|
Russell Metty (Cinematographer)
|
Captain Newman, M.D.
|
1963
|
|
Robert Arthur (Producer)
|
Captain Newman, M.D.
|
1963
|
|
Henry Koster (Producer)
|
Take Her, She's Mine
|
1963
|
|
Henry Koster (Director)
|
Take Her, She's Mine
|
1963
|
|
Lucien Ballard (Cinematographer)
|
Take Her, She's Mine
|
1963
|
|
Jack Martin Smith (Art Director)
|
Take Her, She's Mine
|
1963
|
|
Charles LeMaire (Costume Designer)
|
A Certain Smile
|
1958
|
|
Jean Negulesco (Director)
|
A Certain Smile
|
1958
|
|
Nick Castle (Choreography)
|
Sing, Boy, Sing
|
1958
|
|
Herman A. Blumenthal (Art Director)
|
Sing, Boy, Sing
|
1958
|
|
Leon Shamroy (Cinematographer)
|
Desk Set
|
1957
|
|
Charles LeMaire (Costume Designer)
|
Desk Set
|
1957
|
|
Walter Lang (Director)
|
Desk Set
|
1957
|
|
Henry Hathaway (Director)
|
23 Paces to Baker Street
|
1956
|
|
James B. Clark (Editor)
|
23 Paces to Baker Street
|
1956
|
|
Charles LeMaire (Costume Designer)
|
23 Paces to Baker Street
|
1956
|
|
Michael Curtiz (Director)
|
The Best Things in Life Are Free
|
1956
|
|
Leon Shamroy (Cinematographer)
|
The Best Things in Life Are Free
|
1956
|
|
Dorothy Spencer (Editor)
|
The Best Things in Life Are Free
|
1956
|
|
Henry King (Director)
|
Carousel
|
1956
|
|
Charles G. Clarke (Cinematographer)
|
Carousel
|
1956
|
|
Fred Astaire (Choreography)
|
Daddy Long Legs
|
1955
|
|
Leon Shamroy (Cinematographer)
|
Daddy Long Legs
|
1955
|
|
Jean Negulesco (Director)
|
Daddy Long Legs
|
1955
|
|
Edith Head (Costume Designer)
|
The Girl Rush
|
1955
|
|
William H. Daniels (Cinematographer)
|
The Girl Rush
|
1955
|
|
Leon Shamroy (Cinematographer)
|
There's No Business Like Show Business
|
1954
|
|
Miles White (Costume Designer)
|
There's No Business Like Show Business
|
1954
|
|
Charles LeMaire (Costume Designer)
|
There's No Business Like Show Business
|
1954
|
|
Walter Lang (Director)
|
There's No Business Like Show Business
|
1954
|
|
Sol C. Siegel (Producer)
|
There's No Business Like Show Business
|
1954
|
|
Arthur E. Arling (Cinematographer)
|
Belles on Their Toes
|
1952
|
|
Edward Stevenson (Costume Designer)
|
What Price Glory?
|
1952
|
|
Charles LeMaire (Costume Designer)
|
What Price Glory?
|
1952
|
|
Dorothy Spencer (Editor)
|
What Price Glory?
|
1952
|
|
John Ford (Director)
|
What Price Glory?
|
1952
|
|
Sol C. Siegel (Producer)
|
What Price Glory?
|
1952
|
|
Sol C. Siegel (Producer)
|
On the Riviera
|
1951
|
|
Walter Lang (Director)
|
On the Riviera
|
1951
|
|
Leon Shamroy (Cinematographer)
|
On the Riviera
|
1951
|
|
Edward Stevenson (Costume Designer)
|
The Jackpot
|
1950
|
|
Walter Lang (Director)
|
The Jackpot
|
1950
|
|
Jerry Wald (Producer)
|
John Loves Mary
|
1949
|
|
David Butler (Director)
|
John Loves Mary
|
1949
|
|
Robert M. Haas (Art Director)
|
John Loves Mary
|
1949
|
|
Milo Anderson (Costume Designer)
|
John Loves Mary
|
1949
|
|
LeRoy J. Prinz (Choreography)
|
Look for the Silver Lining
|
1949
|
|
David Butler (Director)
|
Look for the Silver Lining
|
1949
|
|
Alex Gottlieb (Producer)
|
Wallflower
|
1948
|
|
Frederick de Cordova (Director)
|
Wallflower
|
1948
|
|
Karl W. Freund (Cinematographer)
|
Wallflower
|
1948
|
|
Frederick de Cordova (Director)
|
Always Together
|
1947
|
|
Alex Gottlieb (Producer)
|
Always Together
|
1947
|
|
Richard Wallace (Director)
|
Bride by Mistake
|
1944
|
|
Charles Lawton (Cinematographer)
|
Three Is a Family
|
1944
|
|
Sol Lesser (Producer)
|
Three Is a Family
|
1944
|