|
Don Siegel (Director)
|
Hell Is for Heroes
|
1962
|
|
Vincent Sherman (Director)
|
Ice Palace
|
1960
|
|
Joseph Biroc (Cinematographer)
|
Ice Palace
|
1960
|
|
Gordon M. Douglas (Director)
|
The Sins of Rachel Cade
|
1960
|
|
Ernest Haller (Cinematographer)
|
The Miracle
|
1959
|
|
Fred Zinnemann (Director)
|
The Nun's Story
|
1959
|
|
Alexandre Trauner (Art Director)
|
The Nun's Story
|
1959
|
|
Budd Boetticher (Director)
|
Westbound
|
1959
|
|
Orry-Kelly (Costume Designer)
|
Too Much, Too Soon
|
1958
|
|
Anthony Mann (Director)
|
Serenade
|
1956
|
|
John F. Seitz (Cinematographer)
|
The McConnell Story
|
1955
|
|
Gordon M. Douglas (Director)
|
The McConnell Story
|
1955
|
|
Gordon M. Douglas (Director)
|
Sincerely Yours
|
1955
|
|
David Butler (Director)
|
King Richard and the Crusaders
|
1954
|
|
LeRoy J. Prinz (Choreography)
|
Lucky Me
|
1954
|
|
Roy Del Ruth (Director)
|
Phantom of the Rue Morgue
|
1954
|
|
Gordon M. Douglas (Director)
|
Young at Heart
|
1954
|
|
Gordon M. Douglas (Director)
|
She's Back on Broadway
|
1953
|
|
LeRoy J. Prinz (Choreography)
|
She's Back on Broadway
|
1953
|
|
Milo Anderson (Costume Designer)
|
So Big
|
1953
|
|
Robert Wise (Director)
|
So Big
|
1953
|
|
Gordon M. Douglas (Director)
|
So This Is Love
|
1953
|
|
Robert Burks (Cinematographer)
|
So This Is Love
|
1953
|
|
LeRoy J. Prinz (Choreography)
|
So This Is Love
|
1953
|
|
Alan Crosland, Jr. (Editor)
|
The Iron Mistress
|
1952
|
|
Gordon M. Douglas (Director)
|
The Iron Mistress
|
1952
|
|
John F. Seitz (Cinematographer)
|
The Iron Mistress
|
1952
|
|
Lewis Seiler (Director)
|
Operation Secret
|
1952
|
|
Norman Taurog (Director)
|
Room for One More
|
1952
|
|
Alan Crosland, Jr. (Editor)
|
Room for One More
|
1952
|
|
Robert Burks (Cinematographer)
|
Room for One More
|
1952
|
|
Alan Crosland, Jr. (Editor)
|
Come Fill the Cup
|
1951
|
|
Gordon M. Douglas (Director)
|
Come Fill the Cup
|
1951
|
|
Robert Burks (Cinematographer)
|
Come Fill the Cup
|
1951
|
|
Vincent Sherman (Director)
|
Goodbye, My Fancy
|
1951
|
|
King Vidor (Director)
|
Lightning Strikes Twice
|
1951
|
|
Robert Burks (Cinematographer)
|
Tomorrow Is Another Day
|
1951
|
|
Felix E. Feist (Director)
|
Tomorrow Is Another Day
|
1951
|
|
Alan Crosland, Jr. (Editor)
|
Tomorrow Is Another Day
|
1951
|
|
Karl W. Freund (Cinematographer)
|
Bright Leaf
|
1950
|
|
Michael Curtiz (Director)
|
Bright Leaf
|
1950
|
|
Edith Head (Costume Designer)
|
Beyond the Forest
|
1949
|
|
King Vidor (Director)
|
Beyond the Forest
|
1949
|
|
Robert Burks (Cinematographer)
|
Beyond the Forest
|
1949
|
|
Jack L. Warner (Executive Producer)
|
Beyond the Forest
|
1949
|
|
King Vidor (Director)
|
The Fountainhead
|
1949
|
|
Milo Anderson (Costume Designer)
|
The Fountainhead
|
1949
|
|
Robert Burks (Cinematographer)
|
The Fountainhead
|
1949
|
|
Edith Head (Costume Designer)
|
June Bride
|
1948
|
|
Anton Grot (Art Director)
|
June Bride
|
1948
|
|
Jack L. Warner (Executive Producer)
|
June Bride
|
1948
|
|
John Huston (Director)
|
The Treasure of the Sierra Madre
|
1948
|
|
Jack L. Warner (Executive Producer)
|
Winter Meeting
|
1948
|
|
Ernest Haller (Cinematographer)
|
Winter Meeting
|
1948
|
|
Edith Head (Costume Designer)
|
Cry Wolf
|
1947
|
|
Jack L. Warner (Executive Producer)
|
Deep Valley
|
1947
|
|
Jean Negulesco (Director)
|
Deep Valley
|
1947
|
|
LeRoy J. Prinz (Choreography)
|
Escape Me Never
|
1947
|
|
Sol Polito (Cinematographer)
|
Escape Me Never
|
1947
|
|
Alan Crosland, Jr. (Editor)
|
Deception
|
1946
|
|
Jack L. Warner (Executive Producer)
|
Deception
|
1946
|
|
Ernest Haller (Cinematographer)
|
Deception
|
1946
|
|
Anton Grot (Art Director)
|
Deception
|
1946
|
|
Edith Head (Costume Designer)
|
My Reputation
|
1946
|
|
James Wong Howe (Cinematographer)
|
My Reputation
|
1946
|
|
Edmund Goulding (Director)
|
Of Human Bondage
|
1946
|
|
Jack L. Warner (Executive Producer)
|
Of Human Bondage
|
1946
|
|
Milo Anderson (Costume Designer)
|
Of Human Bondage
|
1946
|
|
Anton Grot (Art Director)
|
One More Tomorrow
|
1946
|
|
Michael Curtiz (Director)
|
Roughly Speaking
|
1945
|
|
Travis Banton (Costume Designer)
|
Roughly Speaking
|
1945
|
|
Robert M. Haas (Art Director)
|
Roughly Speaking
|
1945
|
|
Arthur Edeson (Cinematographer)
|
The Mask of Dimitrios
|
1944
|
|
Jean Negulesco (Director)
|
The Mask of Dimitrios
|
1944
|
|
Jack L. Warner (Executive Producer)
|
The Mask of Dimitrios
|
1944
|
|
Edmund Goulding (Director)
|
The Constant Nymph
|
1943
|
|
Robert M. Haas (Art Director)
|
Edge of Darkness
|
1943
|
|
Lewis Milestone (Director)
|
Edge of Darkness
|
1943
|
|
Julia Heron (Art Director)
|
Edge of Darkness
|
1943
|
|
Sol Polito (Cinematographer)
|
Old Acquaintance
|
1943
|
|
Orry-Kelly (Costume Designer)
|
Old Acquaintance
|
1943
|
|
Jack L. Warner (Executive Producer)
|
Old Acquaintance
|
1943
|
|
Vincent Sherman (Director)
|
Old Acquaintance
|
1943
|
|
Robert M. Haas (Art Director)
|
The Gay Sisters
|
1942
|
|
Edith Head (Costume Designer)
|
The Gay Sisters
|
1942
|
|
Sol Polito (Cinematographer)
|
The Gay Sisters
|
1942
|
|
Warren Low (Editor)
|
The Gay Sisters
|
1942
|
|
Anatole Litvak (Director)
|
Blues in the Night
|
1941
|
|
Ernest Haller (Cinematographer)
|
Blues in the Night
|
1941
|
|
Hal B. Wallis (Producer)
|
The Great Lie
|
1941
|
|
Edmund Goulding (Director)
|
The Great Lie
|
1941
|
|
Ralph Dawson (Editor)
|
The Great Lie
|
1941
|
|
Orry-Kelly (Costume Designer)
|
The Great Lie
|
1941
|
|
Lloyd Bacon (Director)
|
Honeymoon for Three
|
1941
|
|
Ernest Haller (Cinematographer)
|
Honeymoon for Three
|
1941
|
|
Orry-Kelly (Costume Designer)
|
Honeymoon for Three
|
1941
|
|
Hal B. Wallis (Producer)
|
Honeymoon for Three
|
1941
|
|
Robert M. Haas (Art Director)
|
The Maltese Falcon
|
1941
|
|
Arthur Edeson (Cinematographer)
|
The Maltese Falcon
|
1941
|
|
John Huston (Director)
|
The Maltese Falcon
|
1941
|
|
Orry-Kelly (Costume Designer)
|
The Maltese Falcon
|
1941
|
|
Hal B. Wallis (Executive Producer)
|
Out of the Fog
|
1941
|
|
James Wong Howe (Cinematographer)
|
Out of the Fog
|
1941
|
|
Warren Low (Editor)
|
Out of the Fog
|
1941
|
|
Anatole Litvak (Director)
|
Out of the Fog
|
1941
|
|
Anton Grot (Art Director)
|
The Sea Wolf
|
1941
|
|
Sol Polito (Cinematographer)
|
The Sea Wolf
|
1941
|
|
Michael Curtiz (Director)
|
The Sea Wolf
|
1941
|
|
Hal B. Wallis (Producer)
|
The Sea Wolf
|
1941
|
|
Jack L. Warner (Producer)
|
The Sea Wolf
|
1941
|
|
Hal B. Wallis (Executive Producer)
|
A Dispatch from Reuters
|
1940
|
|
Warren Low (Editor)
|
A Dispatch from Reuters
|
1940
|
|
Orry-Kelly (Costume Designer)
|
A Dispatch from Reuters
|
1940
|
|
William Dieterle (Director)
|
A Dispatch from Reuters
|
1940
|
|
James Wong Howe (Cinematographer)
|
A Dispatch from Reuters
|
1940
|
|
Anton Grot (Art Director)
|
A Dispatch from Reuters
|
1940
|
|
James Wong Howe (Cinematographer)
|
Saturday's Children
|
1940
|
|
Milo Anderson (Costume Designer)
|
Saturday's Children
|
1940
|
|
Vincent Sherman (Director)
|
Saturday's Children
|
1940
|
|
Jack L. Warner (Producer)
|
Saturday's Children
|
1940
|
|
Hal B. Wallis (Executive Producer)
|
Saturday's Children
|
1940
|
|
Hal B. Wallis (Producer)
|
The Sea Hawk
|
1940
|
|
Jack L. Warner (Producer)
|
The Sea Hawk
|
1940
|
|
Michael Curtiz (Director)
|
The Sea Hawk
|
1940
|
|
Orry-Kelly (Costume Designer)
|
The Sea Hawk
|
1940
|
|
Sol Polito (Cinematographer)
|
The Sea Hawk
|
1940
|
|
Anton Grot (Art Director)
|
The Sea Hawk
|
1940
|
|
James Wong Howe (Cinematographer)
|
Daughters Courageous
|
1939
|
|
Michael Curtiz (Director)
|
Daughters Courageous
|
1939
|
|
Ralph Dawson (Editor)
|
Daughters Courageous
|
1939
|
|
Hal B. Wallis (Producer)
|
Daughters Courageous
|
1939
|
|
Hal B. Wallis (Producer)
|
Four Wives
|
1939
|
|
Ralph Dawson (Editor)
|
Four Wives
|
1939
|
|
Michael Curtiz (Director)
|
Four Wives
|
1939
|
|
Sol Polito (Cinematographer)
|
Four Wives
|
1939
|
|
Orry-Kelly (Costume Designer)
|
Juarez
|
1939
|
|
William Dieterle (Director)
|
Juarez
|
1939
|
|
Warren Low (Editor)
|
Juarez
|
1939
|
|
Hal B. Wallis (Producer)
|
Juarez
|
1939
|
|
Hal B. Wallis (Executive Producer)
|
The Old Maid
|
1939
|
|
Orry-Kelly (Costume Designer)
|
The Old Maid
|
1939
|
|
Edmund Goulding (Director)
|
The Old Maid
|
1939
|
|
Robert M. Haas (Art Director)
|
The Old Maid
|
1939
|
|
Edmund Goulding (Director)
|
We Are Not Alone
|
1939
|
|
Warren Low (Editor)
|
We Are Not Alone
|
1939
|
|
Ralph Dawson (Editor)
|
The Adventures of Robin Hood
|
1938
|
|
William Keighley (Director)
|
The Adventures of Robin Hood
|
1938
|
|
Hal B. Wallis (Producer)
|
The Adventures of Robin Hood
|
1938
|
|
Sol Polito (Cinematographer)
|
The Adventures of Robin Hood
|
1938
|
|
Milo Anderson (Costume Designer)
|
The Adventures of Robin Hood
|
1938
|
|
Michael Curtiz (Director)
|
The Adventures of Robin Hood
|
1938
|
|
Orry-Kelly (Costume Designer)
|
Four Daughters
|
1938
|
|
Ralph Dawson (Editor)
|
Four Daughters
|
1938
|
|
Michael Curtiz (Director)
|
Four Daughters
|
1938
|
|
Hal B. Wallis (Producer)
|
Four Daughters
|
1938
|
|
Ernest Haller (Cinematographer)
|
Four Daughters
|
1938
|
|
William Wyler (Director)
|
Jezebel
|
1938
|
|
Warren Low (Editor)
|
Jezebel
|
1938
|
|
Orry Kelly (Costume Designer)
|
Jezebel
|
1938
|
|
Robert M. Haas (Art Director)
|
Jezebel
|
1938
|
|
Hal B. Wallis (Executive Producer)
|
Jezebel
|
1938
|
|
Orry-Kelly (Costume Designer)
|
Jezebel
|
1938
|
|
Ernest Haller (Cinematographer)
|
Jezebel
|
1938
|
|
Charles Rosher Sr. (Cinematographer)
|
White Banners
|
1938
|
|
Edmund Goulding (Director)
|
White Banners
|
1938
|
|
Hal B. Wallis (Producer)
|
White Banners
|
1938
|
|
Hal B. Wallis (Producer)
|
Call It a Day
|
1937
|
|
Archie Mayo (Director)
|
Call It a Day
|
1937
|
|
Ernest Haller (Cinematographer)
|
Call It a Day
|
1937
|
|
Anton Grot (Art Director)
|
Confession
|
1937
|
|
Joe May (Director)
|
Confession
|
1937
|
|
Orry-Kelly (Costume Designer)
|
Confession
|
1937
|
|
Orry Kelly (Costume Designer)
|
Confession
|
1937
|
|
Hal B. Wallis (Producer)
|
Confession
|
1937
|
|
Hal B. Wallis (Producer)
|
Green Light
|
1937
|
|
Frank Borzage (Director)
|
Green Light
|
1937
|
|
Byron Haskin (Cinematographer)
|
Green Light
|
1937
|
|
Orry-Kelly (Costume Designer)
|
Green Light
|
1937
|
|
Anton Grot (Art Director)
|
The Life of Emile Zola
|
1937
|
|
Milo Anderson (Costume Designer)
|
The Life of Emile Zola
|
1937
|
|
William Dieterle (Director)
|
The Life of Emile Zola
|
1937
|
|
Warren Low (Editor)
|
The Life of Emile Zola
|
1937
|
|
Ralph Dawson (Editor)
|
Anthony Adverse
|
1936
|
|
Jack L. Warner (Producer)
|
Anthony Adverse
|
1936
|
|
Milo Anderson (Costume Designer)
|
Anthony Adverse
|
1936
|
|
Mervyn LeRoy (Director)
|
Anthony Adverse
|
1936
|
|
Anton Grot (Art Director)
|
Anthony Adverse
|
1936
|
|
Milo Anderson (Costume Designer)
|
The Green Pastures
|
1936
|
|
Marc Connelly (Director)
|
The Green Pastures
|
1936
|
|
Hal Mohr (Cinematographer)
|
The Green Pastures
|
1936
|
|
Jack L. Warner (Producer)
|
The Green Pastures
|
1936
|
|
William Keighley (Director)
|
The Green Pastures
|
1936
|
|
Archie Mayo (Director)
|
The Petrified Forest
|
1936
|
|
Sol Polito (Cinematographer)
|
The Petrified Forest
|
1936
|
|
Orry-Kelly (Costume Designer)
|
The Petrified Forest
|
1936
|
|
Orry-Kelly (Costume Designer)
|
Satan Met a Lady
|
1936
|
|
Arthur Edeson (Cinematographer)
|
Satan Met a Lady
|
1936
|
|
William Dieterle (Director)
|
Satan Met a Lady
|
1936
|
|
William Dieterle (Director)
|
The Story of Louis Pasteur
|
1936
|
|
Ralph Dawson (Editor)
|
The Story of Louis Pasteur
|
1936
|
|
Milo Anderson (Costume Designer)
|
The Story of Louis Pasteur
|
1936
|
|
Robert M. Haas (Art Director)
|
The Story of Louis Pasteur
|
1936
|
|
William Dieterle (Director)
|
The White Angel
|
1936
|
|
Warren Low (Editor)
|
The White Angel
|
1936
|
|
Archie Mayo (Director)
|
The Case of the Lucky Legs
|
1935
|
|
Orry-Kelly (Costume Designer)
|
The Girl From Tenth Avenue
|
1935
|
|
Robert Florey (Director)
|
I Am a Thief
|
1935
|
|
Anton Grot (Art Director)
|
The Secret Bride
|
1935
|
|
Orry-Kelly (Costume Designer)
|
The Secret Bride
|
1935
|
|
Ernest Haller (Cinematographer)
|
The Secret Bride
|
1935
|
|
William Dieterle (Director)
|
The Secret Bride
|
1935
|
|
Alan Crosland (Director)
|
The White Cockatoo
|
1935
|
|
Orry-Kelly (Costume Designer)
|
The Dragon Murder Case
|
1934
|
|
H. Bruce Humberstone (Director)
|
The Dragon Murder Case
|
1934
|
|
Ernest Haller (Cinematographer)
|
Easy to Love
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Easy to Love
|
1934
|
|
Anton Grot (Art Director)
|
Easy to Love
|
1934
|
|
William Keighley (Director)
|
Easy to Love
|
1934
|
|
Orry Kelly (Costume Designer)
|
Easy to Love
|
1934
|
|
Busby Berkeley (Choreography)
|
Fashions of 1934
|
1934
|
|
William Dieterle (Director)
|
Fashions of 1934
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Fashions of 1934
|
1934
|
|
William Dieterle (Director)
|
Fog over Frisco
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Fog over Frisco
|
1934
|
|
William Keighley (Director)
|
Journal of a Crime
|
1934
|
|
Orry Kelly (Costume Designer)
|
Journal of a Crime
|
1934
|
|
Ernest Haller (Cinematographer)
|
Journal of a Crime
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Journal of a Crime
|
1934
|
|
William Dieterle (Director)
|
Madame Du Barry
|
1934
|
|
Sol Polito (Cinematographer)
|
Madame Du Barry
|
1934
|
|
Robert M. Haas (Art Director)
|
Bureau of Missing Persons
|
1933
|
|
Roy Del Ruth (Director)
|
Bureau of Missing Persons
|
1933
|
|
Archie Mayo (Director)
|
Convention City
|
1933
|
|
Robert M. Haas (Art Director)
|
I Loved a Woman
|
1933
|
|
Roy Del Ruth (Director)
|
Lady Killer
|
1933
|
|
Robert M. Haas (Art Director)
|
Lady Killer
|
1933
|
|
Orry-Kelly (Costume Designer)
|
Lady Killer
|
1933
|
|
Michael Curtiz (Director)
|
The Mystery of the Wax Museum
|
1933
|
|
Orry-Kelly (Costume Designer)
|
The Mystery of the Wax Museum
|
1933
|
|
Ray Rennahan (Cinematographer)
|
The Mystery of the Wax Museum
|
1933
|
|
Anton Grot (Art Director)
|
The Mystery of the Wax Museum
|
1933
|
|
Busby Berkeley (Director)
|
She Had to Say Yes
|
1933
|
|
Ralph Dawson (Editor)
|
She Had to Say Yes
|
1933
|
|
Ray Enright (Director)
|
The Silk Express
|
1933
|
|
William Dieterle (Director)
|
Her Majesty Love
|
1931
|
|
Ralph Dawson (Editor)
|
Her Majesty Love
|
1931
|