|
Michael Haneke (Director)
|
The White Ribbon
|
2009
|
|
Saul Zaentz (Producer)
|
Goya's Ghosts
|
2006
|
|
Milos Forman (Director)
|
Goya's Ghosts
|
2006
|
|
Volker Schlöndorff (Director)
|
Ulzhan
|
2006
|
|
Carlos Saura (Director)
|
Bunuel Y La Mesa Del Rey Salomon
|
2001
|
|
Christopher Doyle (Cinematographer)
|
Chinese Box
|
1997
|
|
Wayne Wang (Director)
|
Chinese Box
|
1997
|
|
Claude Berri (Executive Producer)
|
The Ogre
|
1996
|
|
Jeremy Thomas (Executive Producer)
|
The Ogre
|
1996
|
|
Bruno de Keyzer (Cinematographer)
|
The Ogre
|
1996
|
|
Volker Schlöndorff (Director)
|
The Ogre
|
1996
|
|
Jean-Paul Rappeneau (Director)
|
The Horseman on the Roof
|
1995
|
|
Ruggero Mastroianni (Editor)
|
The Night and the Moment
|
1994
|
|
Giuseppe Rotunno (Cinematographer)
|
The Night and the Moment
|
1994
|
|
Jean Penzer (Cinematographer)
|
Le Retour de Casanova
|
1992
|
|
Alain Delon (Executive Producer)
|
Le Retour de Casanova
|
1992
|
|
Saul Zaentz (Producer)
|
At Play in the Fields of the Lord
|
1991
|
|
Hector Babenco (Director)
|
At Play in the Fields of the Lord
|
1991
|
|
Pierre Lhomme (Cinematographer)
|
Cyrano De Bergerac
|
1990
|
|
Jean-Paul Rappeneau (Director)
|
Cyrano De Bergerac
|
1990
|
|
Louis Malle (Director)
|
May Fools
|
1990
|
|
Renato Berta (Cinematographer)
|
May Fools
|
1990
|
|
Louis Malle (Producer)
|
May Fools
|
1990
|
|
Peter Brook (Director)
|
The Mahabharata
|
1989
|
|
William Lubtchansky (Cinematographer)
|
The Mahabharata
|
1989
|
|
Miroslav Ondrícek (Cinematographer)
|
Valmont
|
1989
|
|
Milos Forman (Director)
|
Valmont
|
1989
|
|
Alexandre Trauner (Art Director)
|
The Bengali Night
|
1988
|
|
Andrzej Wajda (Director)
|
Les Possédés
|
1988
|
|
Allan Starski (Art Director)
|
Les Possédés
|
1988
|
|
Philip Kaufman (Director)
|
The Unbearable Lightness of Being
|
1988
|
|
Ann Roth (Costume Designer)
|
The Unbearable Lightness of Being
|
1988
|
|
Sven Nykvist (Cinematographer)
|
The Unbearable Lightness of Being
|
1988
|
|
Saul Zaentz (Producer)
|
The Unbearable Lightness of Being
|
1988
|
|
Raoul Coutard (Cinematographer)
|
Max, Mon Amour
|
1986
|
|
Nagisa Oshima (Director)
|
Max, Mon Amour
|
1986
|
|
Volker Schlöndorff (Director)
|
Swann in Love
|
1984
|
|
Sven Nykvist (Cinematographer)
|
Swann in Love
|
1984
|
|
Michel Piccoli (Producer)
|
Le General de I'Armee Morte
|
1983
|
|
Carlos Saura (Director)
|
Antonieta
|
1982
|
|
Teo Escamilla (Cinematographer)
|
Antonieta
|
1982
|
|
Allan Starski (Art Director)
|
Danton
|
1982
|
|
Andrzej Wajda (Director)
|
Danton
|
1982
|
|
William Lubtchansky (Cinematographer)
|
L'Indiscretion
|
1982
|
|
Volker Schlöndorff (Director)
|
Circle of Deceit
|
1981
|
|
Pierre Lhomme (Cinematographer)
|
Retour à la Bien-Aimée
|
1979
|
|
Jean-Luc Godard (Director)
|
Sauve Qui Peut (la Vie)
|
1979
|
|
Jean-Luc Godard (Editor)
|
Sauve Qui Peut (la Vie)
|
1979
|
|
Renato Berta (Cinematographer)
|
Sauve Qui Peut (la Vie)
|
1979
|
|
William Lubtchansky (Cinematographer)
|
Sauve Qui Peut (la Vie)
|
1979
|
|
Jean-Luc Godard (Producer)
|
Sauve Qui Peut (la Vie)
|
1979
|
|
Alain Sarde (Producer)
|
Sauve Qui Peut (la Vie)
|
1979
|
|
Volker Schlöndorff (Director)
|
The Tin Drum
|
1979
|
|
Jacques Deray (Director)
|
Un Papillon sur l'Epaule
|
1978
|
|
Sacha Vierny (Cinematographer)
|
Le Diable Dans La Boite
|
1977
|
|
Jacques Deray (Director)
|
Le Gang
|
1977
|
|
Philippe de Broca (Director)
|
Julie - Pot de Colle
|
1977
|
|
Luis Buñuel (Director)
|
That Obscure Object of Desire
|
1977
|
|
Sylvie de Segonzac (Costume Designer)
|
That Obscure Object of Desire
|
1977
|
|
Patrice Chéreau (Director)
|
La Chair de l'Orchidée
|
1975
|
|
Pierre Lhomme (Cinematographer)
|
La Chair de l'Orchidée
|
1975
|
|
Jean-Claude Brialy (Director)
|
Un Amour de Pluie
|
1974
|
|
Pierre-Wiliam Glenn (Cinematographer)
|
France Société Anonyme
|
1974
|
|
Luis Buñuel (Director)
|
The Phantom of Liberty
|
1974
|
|
Sacha Vierny (Cinematographer)
|
Le Moine
|
1973
|
|
Jacques Deray (Director)
|
The Outside Man
|
1973
|
|
Luis Buñuel (Director)
|
The Discreet Charm of the Bourgeoisie
|
1972
|
|
Henri Decaë (Cinematographer)
|
Le Droit d'aimer
|
1972
|
|
Marco Ferreri (Director)
|
Liza
|
1972
|
|
Jacques Deray (Director)
|
A Few Hours of Sunlight
|
1971
|
|
Miroslav Ondrícek (Cinematographer)
|
Taking Off
|
1971
|
|
Milos Forman (Director)
|
Taking Off
|
1971
|
|
Alain Delon (Producer)
|
Borsalino
|
1970
|
|
Jacques Deray (Director)
|
Borsalino
|
1970
|
|
Pierre Etaix (Director)
|
Le Grand Amour
|
1969
|
|
Jacques Deray (Director)
|
La Piscine
|
1969
|
|
Christian Matras (Cinematographer)
|
La Voie Lactée
|
1969
|
|
Luis Buñuel (Director)
|
La Voie Lactée
|
1969
|
|
Sacha Vierny (Cinematographer)
|
Belle de Jour
|
1967
|
|
Luis Buñuel (Director)
|
Belle de Jour
|
1967
|
|
Luis Buñuel (Producer)
|
Belle de Jour
|
1967
|
|
Louis Malle (Producer)
|
Le Voleur
|
1967
|
|
Louis Malle (Director)
|
Le Voleur
|
1967
|
|
Henri Decaë (Cinematographer)
|
Le Voleur
|
1967
|
|
Jesús Franco (Director)
|
Attack of the Robots
|
1966
|
|
Peter Glenville (Director)
|
Hotel Paradiso
|
1966
|
|
Anne V. Coates (Editor)
|
Hotel Paradiso
|
1966
|
|
Henri Decaë (Cinematographer)
|
Hotel Paradiso
|
1966
|
|
Peter Glenville (Producer)
|
Hotel Paradiso
|
1966
|
|
Louis Malle (Director)
|
Viva Maria!
|
1965
|
|
Henri Decaë (Cinematographer)
|
Viva Maria!
|
1965
|
|
Louis Malle (Producer)
|
Viva Maria!
|
1965
|
|
Pierre Etaix (Director)
|
Yoyo
|
1965
|
|
Jesús Franco (Director)
|
The Diabolical Doctor Z
|
1964
|
|
Luis Buñuel (Director)
|
Diary of a Chambermaid
|
1964
|
|
Pierre Etaix (Director)
|
Le Soupirant
|
1963
|