|
Ivan Reitman (Producer)
|
The Pink Panther
|
2006
|
|
Rob Marshall (Choreography)
|
Victor/Victoria
|
1999
|
|
Agnès Varda (Director)
|
A Hundred and One Nights
|
1995
|
|
Arthur Hiller (Director)
|
Married to It
|
1993
|
|
Victor J. Kemper (Cinematographer)
|
Married to It
|
1993
|
|
Blake Edwards (Director)
|
Son of the Pink Panther
|
1993
|
|
Phil Roman (Director)
|
Tom and Jerry: The Movie
|
1993
|
|
Phil Roman (Producer)
|
Tom and Jerry: The Movie
|
1993
|
|
Joseph Sargent (Director)
|
Never Forget
|
1991
|
|
Blake Edwards (Director)
|
Switch
|
1991
|
|
Arnon Milchan (Executive Producer)
|
Switch
|
1991
|
|
Sidney Poitier (Director)
|
Ghost Dad
|
1990
|
|
Blake Edwards (Director)
|
Peter Gunn
|
1989
|
|
Blake Edwards (Executive Producer)
|
Peter Gunn
|
1989
|
|
Michael Crichton (Director)
|
Physical Evidence
|
1989
|
|
John A. Alonzo (Cinematographer)
|
Physical Evidence
|
1989
|
|
Blake Edwards (Director)
|
Skin Deep
|
1989
|
|
Joe Roth (Executive Producer)
|
Skin Deep
|
1989
|
|
Joe Roth (Producer)
|
Skin Deep
|
1989
|
|
Franklin J. Schaffner (Director)
|
Welcome Home
|
1989
|
|
Robert Swink (Editor)
|
Welcome Home
|
1989
|
|
Blake Edwards (Director)
|
Justin Case
|
1988
|
|
Blake Edwards (Director)
|
Sunset
|
1988
|
|
Anthony Richmond (Cinematographer)
|
Sunset
|
1988
|
|
Alan Hume (Cinematographer)
|
Without a Clue
|
1988
|
|
Blake Edwards (Director)
|
Blind Date
|
1987
|
|
Gary Hendler (Executive Producer)
|
Blind Date
|
1987
|
|
Harry Stradling, Jr. (Cinematographer)
|
Blind Date
|
1987
|
|
Tony Walton (Costume Designer)
|
The Glass Menagerie
|
1987
|
|
Michael Ballhaus (Cinematographer)
|
The Glass Menagerie
|
1987
|
|
Paul Newman (Director)
|
The Glass Menagerie
|
1987
|
|
Mel Damski (Director)
|
Murder by the Book
|
1987
|
|
Blake Edwards (Director)
|
A Fine Mess
|
1986
|
|
Harry Stradling, Jr. (Cinematographer)
|
A Fine Mess
|
1986
|
|
Ron Clements (Director)
|
The Great Mouse Detective
|
1986
|
|
Anthony Richmond (Cinematographer)
|
That's Life!
|
1986
|
|
Blake Edwards (Director)
|
That's Life!
|
1986
|
|
Tobe Hooper (Director)
|
Lifeforce
|
1985
|
|
Alan Hume (Cinematographer)
|
Lifeforce
|
1985
|
|
Yoram Globus (Producer)
|
Lifeforce
|
1985
|
|
Menahem Golan (Producer)
|
Lifeforce
|
1985
|
|
Alexander Salkind (Producer)
|
Santa Claus: The Movie
|
1985
|
|
Gene Kelly (Executive Producer)
|
That's Dancing!
|
1985
|
|
Paul Newman (Director)
|
Harry and Son
|
1984
|
|
Dede Allen (Editor)
|
Harry and Son
|
1984
|
|
Paul Newman (Producer)
|
Harry and Son
|
1984
|
|
Bryan Forbes (Director)
|
Better Late Than Never
|
1983
|
|
Raymond Chow (Executive Producer)
|
Better Late Than Never
|
1983
|
|
Gerry Fisher (Cinematographer)
|
Better Late Than Never
|
1983
|
|
Raymond Chow (Producer)
|
Better Late Than Never
|
1983
|
|
Blake Edwards (Director)
|
Curse of the Pink Panther
|
1983
|
|
Blake Edwards (Producer)
|
Curse of the Pink Panther
|
1983
|
|
Blake Edwards (Producer)
|
The Man Who Loved Women
|
1983
|
|
Ann Roth (Costume Designer)
|
The Man Who Loved Women
|
1983
|
|
Blake Edwards (Director)
|
The Man Who Loved Women
|
1983
|
|
Haskell Wexler (Cinematographer)
|
The Man Who Loved Women
|
1983
|
|
King Baggot (Cinematographer)
|
Second Thoughts
|
1983
|
|
Daryl Duke (Director)
|
The Thorn Birds [TV Miniseries]
|
1983
|
|
Bill Butler (Cinematographer)
|
The Thorn Birds [TV Miniseries]
|
1983
|
|
Blake Edwards (Director)
|
The Trail of the Pink Panther
|
1982
|
|
Blake Edwards (Producer)
|
The Trail of the Pink Panther
|
1982
|
|
Blake Edwards (Director)
|
Victor/Victoria
|
1982
|
|
Blake Edwards (Producer)
|
Victor/Victoria
|
1982
|
|
Martin Ritt (Director)
|
Back Roads
|
1981
|
|
John A. Alonzo (Cinematographer)
|
Back Roads
|
1981
|
|
Charles Jarrott (Director)
|
Condorman
|
1981
|
|
Ron Miller (Executive Producer)
|
Condorman
|
1981
|
|
Irene Sharaff (Costume Designer)
|
Mommie Dearest
|
1981
|
|
Frank Perry (Director)
|
Mommie Dearest
|
1981
|
|
Blake Edwards (Director)
|
S.O.B.
|
1981
|
|
Harry Stradling, Jr. (Cinematographer)
|
S.O.B.
|
1981
|
|
Blake Edwards (Producer)
|
S.O.B.
|
1981
|
|
Walter Bernstein (Director)
|
Little Miss Marker
|
1980
|
|
Walter Matthau (Executive Producer)
|
Little Miss Marker
|
1980
|
|
Walter Matthau (Producer)
|
Little Miss Marker
|
1980
|
|
Paul Newman (Director)
|
The Shadow Box
|
1980
|
|
Blake Edwards (Director)
|
10
|
1979
|
|
Blake Edwards (Producer)
|
10
|
1979
|
|
Arthur Hiller (Director)
|
Nightwing
|
1979
|
|
John C. Howard (Editor)
|
Nightwing
|
1979
|
|
Richard Quine (Director)
|
The Prisoner of Zenda
|
1979
|
|
Walter Mirisch (Producer)
|
The Prisoner of Zenda
|
1979
|
|
David Lowell Rich (Director)
|
A Family Upside Down
|
1978
|
|
Joseph Biroc (Cinematographer)
|
A Family Upside Down
|
1978
|
|
Ross Hunter (Producer)
|
A Family Upside Down
|
1978
|
|
Howard Zieff (Director)
|
House Calls
|
1978
|
|
Friz Freleng (Producer)
|
A Pink Christmas
|
1978
|
|
Blake Edwards (Director)
|
The Revenge of the Pink Panther
|
1978
|
|
Blake Edwards (Producer)
|
The Revenge of the Pink Panther
|
1978
|
|
Ross Hunter (Producer)
|
Suddenly, Love
|
1978
|
|
Bud Yorkin (Executive Producer)
|
What's Happening!!: Season 03
|
1978
|
|
Ted Kotcheff (Director)
|
Who Is Killing the Great Chefs of Europe?
|
1978
|
|
Boris Sagal (Director)
|
Angela
|
1977
|
|
Bud Yorkin (Executive Producer)
|
What's Happening!!: Season 02
|
1977
|
|
John Korty (Director)
|
Alex and the Gypsy
|
1976
|
|
Bill Butler (Cinematographer)
|
Alex and the Gypsy
|
1976
|
|
Boris Sagal (Director)
|
The Moneychangers
|
1976
|
|
Ross Hunter (Producer)
|
The Moneychangers
|
1976
|
|
Joseph Biroc (Cinematographer)
|
The Moneychangers
|
1976
|
|
Blake Edwards (Director)
|
The Pink Panther Strikes Again
|
1976
|
|
Blake Edwards (Producer)
|
The Pink Panther Strikes Again
|
1976
|
|
Arthur Hiller (Director)
|
Silver Streak
|
1976
|
|
Edith Head (Costume Designer)
|
W.C. Fields and Me
|
1976
|
|
Arthur Hiller (Director)
|
W.C. Fields and Me
|
1976
|
|
John C. Howard (Editor)
|
W.C. Fields and Me
|
1976
|
|
Bud Yorkin (Executive Producer)
|
What's Happening!!: Season 01
|
1976
|
|
J. Lee Thompson (Director)
|
The Blue Knight
|
1975
|
|
George Roy Hill (Producer)
|
The Great Waldo Pepper
|
1975
|
|
George Roy Hill (Director)
|
The Great Waldo Pepper
|
1975
|
|
Henry Bumstead (Art Director)
|
The Great Waldo Pepper
|
1975
|
|
Edith Head (Costume Designer)
|
The Great Waldo Pepper
|
1975
|
|
Robert Surtees (Cinematographer)
|
The Great Waldo Pepper
|
1975
|
|
Guy Green (Director)
|
Once Is Not Enough
|
1975
|
|
John A. Alonzo (Cinematographer)
|
Once Is Not Enough
|
1975
|
|
Blake Edwards (Director)
|
The Return of the Pink Panther
|
1975
|
|
Geoffrey Unsworth (Cinematographer)
|
The Return of the Pink Panther
|
1975
|
|
Blake Edwards (Producer)
|
The Return of the Pink Panther
|
1975
|
|
Herman A. Blumenthal (Art Director)
|
99 and 44/100 Percent Dead
|
1974
|
|
John Frankenheimer (Director)
|
99 and 44/100 Percent Dead
|
1974
|
|
Harold Kress (Editor)
|
99 and 44/100 Percent Dead
|
1974
|
|
David Brown (Producer)
|
The Girl from Petrovka
|
1974
|
|
Richard D. Zanuck (Producer)
|
The Girl from Petrovka
|
1974
|
|
Vilmos Zsigmond (Cinematographer)
|
The Girl from Petrovka
|
1974
|
|
David Lowell Rich (Director)
|
The Sex Symbol
|
1974
|
|
Russell Metty (Cinematographer)
|
That's Entertainment!
|
1974
|
|
Ennio Guarnieri (Cinematographer)
|
That's Entertainment!
|
1974
|
|
Philip Kaufman (Director)
|
The White Dawn
|
1974
|
|
Michael Chapman (Cinematographer)
|
The White Dawn
|
1974
|
|
Stanley Kramer (Director)
|
Oklahoma Crude
|
1973
|
|
Robert Surtees (Cinematographer)
|
Oklahoma Crude
|
1973
|
|
Stanley Kramer (Producer)
|
Oklahoma Crude
|
1973
|
|
Bud Yorkin (Director)
|
The Thief Who Came to Dinner
|
1973
|
|
Bud Yorkin (Producer)
|
The Thief Who Came to Dinner
|
1973
|
|
Milos Forman (Director)
|
Visions of Eight: The Olympics of Motion Picture Achievement
|
1973
|
|
Kon Ichikawa (Director)
|
Visions of Eight: The Olympics of Motion Picture Achievement
|
1973
|
|
Claude Lelouch (Director)
|
Visions of Eight: The Olympics of Motion Picture Achievement
|
1973
|
|
Arthur Penn (Director)
|
Visions of Eight: The Olympics of Motion Picture Achievement
|
1973
|
|
John Schlesinger (Director)
|
Visions of Eight: The Olympics of Motion Picture Achievement
|
1973
|
|
Mai Zetterling (Director)
|
Visions of Eight: The Olympics of Motion Picture Achievement
|
1973
|
|
Dede Allen (Editor)
|
Visions of Eight: The Olympics of Motion Picture Achievement
|
1973
|
|
Jim Clark (Editor)
|
Visions of Eight: The Olympics of Motion Picture Achievement
|
1973
|
|
Alfred Hitchcock (Director)
|
Frenzy
|
1972
|
|
Gilbert Taylor (Cinematographer)
|
Frenzy
|
1972
|
|
Alfred Hitchcock (Producer)
|
Frenzy
|
1972
|
|
Marvin J. Chomsky (Director)
|
Sam Cade
|
1972
|
|
Richard Donner (Director)
|
Sam Cade
|
1972
|
|
Edith Head (Costume Designer)
|
Sometimes a Great Notion
|
1971
|
|
Paul Newman (Director)
|
Sometimes a Great Notion
|
1971
|
|
Hermes Pan (Choreography)
|
Darling Lili
|
1970
|
|
Blake Edwards (Director)
|
Darling Lili
|
1970
|
|
Blake Edwards (Producer)
|
Darling Lili
|
1970
|
|
Enrico Sabbatini (Costume Designer)
|
I Girasoli
|
1970
|
|
Vittorio De Sica (Director)
|
I Girasoli
|
1970
|
|
Giuseppe Rotunno (Cinematographer)
|
I Girasoli
|
1970
|
|
Carlo Ponti (Producer)
|
I Girasoli
|
1970
|
|
Lucien Ballard (Cinematographer)
|
The Hawaiians
|
1970
|
|
Walter Mirisch (Producer)
|
The Hawaiians
|
1970
|
|
Martin Ritt (Director)
|
The Molly Maguires
|
1970
|
|
James Wong Howe (Cinematographer)
|
The Molly Maguires
|
1970
|
|
Walter Bernstein (Producer)
|
The Molly Maguires
|
1970
|
|
Martin Ritt (Producer)
|
The Molly Maguires
|
1970
|
|
Mel Ferrer (Producer)
|
The Night Visitor
|
1970
|
|
Michael Ritchie (Director)
|
Downhill Racer
|
1969
|
|
Norman Jewison (Director)
|
Gaily, Gaily
|
1969
|
|
Norman Jewison (Producer)
|
Gaily, Gaily
|
1969
|
|
Stanley Shapiro (Producer)
|
Me, Natalie
|
1969
|
|
Blake Edwards (Producer)
|
The Party
|
1968
|
|
Lucien Ballard (Cinematographer)
|
The Party
|
1968
|
|
Blake Edwards (Director)
|
The Party
|
1968
|
|
Anthony Havelock-Allan (Producer)
|
Romeo and Juliet
|
1968
|
|
Pasqualino De Santis (Cinematographer)
|
Romeo and Juliet
|
1968
|
|
Franco Zeffirelli (Director)
|
Romeo and Juliet
|
1968
|
|
Danilo Donati (Costume Designer)
|
Romeo and Juliet
|
1968
|
|
Blake Edwards (Director)
|
Gunn
|
1967
|
|
Willy Holt (Art Director)
|
Two for the Road
|
1967
|
|
Stanley Donen (Director)
|
Two for the Road
|
1967
|
|
Christopher G. Challis (Cinematographer)
|
Two for the Road
|
1967
|
|
Stanley Donen (Producer)
|
Two for the Road
|
1967
|
|
Terence Young (Director)
|
Wait Until Dark
|
1967
|
|
Mel Ferrer (Producer)
|
Wait Until Dark
|
1967
|
|
Stanley Donen (Director)
|
Arabesque
|
1966
|
|
Christopher G. Challis (Cinematographer)
|
Arabesque
|
1966
|
|
Stanley Donen (Producer)
|
Arabesque
|
1966
|
|
Mervyn LeRoy (Director)
|
Moment to Moment
|
1966
|
|
Harry Stradling (Cinematographer)
|
Moment to Moment
|
1966
|
|
Mervyn LeRoy (Producer)
|
Moment to Moment
|
1966
|
|
Blake Edwards (Director)
|
What Did You Do in the War, Daddy?
|
1966
|
|
Blake Edwards (Producer)
|
What Did You Do in the War, Daddy?
|
1966
|
|
Hermes Pan (Choreography)
|
The Great Race
|
1965
|
|
Edith Head (Costume Designer)
|
The Great Race
|
1965
|
|
Blake Edwards (Director)
|
The Great Race
|
1965
|
|
Joseph L. Mankiewicz (Director)
|
A Carol for Another Christmas
|
1964
|
|
Joseph L. Mankiewicz (Producer)
|
A Carol for Another Christmas
|
1964
|
|
Delbert Mann (Director)
|
Dear Heart
|
1964
|
|
Don Siegel (Director)
|
The Killers
|
1964
|
|
Don Siegel (Producer)
|
The Killers
|
1964
|
|
Blake Edwards (Producer)
|
A Shot in the Dark
|
1964
|
|
Christopher G. Challis (Cinematographer)
|
A Shot in the Dark
|
1964
|
|
Blake Edwards (Director)
|
A Shot in the Dark
|
1964
|
|
Stanley Donen (Director)
|
Charade
|
1963
|
|
Jim Clark (Editor)
|
Charade
|
1963
|
|
Stanley Donen (Producer)
|
Charade
|
1963
|
|
Edith Head (Costume Designer)
|
Man's Favorite Sport?
|
1963
|
|
Howard Hawks (Director)
|
Man's Favorite Sport?
|
1963
|
|
Howard Hawks (Producer)
|
Man's Favorite Sport?
|
1963
|
|
Hermes Pan (Choreography)
|
The Pink Panther
|
1963
|
|
Blake Edwards (Director)
|
The Pink Panther
|
1963
|
|
Ralph Nelson (Director)
|
Soldier in the Rain
|
1963
|
|
Blake Edwards (Director)
|
Days of Wine and Roses
|
1962
|
|
Blake Edwards (Director)
|
Experiment in Terror
|
1962
|
|
Blake Edwards (Producer)
|
Experiment in Terror
|
1962
|
|
Edith Head (Costume Designer)
|
Hatari!
|
1962
|
|
Howard Hawks (Director)
|
Hatari!
|
1962
|
|
Howard Hawks (Producer)
|
Hatari!
|
1962
|
|
Ishiro Honda (Director)
|
King Kong vs. Godzilla
|
1962
|
|
Tomoyuki Tanaka (Producer)
|
King Kong vs. Godzilla
|
1962
|
|
Jack Martin Smith (Art Director)
|
Mr. Hobbs Takes a Vacation
|
1962
|
|
Henry Koster (Director)
|
Mr. Hobbs Takes a Vacation
|
1962
|
|
Jerry Wald (Executive Producer)
|
Mr. Hobbs Takes a Vacation
|
1962
|
|
Jack Arnold (Director)
|
Bachelor in Paradise
|
1961
|
|
Edith Head (Costume Designer)
|
Breakfast at Tiffany's
|
1961
|
|
Blake Edwards (Director)
|
Breakfast at Tiffany's
|
1961
|
|
Henry Bumstead (Art Director)
|
The Great Impostor
|
1961
|
|
Robert Mulligan (Director)
|
The Great Impostor
|
1961
|
|
Robert Burks (Cinematographer)
|
The Great Impostor
|
1961
|
|
Robert Arthur (Producer)
|
The Great Impostor
|
1961
|
|
Jack Martin Smith (Art Director)
|
The Second Time Around
|
1961
|
|
Vincent Sherman (Director)
|
The Second Time Around
|
1961
|
|
Jack Cummings (Producer)
|
The Second Time Around
|
1961
|
|
Herman A. Blumenthal (Art Director)
|
High Time
|
1960
|
|
Blake Edwards (Director)
|
High Time
|
1960
|
|
Charles Brackett (Producer)
|
High Time
|
1960
|
|
Jean Louis (Costume Designer)
|
Imitation of Life
|
1959
|
|
Douglas Sirk (Director)
|
Imitation of Life
|
1959
|
|
Russell Metty (Cinematographer)
|
Imitation of Life
|
1959
|
|
Ross Hunter (Producer)
|
Imitation of Life
|
1959
|
|
Hermes Pan (Choreography)
|
Never Steal Anything Small
|
1959
|
|
Charles Lederer (Director)
|
Never Steal Anything Small
|
1959
|
|
Russell Schoengarth (Editor)
|
Never Steal Anything Small
|
1959
|
|
Aaron Rosenberg (Producer)
|
Never Steal Anything Small
|
1959
|
|
Blake Edwards (Director)
|
Operation Petticoat
|
1959
|
|
Robert Arthur (Producer)
|
Operation Petticoat
|
1959
|
|
Arthur E. Arling (Cinematographer)
|
Flood Tide
|
1958
|
|
Robert Arthur (Producer)
|
Flood Tide
|
1958
|
|
Paul Henreid (Director)
|
Girls on the Loose
|
1958
|
|
Paul Henreid (Director)
|
Live Fast, Die Young
|
1958
|
|
Ross Hunter (Producer)
|
The Restless Years
|
1958
|
|
Helmut Käutner (Director)
|
The Restless Years
|
1958
|
|
Joseph E. Gershenson (Producer)
|
Step Down to Terror
|
1958
|
|
Harry Keller (Director)
|
Step Down to Terror
|
1958
|
|
Russell Metty (Cinematographer)
|
Step Down to Terror
|
1958
|
|
Tony Martinelli (Editor)
|
Summer Love
|
1958
|
|
Russell Metty (Cinematographer)
|
The Thing That Couldn't Die
|
1958
|
|
Blake Edwards (Director)
|
This Happy Feeling
|
1958
|
|
Arthur E. Arling (Cinematographer)
|
This Happy Feeling
|
1958
|
|
Ross Hunter (Producer)
|
This Happy Feeling
|
1958
|
|
Orson Welles (Director)
|
Touch of Evil
|
1958
|
|
Russell Metty (Cinematographer)
|
Touch of Evil
|
1958
|
|
Albert Zugsmith (Producer)
|
Touch of Evil
|
1958
|
|
William H. Daniels (Cinematographer)
|
The Voice in the Mirror
|
1958
|
|
Harry Keller (Director)
|
The Voice in the Mirror
|
1958
|
|
Aaron Rosenberg (Producer)
|
Joe Butterfly
|
1957
|
|
George Robinson (Cinematographer)
|
Joe Dakota
|
1957
|
|
Howard Christie (Producer)
|
Joe Dakota
|
1957
|
|
Kenny Williams (Choreography)
|
Kelly and Me
|
1957
|
|
Robert Z. Leonard (Director)
|
Kelly and Me
|
1957
|
|
Maury Gertsman (Cinematographer)
|
Kelly and Me
|
1957
|
|
Robert Arthur (Producer)
|
Kelly and Me
|
1957
|
|
Arthur E. Arling (Cinematographer)
|
The Kettles on Old MacDonald's Farm
|
1957
|
|
Howard Christie (Producer)
|
The Kettles on Old MacDonald's Farm
|
1957
|
|
Harry Keller (Director)
|
Man Afraid
|
1957
|
|
Russell Metty (Cinematographer)
|
Man Afraid
|
1957
|
|
Robert Arthur (Producer)
|
Mister Cory
|
1957
|
|
Blake Edwards (Director)
|
Mister Cory
|
1957
|
|
Russell Metty (Cinematographer)
|
Mister Cory
|
1957
|
|
Howard Christie (Producer)
|
The Monolith Monsters
|
1957
|
|
George Robinson (Cinematographer)
|
The Night Runner
|
1957
|
|
Albert Zugsmith (Producer)
|
Slaughter on Tenth Avenue
|
1957
|
|
Russell Schoengarth (Editor)
|
Slaughter on Tenth Avenue
|
1957
|
|
Douglas Sirk (Director)
|
The Tarnished Angels
|
1957
|
|
Russell Schoengarth (Editor)
|
The Tarnished Angels
|
1957
|
|
Albert Zugsmith (Producer)
|
The Tarnished Angels
|
1957
|
|
Jack Arnold (Director)
|
The Tattered Dress
|
1957
|
|
Albert Zugsmith (Producer)
|
The Tattered Dress
|
1957
|
|
Maury Gertsman (Cinematographer)
|
Behind the High Wall
|
1956
|
|
Maury Gertsman (Cinematographer)
|
The Creature Walks Among Us
|
1956
|
|
Robert Arthur (Producer)
|
A Day of Fury
|
1956
|
|
Maury Gertsman (Cinematographer)
|
Everything But the Truth
|
1956
|
|
Howard Christie (Producer)
|
Everything But the Truth
|
1956
|
|
George Robinson (Cinematographer)
|
Francis in the Haunted House
|
1956
|
|
Robert Arthur (Producer)
|
Francis in the Haunted House
|
1956
|
|
Charles Lamont (Director)
|
Francis in the Haunted House
|
1956
|
|
Aaron Rosenberg (Producer)
|
The Great Man
|
1956
|
|
José Ferrer (Director)
|
The Great Man
|
1956
|
|
Charles Lamont (Director)
|
The Kettles in the Ozarks
|
1956
|
|
Richard Wilson (Producer)
|
The Kettles in the Ozarks
|
1956
|
|
George Robinson (Cinematographer)
|
The Kettles in the Ozarks
|
1956
|
|
Jack Arnold (Director)
|
Outside the Law
|
1956
|
|
George Robinson (Cinematographer)
|
Rock, Pretty Baby
|
1956
|
|
Howard Christie (Producer)
|
Showdown at Abilene
|
1956
|
|
Howard Christie (Producer)
|
Toy Tiger
|
1956
|
|
George Robinson (Cinematographer)
|
Toy Tiger
|
1956
|
|
William H. Daniels (Cinematographer)
|
The Unguarded Moment
|
1956
|
|
Harry Keller (Director)
|
The Unguarded Moment
|
1956
|
|
Aaron Rosenberg (Producer)
|
The World in My Corner
|
1956
|
|
Maury Gertsman (Cinematographer)
|
The World in My Corner
|
1956
|
|
Charles Lamont (Director)
|
Abbott and Costello Meet the Keystone Kops
|
1955
|
|
Howard Christie (Producer)
|
Abbott and Costello Meet the Keystone Kops
|
1955
|
|
Kenny Williams (Choreography)
|
Ain't Misbehavin'
|
1955
|
|
Edward N. Buzzell (Director)
|
Ain't Misbehavin'
|
1955
|
|
Samuel Marx (Producer)
|
Ain't Misbehavin'
|
1955
|
|
Aaron Rosenberg (Producer)
|
The Benny Goodman Story
|
1955
|
|
William H. Daniels (Cinematographer)
|
The Benny Goodman Story
|
1955
|
|
Russell Schoengarth (Editor)
|
The Benny Goodman Story
|
1955
|
|
Aaron Rosenberg (Producer)
|
The Far Country
|
1955
|
|
Bernard Herzbrun (Art Director)
|
The Far Country
|
1955
|
|
Anthony Mann (Director)
|
The Far Country
|
1955
|
|
William H. Daniels (Cinematographer)
|
The Far Country
|
1955
|
|
Russell Schoengarth (Editor)
|
The Far Country
|
1955
|
|
William H. Daniels (Cinematographer)
|
Foxfire
|
1955
|
|
Aaron Rosenberg (Producer)
|
Foxfire
|
1955
|
|
Russell Metty (Cinematographer)
|
The Man from Bitter Ridge
|
1955
|
|
Jack Arnold (Director)
|
The Man from Bitter Ridge
|
1955
|
|
Maury Gertsman (Cinematographer)
|
One Desire
|
1955
|
|
Ross Hunter (Producer)
|
One Desire
|
1955
|
|
George Marshall (Director)
|
The Second Greatest Sex
|
1955
|
|
Aaron Rosenberg (Producer)
|
Six Bridges to Cross
|
1955
|
|
Russell Schoengarth (Editor)
|
Six Bridges to Cross
|
1955
|
|
William H. Daniels (Cinematographer)
|
Six Bridges to Cross
|
1955
|
|
Howard Christie (Producer)
|
Smoke Signal
|
1955
|
|
Paul Weatherwax (Editor)
|
The Spoilers
|
1955
|
|
Ross Hunter (Producer)
|
The Spoilers
|
1955
|
|
Maury Gertsman (Cinematographer)
|
The Spoilers
|
1955
|
|
George Robinson (Cinematographer)
|
The Square Jungle
|
1955
|
|
Albert Zugsmith (Producer)
|
The Square Jungle
|
1955
|
|
Paul Weatherwax (Editor)
|
The Square Jungle
|
1955
|
|
George Robinson (Cinematographer)
|
Tarantula
|
1955
|
|
Jack Arnold (Director)
|
Tarantula
|
1955
|
|
Jack Arnold (Director)
|
This Island Earth
|
1955
|
|
Maury Gertsman (Cinematographer)
|
To Hell and Back
|
1955
|
|
Aaron Rosenberg (Producer)
|
To Hell and Back
|
1955
|
|
Maury Gertsman (Cinematographer)
|
Bengal Brigade
|
1954
|
|
George Robinson (Cinematographer)
|
Black Horse Canyon
|
1954
|
|
Jack Arnold (Director)
|
Creature from the Black Lagoon
|
1954
|
|
George Marshall (Director)
|
Destry
|
1954
|
|
George Robinson (Cinematographer)
|
Destry
|
1954
|
|
Russell Schoengarth (Editor)
|
Fireman Save My Child
|
1954
|
|
Howard Christie (Producer)
|
Fireman Save My Child
|
1954
|
|
Richard Carlson (Director)
|
Four Guns to the Border
|
1954
|
|
Russell Metty (Cinematographer)
|
Four Guns to the Border
|
1954
|
|
Arthur Lubin (Director)
|
Francis Joins the Wacs
|
1954
|
|
Russell Schoengarth (Editor)
|
Francis Joins the Wacs
|
1954
|
|
Russell Schoengarth (Editor)
|
The Glenn Miller Story
|
1954
|
|
Kenny Williams (Choreography)
|
The Glenn Miller Story
|
1954
|
|
Anthony Mann (Director)
|
The Glenn Miller Story
|
1954
|
|
William H. Daniels (Cinematographer)
|
The Glenn Miller Story
|
1954
|
|
Aaron Rosenberg (Producer)
|
The Glenn Miller Story
|
1954
|
|
Bernard Herzbrun (Art Director)
|
Johnny Dark
|
1954
|
|
Charles Lamont (Director)
|
Ma and Pa Kettle at Home
|
1954
|
|
Richard Wilson (Producer)
|
Ma and Pa Kettle at Home
|
1954
|
|
Maury Gertsman (Cinematographer)
|
Rails into Laramie
|
1954
|
|
Bernard Herzbrun (Art Director)
|
Saskatchewan
|
1954
|
|
Raoul Walsh (Director)
|
Saskatchewan
|
1954
|
|
John F. Seitz (Cinematographer)
|
Saskatchewan
|
1954
|
|
Aaron Rosenberg (Producer)
|
Saskatchewan
|
1954
|
|
Maury Gertsman (Cinematographer)
|
So This Is Paris
|
1954
|
|
Richard Quine (Director)
|
So This Is Paris
|
1954
|
|
Gene Nelson (Choreography)
|
So This Is Paris
|
1954
|
|
André De Toth (Director)
|
Tanganyika
|
1954
|
|
Maury Gertsman (Cinematographer)
|
Tanganyika
|
1954
|
|
Howard Christie (Producer)
|
Yankee Pasha
|
1954
|
|
George Robinson (Cinematographer)
|
The Yellow Mountain
|
1954
|
|
Ross Hunter (Producer)
|
The Yellow Mountain
|
1954
|
|
Bernard Herzbrun (Art Director)
|
All I Desire
|
1953
|
|
Kenny Williams (Choreography)
|
All I Desire
|
1953
|
|
Douglas Sirk (Director)
|
All I Desire
|
1953
|
|
Ross Hunter (Producer)
|
All I Desire
|
1953
|
|
Maury Gertsman (Cinematographer)
|
The All-American
|
1953
|
|
Aaron Rosenberg (Producer)
|
The All-American
|
1953
|
|
Budd Boetticher (Director)
|
City Beneath the Sea
|
1953
|
|
Frederick de Cordova (Director)
|
Column South
|
1953
|
|
Bernard Herzbrun (Art Director)
|
East of Sumatra
|
1953
|
|
Budd Boetticher (Director)
|
East of Sumatra
|
1953
|
|
Paul Weatherwax (Editor)
|
Girls in the Night
|
1953
|
|
Jack Arnold (Director)
|
Girls in the Night
|
1953
|
|
Richard Wilson (Producer)
|
The Golden Blade
|
1953
|
|
Bernard Herzbrun (Art Director)
|
The Golden Blade
|
1953
|
|
Maury Gertsman (Cinematographer)
|
The Golden Blade
|
1953
|
|
Lloyd Bacon (Director)
|
The Great Sioux Uprising
|
1953
|
|
Maury Gertsman (Cinematographer)
|
The Great Sioux Uprising
|
1953
|
|
Aaron Rosenberg (Producer)
|
Gunsmoke
|
1953
|
|
Richard Whorf (Director)
|
Gunsmoke
|
1953
|
|
Jack Arnold (Director)
|
It Came from Outer Space
|
1953
|
|
Paul Weatherwax (Editor)
|
It Came from Outer Space
|
1953
|
|
Bernard Herzbrun (Art Director)
|
It Came from Outer Space
|
1953
|
|
Bernard Herzbrun (Art Director)
|
It Happens Every Thursday
|
1953
|
|
Russell Metty (Cinematographer)
|
It Happens Every Thursday
|
1953
|
|
Howard Christie (Producer)
|
The Lone Hand
|
1953
|
|
Maury Gertsman (Cinematographer)
|
The Lone Hand
|
1953
|
|
Paul Weatherwax (Editor)
|
The Lone Hand
|
1953
|
|
Douglas Sirk (Director)
|
Take Me to Town
|
1953
|
|
Bernard Herzbrun (Art Director)
|
Take Me to Town
|
1953
|
|
Ross Hunter (Producer)
|
Take Me to Town
|
1953
|
|
Russell Metty (Cinematographer)
|
Take Me to Town
|
1953
|
|
Ross Hunter (Producer)
|
Tumbleweed
|
1953
|
|
Russell Metty (Cinematographer)
|
Tumbleweed
|
1953
|
|
Bernard Herzbrun (Art Director)
|
Tumbleweed
|
1953
|
|
Russell Metty (Cinematographer)
|
The Veils of Bagdad
|
1953
|
|
Paul Weatherwax (Editor)
|
The Veils of Bagdad
|
1953
|
|
Bernard Herzbrun (Art Director)
|
Walking My Baby Back Home
|
1953
|
|
Lloyd Bacon (Director)
|
Walking My Baby Back Home
|
1953
|
|
Paul Weatherwax (Editor)
|
Back at the Front
|
1952
|
|
Douglas Sirk (Director)
|
Has Anybody Seen My Gal?
|
1952
|
|
Russell Schoengarth (Editor)
|
Has Anybody Seen My Gal?
|
1952
|
|
Bernard Herzbrun (Art Director)
|
Horizons West
|
1952
|
|
Budd Boetticher (Director)
|
Horizons West
|
1952
|
|
Bernard Herzbrun (Art Director)
|
Lost in Alaska
|
1952
|
|
Jean Yarbrough (Director)
|
Lost in Alaska
|
1952
|
|
George Robinson (Cinematographer)
|
Lost in Alaska
|
1952
|
|
Howard Christie (Producer)
|
Lost in Alaska
|
1952
|
|
Bernard Herzbrun (Art Director)
|
Meet Me at the Fair
|
1952
|
|
Kenny Williams (Choreography)
|
Meet Me at the Fair
|
1952
|
|
Douglas Sirk (Director)
|
Meet Me at the Fair
|
1952
|
|
Russell Schoengarth (Editor)
|
Meet Me at the Fair
|
1952
|
|
Maury Gertsman (Cinematographer)
|
Meet Me at the Fair
|
1952
|
|
Bernard Herzbrun (Art Director)
|
The Raiders
|
1952
|
|
Paul Weatherwax (Editor)
|
The Raiders
|
1952
|