|
Pandro S. Berman (Producer)
|
Dragon Seed
|
1944
|
|
Harold Kress (Editor)
|
Dragon Seed
|
1944
|
|
Jack Conway (Director)
|
Dragon Seed
|
1944
|
|
Cedric Gibbons (Art Director)
|
Dragon Seed
|
1944
|
|
Albert S. D'Agostino (Art Director)
|
Flight for Freedom
|
1943
|
|
Adrian (Costume Designer)
|
Flight for Freedom
|
1943
|
|
George B. Seitz (Director)
|
Andy Hardy's Private Secretary
|
1941
|
|
Cedric Gibbons (Art Director)
|
Smilin' Through
|
1941
|
|
Adrian (Costume Designer)
|
Smilin' Through
|
1941
|
|
Frank Borzage (Director)
|
Smilin' Through
|
1941
|
|
Hunt Stromberg (Producer)
|
Pride and Prejudice
|
1940
|
|
Robert Z. Leonard (Director)
|
Pride and Prejudice
|
1940
|
|
Karl W. Freund (Cinematographer)
|
Pride and Prejudice
|
1940
|
|
Adrian (Costume Designer)
|
Pride and Prejudice
|
1940
|
|
Cedric Gibbons (Art Director)
|
Pride and Prejudice
|
1940
|
|
Cedric Gibbons (Art Director)
|
Stand up and Fight
|
1939
|
|
W.S. Van Dyke (Director)
|
Stand up and Fight
|
1939
|
|
Mervyn LeRoy (Producer)
|
Stand up and Fight
|
1939
|
|
Hunt Stromberg (Producer)
|
The Women
|
1939
|
|
Adrian (Costume Designer)
|
The Women
|
1939
|
|
George Cukor (Director)
|
The Women
|
1939
|
|
Cedric Gibbons (Art Director)
|
The Women
|
1939
|
|
Oliver Marsh (Cinematographer)
|
The Women
|
1939
|
|
Cedric Gibbons (Art Director)
|
The Shining Hour
|
1938
|
|
Adrian (Costume Designer)
|
The Shining Hour
|
1938
|
|
Frank Borzage (Director)
|
The Shining Hour
|
1938
|
|
Joseph L. Mankiewicz (Producer)
|
The Shining Hour
|
1938
|
|
Lucien Andriot (Cinematographer)
|
I'll Take Romance
|
1937
|
|
Lionel Banks (Art Director)
|
I'll Take Romance
|
1937
|
|
Gregg Toland (Cinematographer)
|
Come and Get It
|
1936
|
|
Rudolph Maté (Cinematographer)
|
Come and Get It
|
1936
|
|
Howard Hawks (Director)
|
Come and Get It
|
1936
|
|
William Wyler (Director)
|
Come and Get It
|
1936
|
|
Samuel Goldwyn (Producer)
|
Come and Get It
|
1936
|
|
Pandro S. Berman (Producer)
|
That Girl from Paris
|
1936
|
|
Roy Hunt (Cinematographer)
|
That Girl from Paris
|
1936
|
|
Edward Stevenson (Costume Designer)
|
That Girl from Paris
|
1936
|
|
Van Nest Polglase (Art Director)
|
That Girl from Paris
|
1936
|
|
Hermes Pan (Choreography)
|
Roberta
|
1935
|
|
Fred Astaire (Choreography)
|
Roberta
|
1935
|
|
Van Nest Polglase (Art Director)
|
Roberta
|
1935
|
|
William Seiter (Director)
|
Roberta
|
1935
|
|
Pandro S. Berman (Producer)
|
Roberta
|
1935
|
|
Lucien Andriot (Cinematographer)
|
The Crime Doctor
|
1934
|
|
John S. Robertson (Director)
|
The Crime Doctor
|
1934
|
|
Van Nest Polglase (Art Director)
|
The Fountain
|
1934
|
|
John Cromwell (Director)
|
The Fountain
|
1934
|
|
Pandro S. Berman (Producer)
|
The Fountain
|
1934
|
|
Pandro S. Berman (Producer)
|
The Life of Vergie Winters
|
1934
|
|
Lucien Andriot (Cinematographer)
|
The Life of Vergie Winters
|
1934
|
|
Van Nest Polglase (Art Director)
|
The Little Minister
|
1934
|
|
Pandro S. Berman (Producer)
|
The Little Minister
|
1934
|
|
Richard Wallace (Director)
|
The Little Minister
|
1934
|
|
Pandro S. Berman (Producer)
|
Romance in Manhattan
|
1934
|
|
Pandro S. Berman (Director)
|
Romance in Manhattan
|
1934
|
|
Van Nest Polglase (Art Director)
|
Romance in Manhattan
|
1934
|
|
John Cromwell (Producer)
|
Spitfire
|
1934
|
|
John Cromwell (Director)
|
Spitfire
|
1934
|
|
Van Nest Polglase (Art Director)
|
Spitfire
|
1934
|
|
Pandro S. Berman (Producer)
|
Spitfire
|
1934
|
|
Pandro S. Berman (Producer)
|
This Man Is Mine
|
1934
|
|
Van Nest Polglase (Art Director)
|
This Man Is Mine
|
1934
|
|
John Cromwell (Director)
|
This Man Is Mine
|
1934
|
|
Charles Rosher Sr. (Cinematographer)
|
After Tonight
|
1933
|
|
Van Nest Polglase (Art Director)
|
After Tonight
|
1933
|
|
Merian C. Cooper (Executive Producer)
|
After Tonight
|
1933
|
|
Merian C. Cooper (Executive Producer)
|
Ann Vickers
|
1933
|
|
Pandro S. Berman (Producer)
|
Ann Vickers
|
1933
|
|
Van Nest Polglase (Art Director)
|
Ann Vickers
|
1933
|
|
John Cromwell (Director)
|
Ann Vickers
|
1933
|
|
John Cromwell (Director)
|
Double Harness
|
1933
|
|
Roy Hunt (Cinematographer)
|
Double Harness
|
1933
|
|
Van Nest Polglase (Art Director)
|
Double Harness
|
1933
|
|
Merian C. Cooper (Producer)
|
Double Harness
|
1933
|
|
George Cukor (Director)
|
Our Betters
|
1933
|
|
David O. Selznick (Producer)
|
Our Betters
|
1933
|
|
Van Nest Polglase (Art Director)
|
Our Betters
|
1933
|
|
Charles Rosher Sr. (Cinematographer)
|
Our Betters
|
1933
|
|
Charles Rosher Sr. (Cinematographer)
|
The Silver Cord
|
1933
|
|
John Cromwell (Director)
|
The Silver Cord
|
1933
|
|
Pandro S. Berman (Producer)
|
The Silver Cord
|
1933
|
|
Merian C. Cooper (Executive Producer)
|
The Silver Cord
|
1933
|
|
David O. Selznick (Executive Producer)
|
Rockabye
|
1932
|
|
George Cukor (Director)
|
Rockabye
|
1932
|
|
Charles Rosher Sr. (Cinematographer)
|
Rockabye
|
1932
|
|
Cedric Gibbons (Art Director)
|
Smilin' Through
|
1932
|
|
Adrian (Costume Designer)
|
Smilin' Through
|
1932
|
|
Margaret Booth (Editor)
|
Smilin' Through
|
1932
|
|
Irving G. Thalberg (Producer)
|
Smilin' Through
|
1932
|
|
Pandro S. Berman (Producer)
|
Way Back Home
|
1932
|
|
William Seiter (Director)
|
Way Back Home
|
1932
|
|
Roy Hunt (Cinematographer)
|
Way Back Home
|
1932
|
|
Charles Rosher Sr. (Cinematographer)
|
What Price Hollywood?
|
1932
|
|
George Cukor (Director)
|
What Price Hollywood?
|
1932
|
|
David O. Selznick (Executive Producer)
|
What Price Hollywood?
|
1932
|
|
Joseph Kane (Editor)
|
Young Bride
|
1932
|
|
David O. Selznick (Producer)
|
Young Bride
|
1932
|
|
Harry Joe Brown (Producer)
|
Young Bride
|
1932
|
|
William Seiter (Director)
|
Young Bride
|
1932
|
|
Arthur C. Miller (Cinematographer)
|
Young Bride
|
1932
|
|
Victor Schertzinger (Director)
|
Friends and Lovers
|
1931
|
|
Roy Hunt (Cinematographer)
|
Friends and Lovers
|
1931
|
|
William Le Baron (Producer)
|
Friends and Lovers
|
1931
|
|
Douglas MacLean (Producer)
|
Too Many Cooks
|
1931
|
|
William Seiter (Director)
|
Too Many Cooks
|
1931
|
|
Lowell Sherman (Director)
|
Lawful Larceny
|
1930
|
|
William Le Baron (Producer)
|
Lawful Larceny
|
1930
|
|
Roy Hunt (Cinematographer)
|
Lawful Larceny
|
1930
|
|
Roy Hunt (Cinematographer)
|
Leathernecking
|
1930
|
|
Edward F. Cline (Director)
|
Leathernecking
|
1930
|
|
Lowell Sherman (Director)
|
The Pay Off
|
1930
|
|
William Le Baron (Producer)
|
The Pay Off
|
1930
|
|
Roy Hunt (Cinematographer)
|
The Pay Off
|
1930
|
|
Donald Crisp (Director)
|
The Runaway Bride
|
1930
|
|
William Le Baron (Producer)
|
Half-Marriage
|
1929
|
|
Wesley Ruggles (Director)
|
Street Girl
|
1929
|
|
William Le Baron (Producer)
|
Street Girl
|
1929
|
|
King Baggot (Director)
|
The Notorious Lady
|
1927
|
|
John Francis Dillon (Director)
|
Prince of Headwaiters
|
1927
|
|
Lucien Andriot (Cinematographer)
|
The Right to Lie
|
1919
|