
|
1957
|
|
George Sidney (Director)
|
Pal Joey
|
1957
|
|
Hermes Pan (Choreography)
|
Pal Joey
|
1957
|
|
Robert Krasker (Cinematographer)
|
The Story of Esther Costello
|
1957
|
|
Jack Clayton (Producer)
|
The Story of Esther Costello
|
1957
|
|
Robert Aldrich (Director)
|
Autumn Leaves
|
1956
|
|
George Sidney (Director)
|
The Eddy Duchin Story
|
1956
|
|
Jerry Wald (Producer)
|
The Eddy Duchin Story
|
1956
|
|
Harry Stradling (Cinematographer)
|
The Eddy Duchin Story
|
1956
|
|
Charles Lawton (Cinematographer)
|
Jubal
|
1956
|
|
Delmer Daves (Director)
|
Jubal
|
1956
|
|
Jacques Tourneur (Director)
|
Nightfall
|
1956
|
|
Lewis Seiler (Director)
|
Over-Exposed
|
1956
|
|
Richard Quine (Director)
|
The Solid Gold Cadillac
|
1956
|
|
Fred Kohlmar (Producer)
|
The Solid Gold Cadillac
|
1956
|
|
Dick Powell (Producer)
|
You Can't Run Away From It
|
1956
|
|
Dick Powell (Director)
|
You Can't Run Away From It
|
1956
|
|
Charles Lawton (Cinematographer)
|
You Can't Run Away From It
|
1956
|
|
Stirling Silliphant (Producer)
|
Five Against the House
|
1955
|
|
Phil Karlson (Director)
|
Five Against the House
|
1955
|
|
Charles Lawton (Cinematographer)
|
The Long Gray Line
|
1955
|
|
John Ford (Director)
|
The Long Gray Line
|
1955
|
|
Robert Arthur (Producer)
|
The Long Gray Line
|
1955
|
|
Bob Fosse (Choreography)
|
My Sister Eileen
|
1955
|
|
Charles Lawton (Cinematographer)
|
My Sister Eileen
|
1955
|
|
Fred Kohlmar (Producer)
|
My Sister Eileen
|
1955
|
|
Richard Quine (Director)
|
My Sister Eileen
|
1955
|
|
James Wong Howe (Cinematographer)
|
Picnic
|
1955
|
|
Joshua Logan (Director)
|
Picnic
|
1955
|
|
Fred Kohlmar (Producer)
|
Picnic
|
1955
|
|
Jerry Wald (Producer)
|
Queen Bee
|
1955
|
|
Arthur E. Arling (Cinematographer)
|
Three for the Show
|
1955
|
|
Phil Karlson (Director)
|
Tight Spot
|
1955
|
|
Stanley Kramer (Producer)
|
The Caine Mutiny
|
1954
|
|
Edward Dmytryk (Director)
|
The Caine Mutiny
|
1954
|
|
Fritz Lang (Director)
|
Human Desire
|
1954
|
|
George Cukor (Director)
|
It Should Happen to You
|
1954
|
|
Fred Kohlmar (Producer)
|
It Should Happen to You
|
1954
|
|
Fred Kohlmar (Producer)
|
Phffft!
|
1954
|
|
Mark Robson (Director)
|
Phffft!
|
1954
|
|
Richard Quine (Director)
|
The Pushover
|
1954
|
|
George Cukor (Director)
|
A Star Is Born
|
1954
|
|
Irene Sharaff (Costume Designer)
|
A Star Is Born
|
1954
|
|
Rudolph Maté (Director)
|
The Violent Men
|
1954
|
|
Roy Rowland (Director)
|
The 5,000 Fingers of Dr. T
|
1953
|
|
Stanley Kramer (Producer)
|
The 5,000 Fingers of Dr. T
|
1953
|
|
Robert Arthur (Producer)
|
The Big Heat
|
1953
|
|
Fritz Lang (Director)
|
The Big Heat
|
1953
|
|
Floyd D.Crosby (Cinematographer)
|
From Here to Eternity
|
1953
|
|
Fred Zinnemann (Director)
|
From Here to Eternity
|
1953
|
|
Buddy Adler (Producer)
|
From Here to Eternity
|
1953
|
|
Charles Lawton (Cinematographer)
|
Let's Do It Again
|
1953
|
|
Jerry Wald (Producer)
|
Miss Sadie Thompson
|
1953
|
|
Charles Lawton (Cinematographer)
|
Miss Sadie Thompson
|
1953
|
|
William Dieterle (Director)
|
Salome
|
1953
|
|
Buddy Adler (Producer)
|
Salome
|
1953
|
|
Sam Katzman (Producer)
|
Serpent of the Nile
|
1953
|
|
William Castle (Director)
|
Serpent of the Nile
|
1953
|
|
Vincent Sherman (Director)
|
Affair in Trinidad
|
1952
|
|
Vincent Sherman (Producer)
|
Affair in Trinidad
|
1952
|
|
George Cukor (Director)
|
The Marrying Kind
|
1952
|
|
Rudolph Maté (Director)
|
Paula
|
1952
|
|
Buddy Adler (Producer)
|
Paula
|
1952
|
|
Charles Lawton (Cinematographer)
|
Paula
|
1952
|
|
Phil Karlson (Director)
|
Scandal Sheet
|
1952
|
|
Edward Small (Producer)
|
Scandal Sheet
|
1952
|
|
Charles Lawton (Cinematographer)
|
Mask of the Avenger
|
1951
|
|
Phil Karlson (Director)
|
Mask of the Avenger
|
1951
|
|
Hunt Stromberg (Producer)
|
Mask of the Avenger
|
1951
|
|
Buddy Adler (Producer)
|
Saturday's Hero
|
1951
|
|
Hunt Stromberg (Producer)
|
Between Midnight and Dawn
|
1950
|
|
Gordon M. Douglas (Director)
|
Between Midnight and Dawn
|
1950
|
|
George Cukor (Director)
|
Born Yesterday
|
1950
|
|
Jerry Bresler (Producer)
|
The Flying Missile
|
1950
|
|
Harry Joe Brown (Producer)
|
Fortunes of Captain Blood
|
1950
|
|
Gordon M. Douglas (Director)
|
Fortunes of Captain Blood
|
1950
|
|
Lloyd Bacon (Director)
|
The Fuller Brush Girl
|
1950
|
|
Charles Lawton (Cinematographer)
|
The Fuller Brush Girl
|
1950
|
|
Nicholas Ray (Director)
|
In a Lonely Place
|
1950
|
|
Lloyd Bacon (Director)
|
Kill the Umpire
|
1950
|
|
Charles Lawton (Cinematographer)
|
Kill the Umpire
|
1950
|
|
Joseph Biroc (Cinematographer)
|
The Killer That Stalked New York
|
1950
|
|
Nat Perrin (Producer)
|
The Petty Girl
|
1950
|
|
Buddy Adler (Producer)
|
A Woman of Distinction
|
1950
|
|
Edward N. Buzzell (Director)
|
A Woman of Distinction
|
1950
|
|
Robert Rossen (Producer)
|
All the King's Men
|
1949
|
|
Robert Parrish (Editor)
|
All the King's Men
|
1949
|
|
Robert Rossen (Director)
|
All the King's Men
|
1949
|
|
Joseph Biroc (Cinematographer)
|
Johnny Allegro
|
1949
|
|
Ted Tetzlaff (Director)
|
Johnny Allegro
|
1949
|
|
Sidney Buchman (Producer)
|
Jolson Sings Again
|
1949
|
|
Nicholas Ray (Director)
|
Knock on Any Door
|
1949
|
|
Lloyd Bacon (Director)
|
Miss Grant Takes Richmond
|
1949
|
|
Charles Lawton (Cinematographer)
|
Miss Grant Takes Richmond
|
1949
|
|
Charles Lawton (Cinematographer)
|
Mr. Soft Touch
|
1949
|
|
Gordon M. Douglas (Director)
|
Mr. Soft Touch
|
1949
|
|
Max Ophüls (Director)
|
The Reckless Moment
|
1949
|
|
Walter Wanger (Producer)
|
The Reckless Moment
|
1949
|
|
Douglas Sirk (Director)
|
Shockproof
|
1949
|
|
Charles Lawton (Cinematographer)
|
Shockproof
|
1949
|
|
Charles Lawton (Cinematographer)
|
Slightly French
|
1949
|
|
Douglas Sirk (Director)
|
Slightly French
|
1949
|
|
Buddy Adler (Producer)
|
Tell It to the Judge
|
1949
|
|
Stuart Heisler (Director)
|
Tokyo Joe
|
1949
|
|
Charles Lawton (Cinematographer)
|
Tokyo Joe
|
1949
|
|
Robert Rossen (Producer)
|
The Undercover Man
|
1949
|
|
Joseph H. Lewis (Director)
|
The Undercover Man
|
1949
|
|
Harry Joe Brown (Producer)
|
The Walking Hills
|
1949
|
|
Charles Lawton (Cinematographer)
|
The Walking Hills
|
1949
|
|
John Sturges (Director)
|
The Walking Hills
|
1949
|
|
John Huston (Director)
|
We Were Strangers
|
1949
|
|
Russell Metty (Cinematographer)
|
We Were Strangers
|
1949
|
|
Rudolph Maté (Director)
|
The Dark Past
|
1948
|
|
Buddy Adler (Producer)
|
The Dark Past
|
1948
|
|
Orson Welles (Producer)
|
The Lady from Shanghai
|
1948
|
|
Orson Welles (Director)
|
The Lady from Shanghai
|
1948
|
|
Harry Cohn (Producer)
|
The Lady from Shanghai
|
1948
|
|
Charles Lawton (Cinematographer)
|
The Lady from Shanghai
|
1948
|
|
Charles Vidor (Director)
|
The Loves of Carmen
|
1948
|
|
Charles Vidor (Producer)
|
The Loves of Carmen
|
1948
|
|
Richard Whorf (Director)
|
Luxury Liner
|
1948
|
|
Nick Castle (Choreography)
|
Luxury Liner
|
1948
|
|
Cedric Gibbons (Art Director)
|
Luxury Liner
|
1948
|
|
Joe Pasternak (Producer)
|
Luxury Liner
|
1948
|
|
Casey Robinson (Producer)
|
The Mating of Millie
|
1948
|
|
Joseph H. Lewis (Director)
|
The Return of October
|
1948
|
|
Rudolph Maté (Producer)
|
The Return of October
|
1948
|
|
John Sturges (Director)
|
The Sign of the Ram
|
1948
|
|
Robert Stevenson (Director)
|
To the Ends of the Earth
|
1948
|
|
Sidney Buchman (Producer)
|
To the Ends of the Earth
|
1948
|
|
Paul Weatherwax (Editor)
|
You Gotta Stay Happy
|
1948
|
|
Karl Tunberg (Producer)
|
You Gotta Stay Happy
|
1948
|
|
Russell Metty (Cinematographer)
|
You Gotta Stay Happy
|
1948
|
|
John Cromwell (Director)
|
Dead Reckoning
|
1947
|
|
Rudolph Maté (Cinematographer)
|
Down to Earth
|
1947
|
|
Richard Wallace (Director)
|
Framed
|
1947
|
|
Rudolph Maté (Cinematographer)
|
It Had to Be You
|
1947
|
|
Rudolph Maté (Director)
|
It Had to Be You
|
1947
|
|
Robert Rossen (Director)
|
Johnny O'Clock
|
1947
|
|
Warren Low (Editor)
|
Johnny O'Clock
|
1947
|
|
Joseph H. Lewis (Director)
|
The Swordsman
|
1947
|
|
Frank Tashlin (Director)
|
The Fuller Brush Man
|
1946
|
|
Edward Small (Producer)
|
The Fuller Brush Man
|
1946
|
|
Van Nest Polglase (Art Director)
|
Gilda
|
1946
|
|
Charles Vidor (Director)
|
Gilda
|
1946
|
|
Rudolph Maté (Cinematographer)
|
Gilda
|
1946
|
|
Charles Lawton (Cinematographer)
|
One Way to Love
|
1946
|
|
Ray Enright (Director)
|
One Way to Love
|
1946
|
|
Van Nest Polglase (Art Director)
|
The Thrill of Brazil
|
1946
|
|
Nick Castle (Choreography)
|
The Thrill of Brazil
|
1946
|
|
Charles Lawton (Cinematographer)
|
The Thrill of Brazil
|
1946
|
|
Richard Wallace (Director)
|
Kiss and Tell
|
1945
|
|
Van Nest Polglase (Art Director)
|
Kiss and Tell
|
1945
|
|
Charles Lawton (Cinematographer)
|
Kiss and Tell
|
1945
|
|
Sidney Buchman (Producer)
|
Over 21
|
1945
|
|
Charles Vidor (Director)
|
Over 21
|
1945
|
|
Rudolph Maté (Cinematographer)
|
Over 21
|
1945
|
|
Ray Rennahan (Cinematographer)
|
A Thousand and One Nights
|
1945
|
|
Rudolph Maté (Cinematographer)
|
Tonight and Every Night
|
1945
|
|
Lionel Banks (Art Director)
|
Tonight and Every Night
|
1945
|
|
Lionel Banks (Art Director)
|
Strange Affair
|
1944
|
|
Van Nest Polglase (Art Director)
|
Together Again
|
1944
|
|
Charles Vidor (Director)
|
Together Again
|
1944
|