|
Edith Head (Costume Designer)
|
El Dorado
|
1967
|
|
Harold Hal Rosson (Cinematographer)
|
El Dorado
|
1967
|
|
Edith Head (Costume Designer)
|
Red Line 7000
|
1965
|
|
Edith Head (Costume Designer)
|
Man's Favorite Sport?
|
1963
|
|
Edith Head (Costume Designer)
|
Hatari!
|
1962
|
|
Alexandre Trauner (Art Director)
|
Land of the Pharaohs
|
1955
|
|
Sol C. Siegel (Producer)
|
Gentlemen Prefer Blondes
|
1953
|
|
Albert S. D'Agostino (Art Director)
|
The Big Sky
|
1952
|
|
Sol C. Siegel (Producer)
|
Monkey Business
|
1952
|
|
Henry King (Director)
|
O. Henry's Full House
|
1952
|
|
Henry Koster (Director)
|
O. Henry's Full House
|
1952
|
|
Jean Negulesco (Director)
|
O. Henry's Full House
|
1952
|
|
Henry Hathaway (Director)
|
O. Henry's Full House
|
1952
|
|
Lucien Ballard (Cinematographer)
|
O. Henry's Full House
|
1952
|
|
Albert S. D'Agostino (Art Director)
|
The Thing
|
1951
|
|
Norbert F. Brodin (Cinematographer)
|
I Was a Male War Bride
|
1949
|
|
James B. Clark (Editor)
|
I Was a Male War Bride
|
1949
|
|
Sol C. Siegel (Producer)
|
I Was a Male War Bride
|
1949
|
|
Samuel Goldwyn (Producer)
|
A Song Is Born
|
1948
|
|
Gregg Toland (Cinematographer)
|
A Song Is Born
|
1948
|
|
Irene Sharaff (Costume Designer)
|
A Song Is Born
|
1948
|
|
Jack L. Warner (Executive Producer)
|
The Big Sleep
|
1946
|
|
Jack L. Warner (Executive Producer)
|
The Big Sleep (1945 pre-release version)
|
1945
|
|
Milo Anderson (Costume Designer)
|
To Have and Have Not
|
1944
|
|
James Wong Howe (Cinematographer)
|
Air Force
|
1943
|
|
Hal B. Wallis (Producer)
|
Air Force
|
1943
|
|
Richard Rosson (Director)
|
Corvette K-225
|
1943
|
|
Edith Head (Costume Designer)
|
Ball of Fire
|
1941
|
|
Gregg Toland (Cinematographer)
|
Ball of Fire
|
1941
|
|
Samuel Goldwyn (Producer)
|
Ball of Fire
|
1941
|
|
William Holmes (Editor)
|
Sergeant York
|
1941
|
|
Jesse Lasky (Producer)
|
Sergeant York
|
1941
|
|
Hal B. Wallis (Producer)
|
Sergeant York
|
1941
|
|
Sol Polito (Cinematographer)
|
Sergeant York
|
1941
|
|
Arthur Edeson (Cinematographer)
|
Sergeant York
|
1941
|
|
Lionel Banks (Art Director)
|
His Girl Friday
|
1940
|
|
Lloyd Bacon (Director)
|
Indianapolis Speedway
|
1939
|
|
William Holmes (Editor)
|
Indianapolis Speedway
|
1939
|
|
Orry-Kelly (Costume Designer)
|
Indianapolis Speedway
|
1939
|
|
Lionel Banks (Art Director)
|
Only Angels Have Wings
|
1939
|
|
Van Nest Polglase (Art Director)
|
Bringing Up Baby
|
1938
|
|
Russell Metty (Cinematographer)
|
Bringing Up Baby
|
1938
|
|
Cedric Gibbons (Art Director)
|
Test Pilot
|
1938
|
|
Victor Fleming (Director)
|
Test Pilot
|
1938
|
|
Samuel Goldwyn (Producer)
|
Come and Get It
|
1936
|
|
William Wyler (Director)
|
Come and Get It
|
1936
|
|
Gregg Toland (Cinematographer)
|
Come and Get It
|
1936
|
|
Rudolph Maté (Cinematographer)
|
Come and Get It
|
1936
|
|
Gregg Toland (Cinematographer)
|
The Road to Glory
|
1936
|
|
Darryl F. Zanuck (Producer)
|
The Road to Glory
|
1936
|
|
Nunnally Johnson (Producer)
|
The Road to Glory
|
1936
|
|
Samuel Goldwyn (Producer)
|
The Barbary Coast
|
1935
|
|
William Holmes (Editor)
|
Ceiling Zero
|
1935
|
|
Orry-Kelly (Costume Designer)
|
Ceiling Zero
|
1935
|
|
Arthur Edeson (Cinematographer)
|
Ceiling Zero
|
1935
|
|
Harry Joe Brown (Producer)
|
Ceiling Zero
|
1935
|
|
Joseph H. August (Cinematographer)
|
Twentieth Century
|
1934
|
|
James Wong Howe (Cinematographer)
|
Viva Villa!
|
1934
|
|
Jack Conway (Director)
|
Viva Villa!
|
1934
|
|
David O. Selznick (Producer)
|
Viva Villa!
|
1934
|
|
Cedric Gibbons (Art Director)
|
Today We Live
|
1933
|
|
Adrian (Costume Designer)
|
Today We Live
|
1933
|
|
Oliver Marsh (Cinematographer)
|
Today We Live
|
1933
|
|
Howard R. Hughes (Producer)
|
Scarface
|
1932
|
|
Orry-Kelly (Costume Designer)
|
Tiger Shark
|
1932
|
|
Raymond Griffith (Producer)
|
Tiger Shark
|
1932
|
|
Harry Cohn (Producer)
|
The Criminal Code
|
1931
|
|
Ted Tetzlaff (Cinematographer)
|
The Criminal Code
|
1931
|
|
James Wong Howe (Cinematographer)
|
The Criminal Code
|
1931
|
|
Ernest Haller (Cinematographer)
|
The Dawn Patrol
|
1930
|
|
Hal B. Wallis (Producer)
|
The Dawn Patrol
|
1930
|
|
David Butler (Director)
|
Masked Emotions
|
1929
|
|
Harold Hal Rosson (Cinematographer)
|
Trent's Last Case
|
1929
|
|
William Fox (Producer)
|
The Air Circus
|
1928
|
|
Lewis Seiler (Director)
|
The Air Circus
|
1928
|
|
William Fox (Producer)
|
A Girl in Every Port
|
1928
|
|
William Fox (Producer)
|
Cradle Snatchers
|
1927
|
|
William Fox (Producer)
|
Paid to Love
|
1927
|
|
Joseph H. August (Cinematographer)
|
Fig Leaves
|
1926
|
|
William Fox (Producer)
|
Fig Leaves
|
1926
|
|
Joseph H. August (Cinematographer)
|
Road to Glory
|
1926
|
|
Cecil B. DeMille (Producer)
|
Dressmaker from Paris
|
1925
|
|
Jack Conway (Director)
|
Quicksands
|
1923
|