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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Like all Shelton's movies, Hollywood Homicide rambles and shambles, and like most of them, it ultimately settles into its own appealing rhythm. Read full review
One of the pleasures of Hollywood Homicide is that it's more interested in its two goofy cops than in the murder plot; their dialogue redeems otherwise standard scenes. Read full review
He (Ford) slips into the role as if it were a pair of well-worn loafers, the left inherited from Peter Falk, the right from Clint Eastwood, and then proceeds, with wry nonchalance, to tap-dance, shuffle and pirouette through his loosest, wittiest performance in years. Read full review
Is it, you know, fun? At times. Yet there's a rote quality to the way this half-dumb, half-sly movie resolves itself into an intentional debauch, a pileup of villainy and heavy metal. The only California dream it leaves you with is one of wretched excess. Read full review
Escapism with a human touch -- it feels lived-in. Read full review
An attempt to merge a semi-jokey buddy movie with a more realistic account of cops' messy private lives, Hollywood Homicide falls short on both counts. Read full review
Somewhere within all of this there really is a homicide -- a hip-hop industry rub-out that may someday make this movie half of a passable DVD double feature with Nick Broomfield's documentary Biggie and Tupac. Read full review
No one comes out of Hollywood Homicide looking good, but the film fades fast. Read full review
Hollywood Homicide is about murder, all right: the wholesale slaughter of anything funny, original or even vaguely logical. Read full review
The film doesn't even cut it as cheap escapism. Read full review