|
Benedict E. Bogeaus (Producer)
|
The Girl from Manhattan
|
1948
|
|
Benedict E. Bogeaus (Producer)
|
Lulu Belle
|
1948
|
|
Burgess Meredith (Producer)
|
On Our Merry Way
|
1948
|
|
King Vidor (Director)
|
On Our Merry Way
|
1948
|
|
George Stevens (Director)
|
On Our Merry Way
|
1948
|
|
John F. Seitz (Cinematographer)
|
On Our Merry Way
|
1948
|
|
Joseph Biroc (Cinematographer)
|
On Our Merry Way
|
1948
|
|
Benedict E. Bogeaus (Producer)
|
On Our Merry Way
|
1948
|
|
Benedict E. Bogeaus (Producer)
|
Christmas Eve
|
1947
|
|
Lucien Andriot (Cinematographer)
|
Diary of a Chambermaid
|
1946
|
|
Benedict E. Bogeaus (Producer)
|
Diary of a Chambermaid
|
1946
|
|
Burgess Meredith (Producer)
|
Diary of a Chambermaid
|
1946
|
|
Jean Renoir (Director)
|
Diary of a Chambermaid
|
1946
|
|
Benedict E. Bogeaus (Producer)
|
Mr. Ace
|
1946
|
|
Karl Struss (Cinematographer)
|
Mr. Ace
|
1946
|
|
Benedict E. Bogeaus (Producer)
|
Captain Kidd
|
1945
|
|
Rowland V. Lee (Director)
|
Captain Kidd
|
1945
|
|
Archie J. Stout (Cinematographer)
|
Captain Kidd
|
1945
|
|
Andrew L. Stone (Director)
|
Her Favorite Patient
|
1945
|
|
Andrew L. Stone (Producer)
|
Her Favorite Patient
|
1945
|
|
Benedict E. Bogeaus (Producer)
|
Dark Waters
|
1944
|
|
André De Toth (Director)
|
Dark Waters
|
1944
|
|
Andrew L. Stone (Director)
|
Sensations of 1945
|
1944
|
|
Andrew L. Stone (Producer)
|
Sensations of 1945
|
1944
|
|
Hans Dreier (Art Director)
|
There's Magic in Music
|
1941
|
|
Andrew L. Stone (Director)
|
There's Magic in Music
|
1941
|
|
Andrew L. Stone (Producer)
|
There's Magic in Music
|
1941
|
|
Hans Dreier (Art Director)
|
Disputed Passage
|
1939
|
|
Frank Borzage (Director)
|
Disputed Passage
|
1939
|
|
LeRoy J. Prinz (Choreography)
|
The Great Victor Herbert
|
1939
|
|
Andrew L. Stone (Director)
|
The Great Victor Herbert
|
1939
|
|
Andrew L. Stone (Producer)
|
The Great Victor Herbert
|
1939
|
|
Hans Dreier (Art Director)
|
The Great Victor Herbert
|
1939
|
|
Robert Florey (Director)
|
The Magnificent Fraud
|
1939
|
|
LeRoy J. Prinz (Choreography)
|
The Magnificent Fraud
|
1939
|
|
Edith Head (Costume Designer)
|
Never Say Die
|
1939
|
|
Hans Dreier (Art Director)
|
Never Say Die
|
1939
|
|
Elliott Nugent (Director)
|
Never Say Die
|
1939
|
|
Travis Banton (Costume Designer)
|
Romance in the Dark
|
1938
|
|
Louis King (Director)
|
Bulldog Drummond Comes Back
|
1937
|
|
Charles Barton (Director)
|
The Crime Nobody Saw
|
1937
|
|
Hans Dreier (Art Director)
|
Arizona Mahoney
|
1936
|
|
Ralph Murphy (Director)
|
Florida Special
|
1936
|
|
Robert Florey (Director)
|
The Preview Murder Mystery
|
1936
|
|
Hans Dreier (Art Director)
|
The Preview Murder Mystery
|
1936
|
|
Karl Struss (Cinematographer)
|
The Preview Murder Mystery
|
1936
|
|
Robert Florey (Director)
|
Ship Cafe
|
1935
|
|
Travis Banton (Costume Designer)
|
Two Fisted
|
1935
|
|
James Cruze (Director)
|
Two Fisted
|
1935
|
|
Henry Hathaway (Director)
|
Come On, Marines
|
1934
|
|
LeRoy J. Prinz (Choreography)
|
Come On, Marines
|
1934
|
|
Charles Vidor (Director)
|
Double Door
|
1934
|
|
LeRoy J. Prinz (Choreography)
|
Search for Beauty
|
1934
|
|
Erle C. Kenton (Director)
|
Search for Beauty
|
1934
|
|
D.W. Griffith (Producer)
|
Abraham Lincoln
|
1930
|
|
Karl Struss (Cinematographer)
|
Abraham Lincoln
|
1930
|
|
William Cameron Menzies (Art Director)
|
Abraham Lincoln
|
1930
|
|
D.W. Griffith (Director)
|
Abraham Lincoln
|
1930
|
|
Roland West (Director)
|
The Bat Whispers
|
1930
|
|
Roland West (Producer)
|
The Bat Whispers
|
1930
|
|
Joseph M. Schenck (Producer)
|
The Bat Whispers
|
1930
|
|
Paul Stein (Director)
|
One Romantic Night
|
1930
|
|
Paul Stein (Producer)
|
One Romantic Night
|
1930
|
|
Karl Struss (Cinematographer)
|
One Romantic Night
|
1930
|
|
Karl Struss (Cinematographer)
|
Lady of the Pavements
|
1929
|
|
Billy Bitzer (Cinematographer)
|
Lady of the Pavements
|
1929
|
|
D.W. Griffith (Director)
|
Lady of the Pavements
|
1929
|
|
Joseph M. Schenck (Producer)
|
Lady of the Pavements
|
1929
|
|
D.W. Griffith (Producer)
|
The Battle of the Sexes
|
1928
|
|
D.W. Griffith (Director)
|
The Battle of the Sexes
|
1928
|
|
Karl Struss (Cinematographer)
|
The Battle of the Sexes
|
1928
|
|
Billy Bitzer (Cinematographer)
|
The Battle of the Sexes
|
1928
|
|
Karl Struss (Cinematographer)
|
Drums of Love
|
1928
|
|
Billy Bitzer (Cinematographer)
|
Drums of Love
|
1928
|
|
D.W. Griffith (Director)
|
Drums of Love
|
1928
|
|
D.W. Griffith (Producer)
|
Drums of Love
|
1928
|
|
D.W. Griffith (Producer)
|
Sally of the Sawdust
|
1925
|
|
D.W. Griffith (Director)
|
Sally of the Sawdust
|
1925
|
|
D.W. Griffith (Director)
|
That Royale Girl
|
1925
|
|
Jesse Lasky (Producer)
|
That Royale Girl
|
1925
|
|
D.W. Griffith (Producer)
|
That Royale Girl
|
1925
|
|
Adolph Zukor (Producer)
|
That Royale Girl
|
1925
|
|
D.W. Griffith (Producer)
|
America
|
1924
|
|
D.W. Griffith (Director)
|
America
|
1924
|
|
Billy Bitzer (Cinematographer)
|
America
|
1924
|
|
Billy Bitzer (Cinematographer)
|
Orphans of the Storm
|
1922
|
|
D.W. Griffith (Director)
|
Orphans of the Storm
|
1922
|
|
D.W. Griffith (Producer)
|
Orphans of the Storm
|
1922
|
|
D.W. Griffith (Producer)
|
Dream Street
|
1921
|
|
D.W. Griffith (Director)
|
Dream Street
|
1921
|
|
Billy Bitzer (Cinematographer)
|
The Greatest Question
|
1920
|
|
D.W. Griffith (Director)
|
The Greatest Question
|
1920
|
|
D.W. Griffith (Producer)
|
The Greatest Question
|
1920
|
|
D.W. Griffith (Director)
|
The Idol Dancer
|
1920
|
|
Billy Bitzer (Cinematographer)
|
The Idol Dancer
|
1920
|
|
Billy Bitzer (Cinematographer)
|
The Love Flower
|
1920
|
|
D.W. Griffith (Director)
|
The Love Flower
|
1920
|
|
D.W. Griffith (Producer)
|
The Love Flower
|
1920
|
|
D.W. Griffith (Producer)
|
Way Down East
|
1920
|
|
D.W. Griffith (Director)
|
Way Down East
|
1920
|
|
Billy Bitzer (Cinematographer)
|
Way Down East
|
1920
|
|
Karl Brown (Cinematographer)
|
Broken Blossoms
|
1919
|
|
D.W. Griffith (Director)
|
Broken Blossoms
|
1919
|
|
D.W. Griffith (Producer)
|
Broken Blossoms
|
1919
|
|
Billy Bitzer (Cinematographer)
|
Broken Blossoms
|
1919
|
|
D.W. Griffith (Director)
|
The Girl Who Stayed at Home
|
1919
|
|
Billy Bitzer (Cinematographer)
|
The Girl Who Stayed at Home
|
1919
|
|
D.W. Griffith (Director)
|
A Romance of Happy Valley
|
1919
|
|
Billy Bitzer (Cinematographer)
|
A Romance of Happy Valley
|
1919
|
|
D.W. Griffith (Director)
|
Scarlet Days
|
1919
|
|
Billy Bitzer (Cinematographer)
|
Scarlet Days
|
1919
|
|
Billy Bitzer (Cinematographer)
|
True Heart Susie
|
1919
|
|
D.W. Griffith (Director)
|
True Heart Susie
|
1919
|
|
Billy Bitzer (Cinematographer)
|
The Great Love
|
1918
|
|
D.W. Griffith (Director)
|
The Great Love
|
1918
|
|
D.W. Griffith (Director)
|
The Greatest Thing in Life
|
1918
|
|
D.W. Griffith (Producer)
|
The Greatest Thing in Life
|
1918
|
|
Billy Bitzer (Cinematographer)
|
The Greatest Thing in Life
|
1918
|
|
D.W. Griffith (Cinematographer)
|
Hearts of the World
|
1918
|
|
Billy Bitzer (Cinematographer)
|
Hearts of the World
|
1918
|
|
D.W. Griffith (Producer)
|
Hearts of the World
|
1918
|
|
D.W. Griffith (Director)
|
Hearts of the World
|
1918
|
|
D.W. Griffith (Costume Designer)
|
Intolerance
|
1916
|
|
Billy Bitzer (Cinematographer)
|
Intolerance
|
1916
|
|
Karl Brown (Cinematographer)
|
Intolerance
|
1916
|
|
D.W. Griffith (Producer)
|
Intolerance
|
1916
|
|
D.W. Griffith (Editor)
|
Intolerance
|
1916
|
|
D.W. Griffith (Director)
|
Intolerance
|
1916
|
|
D.W. Griffith (Director)
|
The Birth of a Nation
|
1915
|
|
D.W. Griffith (Producer)
|
The Birth of a Nation
|
1915
|
|
Billy Bitzer (Cinematographer)
|
The Birth of a Nation
|
1915
|
|
Billy Bitzer (Cinematographer)
|
The Avenging Conscience
|
1914
|
|
Karl Brown (Cinematographer)
|
The Avenging Conscience
|
1914
|
|
D.W. Griffith (Producer)
|
The Avenging Conscience
|
1914
|
|
D.W. Griffith (Director)
|
The Avenging Conscience
|
1914
|
|
D.W. Griffith (Director)
|
The Battle of the Sexes
|
1914
|
|
Billy Bitzer (Cinematographer)
|
The Battle of the Sexes
|
1914
|
|
D.W. Griffith (Director)
|
The Escape
|
1914
|
|
Billy Bitzer (Cinematographer)
|
The Escape
|
1914
|
|
D.W. Griffith (Director)
|
Home, Sweet Home
|
1914
|
|
Billy Bitzer (Cinematographer)
|
Home, Sweet Home
|
1914
|
|
D.W. Griffith (Director)
|
Judith of Bethulia
|
1914
|
|
Billy Bitzer (Cinematographer)
|
Judith of Bethulia
|
1914
|