IntermissionMovie Reviews

Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 100
    San Francisco Chronicle | Ruthe Stein

    A breed apart from anything coming off the Hollywood assembly line or, for that matter, from the saccharine romances Britain has lately produced. Read full review

  • 91
    Entertainment Weekly | Lisa Schwarzbaum

    The first Irish creation I've seen in ages to pull off the high-difficulty feat of trafficking in grit, drollery, and emotion without turning to blarney as a crutch. Read full review

  • 88
    Chicago Sun-Times | Roger Ebert

    That it succeeds is some kind of miracle; there's enough material here for three bad films, and somehow it becomes one good one. Read full review

  • 75
    Boston Globe | Ty Burr

    Could fairly be described as a Robert Altman ensemble movie without the flab, or "Magnolia" with a mean streak and bigger laughs. Read full review

  • 75
    Philadelphia Inquirer | Carrie Rickey

    Here, love and violence are random, everyone's a fool for love, and tomfoolery often has a shocking twist. And every action has an equal and opposite reaction. Read full review

  • 75
    Charlotte Observer | Lawrence Toppman

    Intermission is like a creme brulee, invigoratingly grainy when you bite into it but sweet and soft underneath. Director John Crowley and writer Mark O'Rowe infuse this Irish crime drama with such adrenaline that you don't realize how lightweight it is until after it's over. Read full review

  • 75
    Chicago Tribune | Mark Caro

    If Intermission isn't profound, it's got boisterous humor and energy, with U2's rollicking "Out of Control" leading the charge. Given the grimness of many Irish tales, Intermission represents less of a pause than a burst into a fresh direction. Read full review

  • 75
    Premiere | Glenn Kenny

    It’s tempting to summarize this Irish picture as a working-class version of "Love Actually," and indeed, the hardscrabble lives of most of its amorously unfulfilled characters go a long way in making it a whole lot less emetic than Richard Curtis’s hugfest. Read full review

  • 63
    New York Post | Lou Lumenick

    "Love, Actually" meets "Trainspotting" in Intermission, an edgy Irish romantic comedy that deftly juggles a dozen interconnected story lines. Read full review

  • 50
    New York Daily News | Jack Mathews

    A black comedy that some viewers may take as an assault. The disconnect between the realism of its violence and the near-slapstick tone of some of its comedy is too much to be framed within one movie. Read full review